心里美
高中英文教師李淑敏（余香凝 飾）一直努力教學(xué)，卻發(fā)現(xiàn)學(xué)生對(duì)她的課程始終興致缺缺，反而熱衷到補(bǔ)習(xí)班上課，視補(bǔ)教天王K.K.Ho（王浩信 飾）為偶像。李淑敏決定潛入補(bǔ)習(xí)班一探究竟，在課程中被KK發(fā)現(xiàn)，兩人針鋒相對(duì)，大吵一架，但竟激起KK對(duì)她的好奇心及好感，送花道歉之外更展開追求。 李淑敏對(duì)學(xué)生熱衷補(bǔ)習(xí)頗不以為然，更對(duì)補(bǔ)習(xí)班充滿偏見，她還發(fā)現(xiàn)KK任教的補(bǔ)習(xí)學(xué)校校長就是自己的爸爸李龍基（吳岱融 飾），她小時(shí)候認(rèn)為父親嚴(yán)厲的言語，是間接害死母親的兇手，父女親情淡薄，一見面就吵架。 然而KK的出現(xiàn)，讓李淑敏改變對(duì)補(bǔ)習(xí)的看法，也開始用新的方式教學(xué)，患有心臟病的她，因過勞而昏倒，但她仍為了學(xué)生們重要的文憑檢測(cè)強(qiáng)行出院，讓父親非常擔(dān)心，就在一個(gè)大雨天中，一場意外驟然而至，讓他們都措手不及。
即刻觀影
劇情賞析
編輯推薦
密室逃生
泰勒·拉塞爾,洛根·米勒,黛博拉·安沃爾,泰勒·萊伯恩,杰·埃利斯,尼克·多達(dá)尼,杰西卡·薩頓,約里克·范·韋杰寧根,杰米-李·蒙尼,亞當(dāng)·羅比特爾,韋爾·廷德爾,肯尼思·霍,科尼利厄斯·吉尼,保羅·漢普賽爾,佩泰·塞彭克,丹·格倫伯格,吉諾·李六位身份各異的陌生人，為贏取高額獎(jiǎng)金，在神秘盒子的指引下受邀參與世界頂級(jí)密室逃脫游戲。誰知密室內(nèi)布局精良機(jī)關(guān)重重，陷阱遍布?xì)C(jī)暗藏。是刺激游戲，還是博命賭局？誰在背后操控這一切？誰能夠成功破解謎局，逃出生天？
德州棉花
喬治·哈迪,杰森·道格拉斯,蒂凡妮·謝皮斯,吉因·瓊斯,盧·坦普爾,Torrence Davis,Terri Merritt Bennett,賈德·羅德曼,朱麗葉塔·丹妮埃拉一位年邁的老警察深信在他小鎮(zhèn)上被捕的神秘陌生人是無辜的，進(jìn)而展開的調(diào)查就像捅了馬蜂窩一樣，將永遠(yuǎn)改變這個(gè)鎮(zhèn)子。
驚聲尖叫7
內(nèi)芙·坎貝爾,伊莎貝爾·梅,柯特妮·考克斯,梅森·古丁,賈思敏·薩沃伊·布朗,大衛(wèi)·阿奎特,馬修·里沃德,斯科特·弗利,塞萊斯特·奧康納,阿薩·格爾曼,麥肯娜·格瑞絲,薩姆·雷希納,米歇爾·蘭道夫,吉米·塔特羅,安娜·坎普,喬爾·麥克哈爾,馬克·康蘇斯,伊桑·恩布里,維克托·特平,Scott Allen Frederick,艾米·彭伯頓,Josh Thrower,Cyle Winters,羅格·杰克遜新的鬼臉殺手出現(xiàn)在Sidney Prescott（內(nèi)芙·坎貝爾 飾）過著新生活的寧靜小鎮(zhèn)，她心底里最恐懼的事已在現(xiàn)實(shí)生活中發(fā)生，因?yàn)樗呐畠海ㄒ辽悹枴っ?飾）成為了鬼臉殺手下一個(gè)目標(biāo)。為了保護(hù)家人，Sidney必須再次面對(duì)她過去的恐怖經(jīng)歷，徹底結(jié)束無止境的血腥殺戮。
浮云世事
卡蒂·奧廷寧,卡里·瓦納寧,葉琳娜·薩羅,薩卡里·庫斯曼嫩,馬庫·佩爾托拉愛娜（卡蒂·奧廷寧 Kati Outinen 飾）和凱瑞（Kari V??n?nen 飾）是一對(duì)感情十分要好的夫妻，他們一個(gè)是餐廳經(jīng)理，一個(gè)是電車司機(jī)，盡管經(jīng)濟(jì)并不寬裕，甚至有些“緊巴巴”，但很顯然，照此發(fā)展，兩人的未來充滿了光明和希望。 經(jīng)濟(jì)危機(jī)的到來讓愛娜和凱瑞的家庭也陷入了危機(jī)，愛娜所在的餐廳破產(chǎn)倒閉，凱瑞在公司的“裁員抓鬮”中不幸中彩，夫妻兩人同時(shí)失去了工作，家里的貸款還未還完，生活露出了真實(shí)而殘酷的面孔，愛娜和凱瑞不知該如何是好。雖然丟掉了工作，但夫妻兩并沒有丟掉斗志和尊嚴(yán)，為了生存，他們做出了種種努力，不幸的是，這些努力均以失敗告終。在此走投無路之際，愛娜曾經(jīng)的老板出現(xiàn)在了愛娜的面前，他帶來了一個(gè)機(jī)會(huì)，它有可能壞的，但也有可能是好的。
活著
葛優(yōu),鞏俐,姜武,牛犇,郭濤,張璐,倪大紅,肖聰,董飛,劉天池,董立范,黃宗洛,劉燕瑾,李連義,楊同順根據(jù)余華同名小說改編。富少福貴（葛優(yōu)）嗜賭成性，妻子家珍（鞏俐）屢勸無果后帶著女兒鳳霞離開了他，當(dāng)夜，福貴輸光所有家產(chǎn)氣死父親，被迫靠變賣母親首飾租間破屋過活。一年后，家珍手拉鳳霞懷抱剛出世的兒子有慶回到家中，福貴痛改前非，開始靠演皮影戲過起安份守己的日子。但好景不常，內(nèi)戰(zhàn)時(shí)期，福貴被國民黨抓去當(dāng)勞工，一番輾轉(zhuǎn)終回到家鄉(xiāng)與一家人團(tuán)圓后，鳳霞因病變成啞巴，而在后來的大躍進(jìn)運(yùn)動(dòng)和文化大革命中，他雖獲某些小福，逆境卻也一直與他如影相隨。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.