花樣按摩沙龍

1.2 播放：55萬 2026-04-27

我會(huì)工作在你的指尖...... 聰美角松 （芽） 是一個(gè)普通的家庭主婦生活與她經(jīng)商的丈夫，虞姬。 安田，取出的街道上想要的美學(xué)家。 芽有美容院工作在我結(jié)婚之前，曾擔(dān)任部分鋪?zhàn)?quot;合奏"的工作人員。 知道你正在接受最近對(duì) Yasuda 所有者管理解釋說，是那只婦女的商店，但困惑聰美的男人。 聰美無法拒絕的條件第一次與岡田克也是男性顧客的實(shí)踐者。 岡田克也是沒有婦女經(jīng)驗(yàn)一個(gè)簡(jiǎn)單的學(xué)生，并形成了鮮明的米歇爾的一部分臉紅了按摩...... 　　

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養(yǎng)鬼吃人6：死亡代碼

迪恩·文特斯,Ashley Laurence,Doug Bradley

　　在"猛鬼追魂"系列的第5集中， 手拿魔方，以"制造悲傷"著稱， 有魔力的Pinhead(道格·布拉德利)已經(jīng)返回，準(zhǔn)備再次用他的大批的Cenobites給地球上的人們帶來地獄般的惡夢(mèng)、折磨和死亡。 但是Kirsty科頓·(阿什利·勞倫斯)， 唯一已經(jīng)戰(zhàn)勝二次Pinhead的人，回來，準(zhǔn)備再一次跟Pinhead 和Cenobites作戰(zhàn)。

莎拉的石油

扎克瑞·萊維,Naya Desir-Johnson,索尼夸·馬丁-格林,加瑞特·迪拉胡特,梅爾·羅德里格斯,布里吉特·瑞根,斯特里奧·薩萬特,Marco Fuller,湯姆·歐默,瑪利亞·米切爾,Ryan O'Quinn,羅伯特·古德曼,喬納森·利普尼基

　　一個(gè)出生在印第安區(qū)的黑人女孩意外繼承了一片充滿石油的土地，洶涌的黑金下，她將面對(duì)攫取、迫害、偏見、中傷，并用她的意外橫財(cái)去幫助他人。

另一個(gè)人

連姆·尼森,安東尼奧·班德拉斯,勞拉·琳妮,蘿瑪拉·嘉瑞,Abigail Canton

　　外人看來，彼得（連姆·尼森 Liam Neeson 飾）無疑是一個(gè)幸福的男人，妻子麗薩（勞拉·琳妮 Laura Linney 飾）溫柔漂亮，兩人的婚姻穩(wěn)定而美滿。可近日來，彼得發(fā)現(xiàn)麗薩的行為舉止越來越奇怪，多疑的他本能的想到，麗薩可能已經(jīng)另結(jié)新歡了。面對(duì)妻子的出軌，占有欲極強(qiáng)的彼得感到妒火中燒，通過種種線索，一個(gè)名叫雷夫（安東尼奧·班德拉斯 Antonio Banderas 飾）的男人浮出了水面。　　追隨著麗薩的腳步，彼得來到了意大利，在這里，他果然見到了雷夫。狡猾的彼得決定先隱藏身份，接近雷夫。可是，隨著彼得和雷夫的關(guān)系越來越近，彼得發(fā)現(xiàn)自己漸漸無法控制自己的言行，他對(duì)雷夫的存在深惡痛絕，恨不得殺之而后快。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

日本的首領(lǐng)：完結(jié)篇

三船敏郎,菅原文太,大谷直子,佐分利信,片岡千惠藏 ,西村晃,山本由香利,佐藤慶,遠(yuǎn)藤太津朗,高橋悅史,二宮小夜子,渡邊文雄,仲谷升,金子信雄,小池朝雄,東惠美子,稻葉義男,小林稔侍,待田京介,真野玲,櫻町弘子,志賀勝,鈴木瑞穗,寺田農(nóng),安部徹

　　大石剛介（三船敏郎 飾）升任關(guān)東同盟理事長(zhǎng)，與中島組佐倉一誠（佐分利信 飾）勢(shì)均力敵，維持著表面的和平。但日本政界要員大山喜久夫（片岡千惠藏 飾）因癌癥病倒，幾乎再次點(diǎn)燃兩派戰(zhàn)火。大山幸得一宮恭夫（高橋悅史 飾）醫(yī)治死里逃生，因此號(hào)召幫派聯(lián)合，遭到兩派抵制。　　此時(shí)塞班島開發(fā)項(xiàng)目成為抗?fàn)幍膶?dǎo)火索。中島組干部川西（菅原文太 飾）為籌措資金，強(qiáng)令木村建設(shè)破產(chǎn)，并將木村之女獻(xiàn)給保守黨要員刈田（西村晃 飾）。另一方面，大石拉攏刈田的兒子春男入伙，作為特使赴塞班島向美國官員行賄。大山暗示佐倉除去大石，一場(chǎng)攪和了黑幫、政客、外國人的紛爭(zhēng)就此展開，而佐倉似乎也朝日本首領(lǐng)的目標(biāo)又邁進(jìn)了堅(jiān)實(shí)的一步……

我是桐島

每熊克哉,北香那,奧野瑛太,高橋惠子,原田喧太,影山祐子,山中聰,鄭龍進(jìn),嶺豪一,和田庵,伊藤佳範(fàn),宇乃徹,長(zhǎng)村航希,海空,安藤瞳,咲耶,趙珉和,松本勝,秋庭賢二,佐藤壽保,ダーティ工藤,白川和子,下元史朗,甲本雅裕

物語は1970年代、桐島の大學(xué)時(shí)代から始まる。反日武裝戦線の活動(dòng)に共鳴して行動(dòng)をともにしていた彼は、1974年の三菱重工爆破事件で多數(shù)の犠牲者を出したことにより、深い葛藤にさいなまれる。警察當(dāng)局の捜査が進(jìn)んで組織が壊滅狀態(tài)になる中、指名手配された桐島は偽名を使って逃亡。やがて工務(wù)店での住み込みの職と靜かな生活を手にした桐島は、ライブハウスで歌手キーナと知り合う。