VN.055 馮木木LRIS

★ 1.0 播放:03萬 更新:2026-04-25
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[嗲囡囡FEILIN]暫無內(nèi)容暫無內(nèi)容寫真集系列鑒賞

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[嗲囡囡FEILIN]暫無內(nèi)容暫無內(nèi)容寫真集系列鑒賞

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微笑的山谷

  帶著過往傷痛,塞吉?dú)W只身一人前往「微笑之村」擔(dān)任代理教師。這座對(duì)負(fù)能量零容忍的小鎮(zhèn),明明曾遭逢巨變,居民們卻笑口常開。原來,讓這座微笑之村風(fēng)光明媚的秘方,是一位能吸取人間苦痛的男孩,他的身體如祭壇,透過擁抱承擔(dān)全村的悲傷。他為人搭建快樂天堂,自己卻陷入無盡黑暗。塞吉?dú)W與男孩的相遇,攪亂了鎮(zhèn)上的平衡;那座煉獄之門,也終將反向人間敞開。

公寓2024

  Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.  Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.

我很在乎

  瑪拉(裴淳華 Rosamund Pike 飾)經(jīng)營(yíng)著一家監(jiān)護(hù)人公司,她專門尋找身體情況欠佳同時(shí)又無依無靠的老年人下手,通過并不是那么合法的手段令自己成為他們的法定監(jiān)護(hù)人,將他們送進(jìn)療養(yǎng)院,之后便可接手和變賣他們的財(cái)產(chǎn)和房產(chǎn),再將所得據(jù)為己有。  某日,瑪拉將下一個(gè)“吞噬”的目標(biāo)放在了一位名叫珍妮弗(黛安娜·維斯特 Dianne Wiest 飾)的老太太身上,經(jīng)調(diào)查,珍妮弗沒有任何的親人,同時(shí)又擁有著價(jià)值不菲的遺產(chǎn),簡(jiǎn)直就是他們的最佳“肥羊”。在一番操作之后,珍妮弗被沒收手機(jī)關(guān)進(jìn)了療養(yǎng)院,但此時(shí)的瑪拉和她的戀人兼合伙人弗蘭(艾莎·岡薩雷斯 Eiza González 飾)并不知道的是,她們?nèi)巧狭艘粋€(gè)不該惹,也不能惹的人。