VN.082 馮木木LRIS

1.4 播放：57萬(wàn) 更新：2026-04-25
主演：未知

[嗲囡囡FEILIN]暫無(wú)內(nèi)容暫無(wú)內(nèi)容寫(xiě)真集系列鑒賞

播放通道

詳細(xì)簡(jiǎn)介

[嗲囡囡FEILIN]暫無(wú)內(nèi)容暫無(wú)內(nèi)容寫(xiě)真集系列鑒賞

同類(lèi)推薦

午夜之花

北川景子,森田望智,佐久間大介,渋谷龍?zhí)?澀川清彥,田中麗奈,光石研,池內(nèi)博之

一個(gè)生活在社會(huì)邊緣的母親永島夏希（北川景子 飾），白天在便利店打工，晚上在小酒館兼職，努力維持家庭的溫飽，但為了實(shí)現(xiàn)兩個(gè)孩子的夢(mèng)想，她不得已走上了成為毒販的道路。

天堂孤影

馬蒂·佩龍帕,卡蒂·奧廷寧,薩卡里·庫(kù)斯曼嫩

　　環(huán)衛(wèi)公司垃圾車(chē)駕駛員尼卡德（Matti Pellonp?? 飾）的老同事計(jì)劃籌資組建自己的環(huán)衛(wèi)公司，邀請(qǐng)尼卡德技術(shù)入股，但老同事不久急病突發(fā)身亡，尼卡德的生活重回一潭死水狀態(tài)。尼卡德心有不甘借酒滋事，在被拘留的時(shí)候結(jié)識(shí)日后的同事米卡拉。米卡拉偶而會(huì)不識(shí)趣的妨礙尼卡德暗地追求超市售貨員伊羅娜（Kati Outinen 飾），但他仍是尼卡德最可依賴(lài)的朋友。伊羅娜為報(bào)復(fù)超市經(jīng)理偷走了錢(qián)盒，尼卡德幫助她找到服裝店的新工作，服裝店經(jīng)理夾到尼卡德與伊羅娜的關(guān)系中間，但尼卡德最終奪回了自己的愛(ài)人。　　本片獲1987年芬蘭電影尤西獎(jiǎng)最佳影片獎(jiǎng)。是導(dǎo)演郭立斯馬基（Aki Kaurism?ki）無(wú)產(chǎn)階級(jí)三部曲的第一部。

摩羯星一號(hào)

埃利奧特·古爾德,詹姆斯·布洛林,薩姆·沃特森,O·J·辛普森,哈爾·霍爾布魯克,凱倫·布萊克,特利·薩瓦拉斯

　　故事梗概:　　由領(lǐng)隊(duì)布魯貝克等三名宇航員駕駛的美國(guó)宇宙飛船《摩羯星一號(hào)》因質(zhì)量不好未能起飛,宇航主任凱洛威博士為騙取國(guó)會(huì)的預(yù)算,強(qiáng)迫宇航員參加了一場(chǎng)在攝影棚內(nèi)模擬飛行同時(shí)進(jìn)行電視實(shí)況轉(zhuǎn)播的騙局.為了騙局不被戳穿,還決定宣布飛船降落時(shí)因事故機(jī)毀人亡,秘密殺害宇航員.宇航員沖出攝影棚后,兩人被打死.死里逃生的布魯貝克出現(xiàn)在追悼會(huì)上,揭露了事實(shí)真相.

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

這個(gè)男人來(lái)自地獄

肖恩·派特里克·弗蘭納里,喬丹·貝爾菲,小詹姆斯·希利,埃里克·漢森,斯特里奧·薩萬(wàn)特,卡梅倫·阿內(nèi)特,賈瑞特·勒馬斯特,羅伯特·皮特斯,湯姆·歐默,薩拉·埃爾南德斯,蒂娜·托納,莫拉·科西尼,馬克·德亞歷山德羅,森約·阿莫庫(kù),丹尼爾·馬丁·伯基

　　在計(jì)劃被處決的當(dāng)天，一名被定罪的連環(huán)殺手接受了精神病評(píng)估。在評(píng)估期間，他聲稱(chēng)自己是一個(gè)惡魔，并進(jìn)一步聲稱(chēng)，在評(píng)估時(shí)間結(jié)束之前，精神病學(xué)家自己將犯下三起謀殺案。Steve Deace所撰寫(xiě)的宗教題材暢銷(xiāo)書(shū)A Nefarious Plot的前傳電影。