劇情簡介
自表姐諾亞(Noah)結婚以來一直沒能見到她的邦彥,在祖父的葬禮上與妹妹團聚。 對于一年前離婚的諾亞,邦彥向她的祖父道歉,但借此機會表達了自己的心。 同時,諾亞驚訝地看到國彥的陰莖勃起并在浴室里自慰,國彥偷偷看到了它。 兩人彼此興奮,并試圖在臥室里與大人分享彼此之間的關系,卻被國彥的母親摧毀。 第二天早晨,諾亞遺憾地來到國彥的房間,并積極呼吁國彥。
為你推薦
四川好女人
何葦杭,趙若冰We don't see the woman on the train moving through Sichuan, just the trees, rivers, lakes and houses passing by the window, vanishing behind the blur of vegetation, segmented by the tunnels.
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
河鰻
潘綱大,柯泯薰,潘親御,鄭如吟,陳季霞,吳美和父親一去不返,原本在城市上班的阿亮,回到被遺忘的沙洲,寄居河邊破房子,在垃圾場打工。島民為土地公抬轎,被丟棄的神明都擠在寺廟中。阿亮發現神秘紅裙女子漂浮于河上,她似乎有著不堪回首的過去,或許她根本就是河鰻化身?視覺藝術家朱駿騰首部長片,取景于臺北市內遭限制開發逾半世紀的社子島,建構如夢似幻的幽靈地帶,以濃烈的符號和隱喻,展現實驗風格,透過一段萍水相逢的奇遇,映照生命的困頓與無常,探索欲望與歸屬。柏林影展視角單元。
我是桐島
每熊克哉,北香那,奧野瑛太,高橋惠子,原田喧太,影山祐子,山中聰,鄭龍進,嶺豪一,和田庵,伊藤佳範,宇乃徹,長村航希,海空,安藤瞳,咲耶,趙珉和,松本勝,秋庭賢二,佐藤壽保,ダーティ工藤,白川和子,下元史朗,甲本雅裕物語は1970年代、桐島の大學時代から始まる。反日武裝戦線の活動に共鳴して行動をともにしていた彼は、1974年の三菱重工爆破事件で多數の犠牲者を出したことにより、深い葛藤にさいなまれる。警察當局の捜査が進んで組織が壊滅狀態になる中、指名手配された桐島は偽名を使って逃亡。やがて工務店での住み込みの職と靜かな生活を手にした桐島は、ライブハウスで歌手キーナと知り合う。
嗜血之夜
Nate Dushku,Samantha Facchi,Danielle Harris一群十幾歲的少年慶祝一個本地連環殺人犯的忌日,突然發現他們自己與這個困擾的城市傳說的現實面對面。
不實夢境
Aimee Auclair,Rebecca Bujko,Debra De Liso,Leigh Grace,Marek Graham,Michael Gregory,John F. Henry II,Erica Jenkins,Josh LaCount,Tim McCord,Shaun Ritter,Tom Simmons,Derek ThompsonLucid Dreaming forces the dreamer's dreamworld to merge with his waking one. But at what cost to the dreamer's grasp on reality? Dreams are doorways, but what are they really for? And, if you feel you must know, beware the TRICKSTER.
卡拉馬利聯盟
蒂莫·埃倫克,卡里·海斯卡寧,Asmo Hurula卡拉馬利聯盟是一個寓言的電影,講述了16人所有的人被稱為弗蘭克(靈感來自弗蘭克Armoton)尋找一個叫Eira的理想國的故事。