灼熱之舌
"The Tongue of The Sun" is a story of the end of our planet and how two ordinary people that live an extraordinary love generate the genesis needed to give the human race a new chance. In the mysterious alchemy that is love; lies the last hope that human beings have of transcending the inevitable end of the world.
即刻觀影
劇情賞析
編輯推薦
復(fù)仇天使
弗朗西斯卡·伊斯特伍德,小克利夫頓·克林斯,邁克·韋爾奇,莉亞·麥肯德里克,彼得·瓦克,安德魯·卡德威爾,大衛(wèi)·蘇利文,亞當(dāng)·拉扎爾-懷特,戴維·哈,邁克·C·曼寧,馬龍·楊故事講述藝術(shù)系女生諾麗遭到同學(xué)性侵后,決定正面PK性侵者、展開還擊計(jì)劃。影片今秋北美上映。
空氣之魂,云之精靈
Michael Lake,Melissa Davis,Norman Boyd,Rhys Davis非常棒的超現(xiàn)實(shí)科幻片,與
儀式2024
朱麗安娜·戈德史密斯,杰瑞坎皮西,Alex Whitehouse大學(xué)二年級學(xué)生瑪麗亞有機(jī)會與已故的父親團(tuán)聚,于是她加入了路易斯領(lǐng)導(dǎo)的超自然學(xué)術(shù)小組。然而,他們的科學(xué)冒險(xiǎn)卻發(fā)現(xiàn)了一個(gè)古老的儀式,而這個(gè)團(tuán)體注定要參與其中。
新年伊始 不合適也要有個(gè)限度!~不能認(rèn)真聊聊嗎?~
阿部貞夫,仲里依紗,磯村勇斗,吉田羊,河合優(yōu)實(shí),錦戶亮,江口德子,袴田吉彥,小野武彥,坂元愛登,三宅弘城,八島智人,中島步,山本耕史,古田新太2026年新年,渚(仲里依紗 飾)在咖啡店“SCANDAL”迎來意外訪客——從昭和穿越而來的市郎(阿部隆史 飾)。借助井上(小野武彥 飾)研發(fā)的“時(shí)間隧道”,他們得以往返各個(gè)時(shí)代。市郎試圖改變女兒純子(河合優(yōu)實(shí) 飾)與命運(yùn)的相遇,又回到1995年地震前夕阻止悲劇,卻引發(fā)新的漣漪。與此同時(shí),渚卷入政治風(fēng)波,支持的女性議員平純子(江口德子 飾)在2036年竟將成為日本首位女首相。為了守護(hù)家人與未來,市郎踏上最后的時(shí)空冒險(xiǎn)。
奇謀妙計(jì)五福星
洪金寶,吳耀漢,馮淬帆,岑建勛,秦祥林,鐘楚紅,成龍,葉童,林正英,夏文汐,太保,元彪,李賽鳳,午馬獄中5個(gè)素不相識的人成了好兄弟——五福星。茶壺(洪金寶 飾)、死氣喉(吳耀漢 飾)、卷毛積(岑建勛 飾)、凡士林(秦祥林 飾)和魯奇(馮淬帆 飾)五人皆因小偷小摸或跑龍?zhí)壮闪嗽┐箢^,他們決心出獄后重新做人,光明正大掙錢。五人同一天出獄了,出獄后他們合股成立了一間清潔公司 ,專門幫公司或家居進(jìn)行清潔。 一天,黑幫在交易制販假炒的電版時(shí),被當(dāng)?shù)匾粋€(gè)愣警察撞見了?;艁y之下,他們將電版藏進(jìn)了五福星的清潔車的清潔箱內(nèi)。毫不知情的五福星就這樣又無端卷入了江湖是非中:一方面,警察懷疑他們是黑幫同伙,在四處通緝他們;另一方面,黑幫也在追尋他們,想殺人滅口取回電版。五福星在進(jìn)退兩難的境地如何運(yùn)用他們的奇謀妙計(jì)脫險(xiǎn)?
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster