劇情縱覽
劇中所敘述的是:畫家水木讓二曾經是個風行一時的女性畫家,他壓服心儀的女性但當模特,與她們發作關系后又轉而丟棄,一心撲在畫作上。但他的事業在高峰期呈現拐點,從此成為一名無家可歸的漂泊漢。水木偶然將四周的事物畫在廢紙板上,然后標價出賣,抑或是整天游蕩街頭,無所事事。某天,銀座岡本畫廊的女經紀人橘今日子發現水木的畫,即可為他的才氣所服氣。她百般勸說水木與之簽約,以至甘愿擔當水木的模特。
劇中所敘述的是:畫家水木讓二曾經是個風行一時的女性畫家,他壓服心儀的女性但當模特,與她們發作關系后又轉而丟棄,一心撲在畫作上。但他的事業在高峰期呈現拐點,從此成為一名無家可歸的漂泊漢。水木偶然將四周的事物畫在廢紙板上,然后標價出賣,抑或是整天游蕩街頭,無所事事。某天,銀座岡本畫廊的女經紀人橘今日子發現水木的畫,即可為他的才氣所服氣。她百般勸說水木與之簽約,以至甘愿擔當水木的模特。
出于對年邁鄰居艾爾西(布蘭達·布萊斯飾)所獲照料狀況的厭惡,科琳(安德麗亞·瑞斯波羅格飾)主動提出免費提供幫助。在茶敘與艱難時刻中,盡管存在差異,兩人成為了彼此信賴的知己。但科琳的意圖可能并非表面所見。隨著疑云漸起,一項駭人舉動觸發了一場暴力的連鎖反應,勢將無可挽回地改變這兩位女性的生活。
宋真宗晚年,青春年少的包拯和好友公孫策,一同破獲一起塵封多年冤案。女主角月亮十多年前,全家被奸人所害,為了翻案,打聽到傳聞中陰陽鏡能斷是非真假,于是去墓地盜取,結果觸碰機關導致展昭被困,為了將其解救,必須破解地穴里的各種機關算術。一籌莫展的月亮剛好遇到聰慧過人的包拯,巧設伎倆利用鬼怪傳說,想引包拯去地穴救展昭。但包拯心中秉持正義、公平,從不相信鬼怪傳說,救出展昭后,月亮拿到陰陽鏡后,坦白自己一家遭奸人所害的事實,兇手還在逍遙法外。為了翻案包拯,利用陰陽鏡的傳說,使得案件重演,兇手心緒恐懼坦白從寬,認罪伏法。從此,年少的包拯一舉成名,所代表的公平、公正和正義的形象,慢慢被民眾熟知,被民眾所擁戴。
Beneath the fake blood and cheap masks of countless haunted house attractions across the country, there are whispers of truly terrifying alternatives. Looking to find an authentic, blood-curdling good fright for Halloween, five friends set off on a road trip in an RV to track down these underground Haunts. Just when their search seems to reach a dead end, strange and disturbing things start happening and it becomes clear that the Haunt has come to them...
Beginning with a pivotal encounter between two men in Goiás in the 1980s, director Daniel Nolasco weaves a narrative that spans across time and, perhaps, multiple dimensions, driven by the intense forces of desire and love, as well as the suffocating weight of repression and silence. Nolasco, who was featured in Olhar’s Focus section during the pandemic, continues his distinctive and undefinable journey with a radically queer cinema that refuses to look away from the often paradoxical physical expressions of both desire and violence.