劇情縱覽
和女朋友分手后,志龍偶然發(fā)現(xiàn)一個包,里面有5000萬韓元現(xiàn)金,于是他用這筆錢去旅行
和女朋友分手后,志龍偶然發(fā)現(xiàn)一個包,里面有5000萬韓元現(xiàn)金,于是他用這筆錢去旅行
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.
聚焦追夢女孩伊登的納什維爾驚魂:懷揣音樂夢的她移居鄉(xiāng)村音樂之都,與音樂大亨之子杰克斯墜入愛河,卻在甜蜜中發(fā)現(xiàn)多起與杰克斯相關(guān)的女性連環(huán)命案。隨著調(diào)查深入,家族的黑暗秘密層層揭開,伊登驚覺自己早已身陷致命陷阱。
香港核心商業(yè)地帶油尖旺地區(qū)近日突發(fā)連環(huán)搶劫大案,區(qū)域內(nèi)多家珠寶店遭遇悍匪團伙的洗劫!奉命執(zhí)行任務(wù)的沖鋒隊Car 3在組長鄭志斌(方中信 飾)的帶領(lǐng)下一路追擊,但查探到的線索卻令鄭志斌心頭一緊。原來,悍匪頭目阮卓龍(張繼聰 飾)、阮卓武(安志杰 飾)是多年前另一樁持槍搶劫案的在逃要犯。如今兩兄弟卷土重來,犯案同時還不斷向警方挑釁,令整個警隊焦灼且困惑。此外,阮氏兄弟的步步緊逼亦令Car 3隊員張家和(陳家樂 飾)難以自制,鄭志斌看在眼里卻也有心無力…..宿命般的四人在不斷交鋒中,揭開了背后塵封已久的秘密……
為紀(jì)念蘇聯(lián)衛(wèi)國戰(zhàn)爭30周年,前蘇聯(lián)莫斯科電影制片廠于1970—1972年,拍攝了一部堪稱前蘇聯(lián)電影史上耗資最巨、規(guī)模最大、場面最為壯觀的戰(zhàn)爭題材影片———《解放》。影片從1943年蘇聯(lián)紅軍反攻(庫爾斯克戰(zhàn)役)開始,到強渡涅伯河,解放基輔,最后攻克柏林。分為五集,片長將近8個小時。導(dǎo)演尤里·奧澤洛夫為強調(diào)“紀(jì)實性”、“史詩性”,在影片中穿插了大量的真實歷史文獻鏡頭。影片還出現(xiàn)了不少歷史人物,如斯大林、朱可夫、羅斯福、丘吉爾、希特勒、墨索里尼等。此外,影片還蘊涵豐富感人的故事情節(jié),從蘇、德兩軍統(tǒng)帥到普通士兵,從蘇軍反攻到德軍覆沒,成功地表現(xiàn)了一種攻無不克、戰(zhàn)無不勝的革命樂觀主義精神。