現(xiàn)在和以后

★ 3.6 播放：76萬 更新：2026-04-27

性別，政治和美國文明混組成可燃組合在如今和今后。安吉拉（Shari索蘭僧斯）是一個不合法拉丁移民居住在洛杉磯誰發(fā)現(xiàn)比爾（杰姆斯Wortham），一個羞恥的銀行家在運轉(zhuǎn)。她需求他。經(jīng)過充溢熱情的性日子，尋覓魂靈的對話，從政治到哲學(xué)，和其他塵俗的高興，比爾安吉拉分析到另一個國際。他們的工作的升溫，比爾的日子過程中呈現(xiàn)出人意料的轉(zhuǎn)。 這部電影是由在美國是咱們文明中的暴力和咱們的清教徒檢查任何觸及性別傾向反響導(dǎo)演構(gòu)思。了解哲學(xué)家威廉的概念性壓抑的社會變成了一個暴力的人，迪亞茲把一個毫無粉飾的性而腦片，挑戰(zhàn)了人們認(rèn)為性媒體是有害的。 nbsp; 　　

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劇情簡介

性別，政治和美國文明混組成可燃組合在如今和今后。安吉拉（Shari索蘭僧斯）是一個不合法拉丁移民居住在洛杉磯誰發(fā)現(xiàn)比爾（杰姆斯Wortham），一個羞恥的銀行家在運轉(zhuǎn)。她需求他。經(jīng)過充溢熱情的性日子，尋覓魂靈的對話，從政治到哲學(xué)，和其他塵俗的高興，比爾安吉拉分析到另一個國際。他們的工作的升溫，比爾的日子過程中呈現(xiàn)出人意料的轉(zhuǎn)。 這部電影是由在美國是咱們文明中的暴力和咱們的清教徒檢查任何觸及性別傾向反響導(dǎo)演構(gòu)思。了解哲學(xué)家威廉的概念性壓抑的社會變成了一個暴力的人，迪亞茲把一個毫無粉飾的性而腦片，挑戰(zhàn)了人們認(rèn)為性媒體是有害的。 nbsp; 　　

導(dǎo)演精選

三聲再見

歲月無聲，平淡如水。因小事吵鬧令多年戀情告終，她復(fù)要面對身體突如其來的噩耗。有恨無人省，心底的哀傷、焦慮與寂寞，只能獨對在街角檢拾回來的紙板韓星，輕聲傾訴。夕陽余暉，仿佛驟然點亮了尋常忽略的景致，令她重新感悟人間的和煦。 　　西班牙導(dǎo)演伊莎貝拉庫謝以優(yōu)雅與溫柔，將小說家麥可娜·穆爾嘉的遺作化為翩翩光影，凝留于艾芭諾宜娃查倩影麗容，是一闋寛懷的生命詩篇；在最后的時光，與人生、與凡塵好好告別，讓放下自在的微光，溫潤世上所愛之人。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

尸骨袋1

　　《尸骨袋》改編自斯蒂芬·金（Stephen King）的同名恐怖小說。　　暢銷小說作家Mike Noonan（皮爾斯·布魯斯南 Pierce Brosnan 飾），在妻子Jo(安娜貝絲·吉什 Annabeth Gish 飾)死后，無法走出悲痛的深淵。他不斷地夢到和Jo一 起購買的緬因州湖畔別墅，夢到裝在袋子里的腐爛尸骨，夢見Jo也從裹尸袋中奔跑而出。終于他在Jo的召喚下回到了那棟詭異的別墅。在那里，他卷入了一樁年輕美貌寡婦與家財萬貫的祖父對小女孩的撫養(yǎng)權(quán)爭奪戰(zhàn)，并不時遭遇神秘鬼魂的騷擾。那些不斷升級的噩夢，還有神秘鬼魂的騷擾，都讓他意識到，這個小鎮(zhèn)隱藏著一些秘密，而死去的Jo也有事情想要告訴他……