劇情縱覽
結婚8年的夫人動員和美愛以及隔壁搬來。就職的想法都沒有,百姓吃喝玩樂的選手,因此正在做動員的美愛在外面的壓力,別的男人見面。這也是不知情的情況下動員美愛和ML,她是為了等待,只要下班。有一天享受和陌生男子的下班回家的美愛ML,堅韌不拔地要求動員,所以感到非常疲憊生氣。志尹南在交往的男人。有一天她風流的男人。
結婚8年的夫人動員和美愛以及隔壁搬來。就職的想法都沒有,百姓吃喝玩樂的選手,因此正在做動員的美愛在外面的壓力,別的男人見面。這也是不知情的情況下動員美愛和ML,她是為了等待,只要下班。有一天享受和陌生男子的下班回家的美愛ML,堅韌不拔地要求動員,所以感到非常疲憊生氣。志尹南在交往的男人。有一天她風流的男人。
DEA agent and partner pursue thieves: their own rebellious teens, who began robbing cartel using parent tactics and classified intel.
安娜·帕克(凱特·法蘭奇 Kate French 飾)是一個美麗的女作家,當下她正為新書做最后的沖刺,可是擔任出版編輯的男友保羅·瓦格納(史蒂文·布蘭德 Steve Brand 飾)卻提出了較為尖刻的修改意見。心情頗有些低落的安娜找不到靈感,創作陷入僵局。為了幫她完成工作,保羅將安娜帶到一處位于沙漠中央的別墅進行創作,不過他突然有事離開,只留下安娜和一條狗。到了夜晚,安娜驚訝地發現有一個恐怖的人逡巡在別墅附近。她嘗試著向保羅求助,然而無法得到有效回應?! ?012-3-2,一組奇怪的數字,讓安娜陷入前所未有的恐懼之中。而在無盡的恐慌中,她終于發現了可怕的秘密……
洛杉磯警探喬瑟夫(克萊格·謝菲爾 飾)是個標準敗類,嗑藥嗑得比誰都勤快,調查命案不忘順手牽羊,更枉顧家中妻小,專搞迷人可愛的阻街女郎。一宗幼童謀殺案現場,喬瑟夫撿回一只受過詛咒的奇異盒子,打開后怪事不斷一樁接一樁:昨夜搞上的妓女意外身亡,他瞬間成為頭號嫌疑犯;一連串似幻似真的恐怖體驗更不斷尾隨,無臉怪人四處追殺人群,《養鬼吃人》系列當家猛鬼-針頭鬼(Pinhead)也重出江湖,一個頭兩個大的喬瑟夫該如何解決這謎一般的虛實夢魘?本片改編自克里夫巴克(Clive Barker)恐怖小說「受地獄羈絆之心」The Hellbound Heart,這顆壞心腸的主人正是故事男主角喬瑟夫,身為警察的他自身行為不檢點也罷,涉嫌謀殺難以脫罪的他竟然嫁禍好同事,善惡終有報,惡徒喬瑟夫果然陷入萬劫不復的魔鬼夢魘,活著比死更痛苦。
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.