Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

真事信不信

大衛(wèi)·伯恩,約翰·古德曼,斯波爾丁·格雷,迪圖·拉里瓦,斯薇茲·昆茨

　　本片以主人公大衛(wèi)·布萊恩架車游歷美國得克薩斯州過程中所見所聞為主線，透過一個個具有鮮明個性的小人物及發(fā)生在他們身上的故事，展示了當地人對于生活和愛情的獨特理解。該片值得稱道的是將歌舞與寫實完美結合，大量旋律優(yōu)美的鄉(xiāng)村民謠,歌曲成為片中最耀眼的亮點，也是導演大衛(wèi)·布萊恩對電影藝術的創(chuàng)新之舉，是一次成功的探索。

美味的大學女生

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