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日本限制級倫理影片 hellip; hellip;
為你推薦
龍口走蛟
備案單位愛奇藝影業(重慶)有限公司 梗概:龍口鎮近來怪事不斷,外鄉人青云子和張不平游歷至此,意外卷入神秘事件當中,他們最終揭開真相,守護了龍口鎮的安寧。
生人活祭
艾米·西米茨,凱特·林恩·希爾,喬·斯萬博格,AJ·鮑恩,Kentucker Audley媒體從業人員帕特里克·卡特(肯塔克爾·德利 Kentucker Audley 飾)意外聯系到了失蹤許久的姐姐卡羅琳(艾米·西米茨 Amy Seimetz 飾)。卡羅琳當初曾在戒毒所治療,如今住進了一個名為“圣伊甸園”的地方,并自稱過上了烏托邦般的生活。為了弄清姐姐的下落,帕特里克和同事兼好友山姆·特納(AJ·鮑恩 AJ Bowen 飾)、杰克·威廉姆斯(喬·斯萬博格 Joe Swanberg 飾)啟程前往圣伊甸園的所在地調查。這座樂園位于一個鮮為人知的隱秘所在,許許多多生活中經歷痛苦和坎坷的人們,在“父親”(吉恩·瓊斯 Gene Jones 飾)的感召和撫慰下重獲新生。 出于媒體人的敏感,山姆取得了和“父親”對談的機會,但他卻從對方幽默機智的談吐中嗅到了一絲殺氣……
朱橘
朝代更迭、戰亂四起,國家外臨強敵、內遭瘟疫。流民孤兒顧小樹與王爺世子李逸自幼相伴,情誼深厚。不料王爺突下追殺令,李逸迫于身份,只得暗中護送男主逃離城邦,并忍痛割席斷交反目。男主在林中遭人伏擊,幸得女箭客相救,同時有黑衣人透露其身世線索。為探尋真相,二人結伴踏上旅途,逐步揭開隱藏在追殺令背后的驚天仇恨與隱秘過往。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
戰國奇譚妖刀傳劇場版
戶田惠子,井上和彥,若本規夫,矢尾一樹,鹽澤兼人,渡部猛攻克柏林
米凱爾·蓋洛瓦尼,Boris Andreyev,Vladimir Savelev,Marina Kovalyova,N. Petrunkin,Marie Nováková,Yuri Timoshenko,A. Urasalyev,Nikolai Bogolyubov,揚·韋里希,Sofiya Giatsintova,K. Roden,鮑里斯·捷寧,維克托·斯坦尼岑,Oleg Frelikh,鮑里斯·里瓦諾夫,謝爾蓋·比林尼科夫,Vladimir Lyubimov,Konstantin BartasheviMikheil Chiaureli是斯大林的御用導演,《攻克柏林》長達近五個小時,分上下兩部,處處著重突出最高統帥的高瞻遠矚。影片結尾,斯大林乘飛機抵達陷落的柏林,接受蘇軍的歡呼。其實這是“藝術虛構”。和《斯大林格勒戰役》一樣,這場實際主要由朱可夫將軍指揮的戰役,影片中絲毫沒有他的影子。當時朱可夫已經因為功高震主,被羅織罪名,發配到烏拉爾軍區去了,這是1946年的事。這部1949年的電影很自然地就將朱可夫的功勞“藝術虛構”到偉大領袖的頭上了。 因為這部影片,導演連續獲得了兩次國家獎金,包括1950年的斯大林獎金。中國觀眾熟悉的《難忘的1919》(1952)也是出自這位導演的手筆。值得一提的是,這兩部影片都是由蘇聯作曲家肖斯塔科維奇譜曲的。
馬騰你別走
林更新,李幼斌,宋茜,王彥霖,李雪琴,陳哈琳,馮雷,潘斌龍沒錢沒愛還沒心沒肺的馬騰(林更新 飾)人近中年一事無成,是旁人眼里公認的“廢柴”!鋼廠退休骨干老林(李幼斌 飾)遵守鐵打的紀律活了一輩子本該安享晚年,身體和心理卻雙雙“亮起紅燈”!本無生活交集的兩人因為一場歪打正著的護工面試相遇,展開了一段啼笑皆非的有趣互救。老林為求解脫,將“協助自殺”的希望寄托在這個不靠譜的護工身上。馬騰雖然想賺錢完成女兒的心愿,但無膽害命,只能發揮自己的樂觀心態在日常中提供情緒價值給老林。二人在一段特殊的旅途中建立起生死友誼,于病痛與死亡的陰影里找到了活下去的小小微光,攜手大膽迎接未知的生活。