愛欲夜知味
這是一間夜間提供性辦事的高級會所，有別于一樣平常“倡寮”，它提供的是引人入勝的故事：一位酒吧女和兩個同叫“艾利克斯”的主顧同時談愛情，用千篇一律的方法劃一對待二人，區別只在，這二人是一男一女，吧女不知該怎樣選擇；一個秘密夫君報告他更秘密的母親，她富有，懂藝術，卻是個飛賊，某天在一個作家住處，偷到的是一場性愛，得到“兒子”這個一生最好的竊品；一個女人迎來她三十歲生日，朋儕送她秘密禮品，發表一刻才知是她傾慕已久的夫君肉體；兩個一年未見的戀人再度約會，兩人都不大甘心，卻又忘不了當時的調和性愛，險些要錯過，終極見面又迸氣憤花……一個富麗夜晚，四個故事，四段其妙性愛歷險一個不入流的流量小花旦，本不值得我占用朋儕圈吐槽，可樸信惠的粉絲竟然還質疑我男神曹承佑？說曹承佑又老又丑？還說更盼望樸信惠能多和李敏鎬李鐘碩如許的相助？
即刻觀影
劇情賞析
編輯推薦
血觀音
惠英紅,吳可熙,文淇,柯佳嬿,陳莎莉,丁強,劉尚謙,林志儒,王月,溫貞菱,王偉六,陳珮騏,尹昭德,大久保麻梨子,巫書維,顏毓麟,劉越逖,傅子純,陳武康,施名帥,秀蘭瑪雅,應朗豐,李銓棠家一脈花開，將軍身故，棠夫人站在家族宗法寶塔上，也就立足彌陀鄉政治的頂端。黑白兩道，茶盞交錯之間，玲瓏心，剔透眼，柔軟身段，霹靂手段，女人天下。大女兒棠寧玲瓏八面，卻懷一股心思幽微，小女兒棠真乖巧聽話，學著繼承泡茶待客之道，隨棠夫人簾后織手暗操線，青春初豐滿的羽翼，能如何擔起腥風血雨？棠家牽線的土地開發計劃出現變數，好友議員一家遭滅門慘案，以血掀變，彌陀鄉勢力重新洗牌，暗潮涌動，臺北二十年，大家深宅三代女人，千手染血的觀音，骨與血，治與亂，情欲與權力層層密謀穿織。
電視臺風云
費·唐納薇,威廉·霍爾登,彼得·芬奇,羅伯特·杜瓦爾,尼德·巴蒂,比阿特麗斯·斯特雷特妻子的死給電視臺王牌主播霍華德（彼得·芬奇 Peter Finch 飾）帶來了沉重的打擊，使他陷入痛苦和悲傷中無法自拔。電視臺決定解雇已經無心工作的霍華德，霍華德的老朋友麥克斯（威廉·霍爾登 William Holden 飾）成為了傳達這一噩耗的不二人選。得知自己即將被 解雇，為電視臺做牛做馬多年的霍華德十分憤怒，在第二天的節目上，他竟然向觀眾們預告，自己即將進行自殺直播。霍華德的這一出格舉動惹惱了電視臺的高層，更讓一直對麥克斯心存不滿的總裁弗蘭克（羅伯特·杜瓦爾 Robert Duvall 飾）發現了找茬的機會。在隔天的新聞直播中，霍華德理應按計劃對自己的不慎言行做出道歉，可是惱羞成怒的他卻大放厥詞，將矛頭直指當代美國的種種弊端。女制片人戴安娜（費·唐納薇 Faye Dunaway 飾）從霍華德的一系列行為中看出了商機，她買通了弗蘭克，成為了霍華德背后的推手。
三個神探與喀爾巴阡之犬
Florentine Behrend,Levi Brandl,菲利普·克里斯托弗,Luis Dyangani,西拉-安娜 法爾,Mapi Plácido,Filip Schnack...
人偶之家
長澤雅美,瀨戶康史,田中哲司,池村碧彩,本田都同花,今野浩喜,西田尚美,品川徹,安田顯,風吹淳故事主角是失去五歲女兒芽衣的鈴木佳惠（長澤雅美）和丈夫忠彥（瀨戶康史）。沉浸在悲傷中的佳惠，在古董市場找到一個與芽衣非常相似的可愛洋娃娃，并開始呵護它，逐漸恢復了活力。但是，佳惠和忠彥有了新的女兒真衣之后，兩人就不再關注這個洋娃娃了。漸漸地，五歲大的真衣開始和洋娃娃玩耍，這個家庭接二連三地發生奇怪的事情。佳惠他們試圖擺脫這個洋娃娃，但無論扔掉還是供奉，這個洋娃娃卻莫名其妙地回來了！洋娃娃隱藏的秘密是什么？以及即將揭開的震撼真相是什么——！
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
最佳拍檔2：大顯神通
許冠杰,麥嘉,張艾嘉,倉田保昭,徐克,葉夏利,曹達華,黃百鳴,汪庭歡,祖迪文,域陀布烈,李家鼎,施明,韓國材,關淑怡金剛（許冠杰 飾）成功降服白手襪之后，白手襪之兄黑手襪受黑手黨指派繼續交易鉆石并向金剛復仇，金剛與黑手襪的高級機器人大戰數合終于僥幸勝利，卻馬上又落入了牛牛、悠悠兄妹犯罪團伙的騙局，卷入銀行搶劫案成為嫌犯，金剛逃亡路上將拍檔光頭神探（麥嘉 飾）與何東詩（張艾嘉 飾）的婚禮攪得一塌糊涂。所幸光頭神探義字當先合力與金剛對抗牛牛、黑手襪，卻不料金剛再次被悠悠戲弄，光頭神探也只落得被嚴妻整治。最佳拍檔被牛牛團伙脅迫，不得不出面搶奪鉆石，而黑手襪方面再次出動高級機器人應戰，早有準備的金剛取出機器人特工隊，混戰一觸即發…… 本片是最佳拍檔系列的第二集。