在線看
同款熱播
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
黎明殺祭
Sylwia Boron,Monika Frajczyk,Adam Machalica,Piotr Nerlewski,盧卡什·什切帕諾夫斯基,巴特羅米耶·托帕,Paulina Zwierz暴風雪肆虐的圣誕夜，一群年輕演員受邀前往神秘的海森霍夫家族經營的巴洛克劇院，排演那位隱居劇作家的巔峰之作。隨著一名戴著“眼球面具”的殺手現身，排練演變為慘烈的生存競賽。演員們后知后覺地發現，劇本中的每一幕死亡，都是一場旨在召喚反基督者的古老儀式。
一個拳手
王一鳴,任珅,梁國榮拳擊手大卓因意外受傷告別了擂臺，在小區當了一個保安。在照顧患有癡呆癥父親的過程中，大卓漸漸理解了父親多年來對他的愛，父子間童年時的心結被解開。為彌補父親曾經的遺憾，大卓重拾信心，再一次站到了擂臺之上。
妖狐傳
馬倩倩,張競達,王昭,朱利安周興商滅時期，神都戰神拓跋羽帶回一個九霄靈狐，關押在府內。此后神都屢屢出現懸案，懸案中的死者均是神都極美的女子，神都城內人心惶惶。 為了平息此事，戰神懸賞千兩查找與案子相關的線索，降魔師主動請纓。降魔師的出現讓真相逐漸浮出水面，大家在降魔師的引導下將目光放在了戰神帶回的女子小九身上，并大膽質疑小九是妖，全神都為之震動。戰神帶回的女子雖是九霄靈狐，但因其所吸人靈不足只算得上半妖。神都女子之死表面都出自她手而實際上都與她無關。 真兇其實是戰神拓跋羽，九霄靈狐則是他最后一個獵殺對象，他殺四十九名美艷女子是為了集齊四十九個美艷女子的陰靈，然后與九霄靈狐的妖靈一同煉化使自己早日修成大成，不料最后被降魔師識破，戰神無法繼續隱藏，只能兔死狗烹與降魔師進行對抗，降魔師不敵敗下陣來，眼看戰神即將修成大成，降魔師攜手九霄靈狐將拓跋羽治服。降魔師為使一方安寧，收走九霄靈狐一縷靈魄讓別有用心之人無法借由九霄靈狐修害人之法術。
愛的藝術
Hannah Taylor-Gordon,杰奎琳·比塞特,娜塔麗·特納故事發生于20世紀的德國，在一片茂密的森林里，隱藏著一所不為人知的神秘學校。在學校里，生活著一群年輕的女孩們，沒有人知道她們是從哪里來的，就連她們自己也不太清楚。所有人仿佛一生下來就已經身在這閉塞的高墻之內，完全不知道外面還有著更廣闊的的世界。 海達拉（瑪麗·奈姬 Mary Nighy 飾）、埃倫娜（漢娜·泰勒-高登 Hannah Taylor-Gordon 飾）、薇拉（娜塔麗·特納 Natalia Tena 飾）和雷恩（安雅·拉希里 Anya Lahiri 飾）均是這所學校里的學生，當她們開始質疑起她們的生活和過去時，原本維系著學校內事務正常運作的條條框框都開始失去功能，兩個女生的神秘失蹤更是為此增添了不安定的因素。
女人
寶拉雅娜·麥金托什,勞倫·阿什利·卡特,肖恩·布里吉格斯,安吉拉·貝蒂斯,卡爾利·貝克,馬西婭·貝內特,喬安娜·哈靈頓,湯米·尼爾森,Shyla Molhusen,Gordon Vincent,Zach Rand,Shelby Mailloux,Tyler Merlini,Jordan Carrasquillo,Jordan Chapalonis影片講述了一個從小被拋棄于森林，依照動物生存模式存活下來的女人。被一個男人擄掠回家并且受盡欺凌。這家人中，男主人極度大男子主義，仇視女人。小兒子因為受父親教導也對女人極不尊敬。懦弱并逆來順受的母親，被父親侮辱而懷孕的大女兒，以及不諳世事的小女兒。故事的最后，大女兒在極度絕望和恐懼的支配下放了野女人，野女人殺了她的父母和弟弟，帶走了她的妹妹。 本片以不太恐怖的氛圍，卻深刻的暗喻了一個至今仍然存在的嚴重的社會現象，男人應該如何看待女人，女人應該如何正確扮演家庭中的角色。