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跳出去
張雨綺,立威廉,姚文雪,袁祥仁,彭敬慈,馮勉恒,吳彥祖,李尚正,高寶云農(nóng)村姑娘彩鳳（張雨綺 飾）跟同伴來到一家號稱哈佛畢業(yè)生開的診所，希望可以通過整容手術(shù)變漂亮，但是整容醫(yī)生（吳彥祖 飾）的拙劣表現(xiàn)，令她們無功而返。后來，兩人擠上了開往上海的貨車。來到大城市，人生地不熟，彩鳳卻對大屏幕里的街舞情有獨(dú)鐘，原來她也曾經(jīng)是鄉(xiāng)舞蹈隊的一員。然而，現(xiàn)實的壓力卻讓她只能把夢想暗藏心底。一次偶然的機(jī)會，她進(jìn)入了朗（立威廉 飾）所開的紅星公司，雖然工作是清潔工，但可以有機(jī)會接觸到街舞，讓她非常興奮，時常默默練習(xí)。朗是公司老板，富家子弟，每天周旋于紅男綠女之間，希望通過街舞大賽幫公司創(chuàng)品牌。他遇到彩鳳后，被她對街舞的執(zhí)著打動，便提供了一個機(jī)會，希望幫她實現(xiàn)夢想。然而，因為一次誤會，令彩鳳傷心地回到了家鄉(xiāng)。她還能有機(jī)會站在五光十色的舞臺上實現(xiàn)夢想嗎？
林肯大戰(zhàn)僵尸
小比爾·奧伯斯特,克里斯·赫洛澤,Jason Vail19世紀(jì)，經(jīng)歷了影響深遠(yuǎn)的南北戰(zhàn)爭，美國終于迎來了新的時代。亞伯拉罕·林肯（比爾·奧伯斯特 Bill Oberst, JR 飾）接連取得與人類的勝利，卻不得不面對新的敵人。他麾下一直部隊在巡察途中遭遇活死人，三十人僅有一人幸存，但由于驚嚇過度精神失常。北方政府懷疑這是南方的最新武器，于是計劃派出一支12人的小分隊深入敵后，救出被困的人員。勇猛無敵的林肯見識了活死人的威力，自告奮勇帶部隊向南方進(jìn)發(fā)。在目標(biāo)要塞，他們遭遇了數(shù)量龐大的活死人軍團(tuán)，這群怪物的殘忍更遠(yuǎn)遠(yuǎn)超出他們的想象。 死亡救援之旅漫長難熬，偉大的林肯總統(tǒng)能否帶著他的子民逃出生天……
神奇柑仔店真人版
天海祐希,大橋和也,伊原六花,上白石萌音,平澤宏宏路,伊禮姬奈,白山乃愛,番家天嵩,今濱夕輝乃,山本未來,渡邊圭祐,田中里衣,大河原次郎改編自暢銷兒童小說，本片以只有幸運(yùn)的人才能到達(dá)的粗點(diǎn)心店為舞臺，描繪了購買了紅子推薦的可以實現(xiàn)愿望的“不可思議的粗點(diǎn)心”的人們的故事。
末世家園
泰勒·霍奇林,凱特·波茨沃斯,水野索諾婭,蘭斯·萊迪克,大衛(wèi)·達(dá)斯馬齊連,丹娜·格瑞爾,勞拉·凱洛蒂,蘭斯·E·尼克爾斯,杰夫·蔡斯,布拉德·利蘭,戴夫·戴維斯,大衛(wèi)·詹森,托馬斯·弗蘭西斯·墨菲,邁克·P·納爾遜,吉姆·格里森,戴恩·羅茲,Jacinte Blankenship,埃迪·馬休斯,Mary Alice Risener,Nina Leon,Dillon Ahlf,阿爾·維森特,Jaren Mitchell,Oscar Gale,Steven Grossman,李·珀金斯,Deven MacNa一對夫婦在被暴徒控制的中西部地帶，只有通過與之斗爭才能回家的故事，影片將于6月29日北美上映。
菜肉餛飩
周野芒,潘虹,茅善玉,陳國慶,王琳,徐祥,高博文,王菊,陳龍,馮瑪婭,倪夏蓮,安棟,王佳彥,曹可凡,袁鳴,章齡之,戰(zhàn)士強(qiáng),張芝華,張建亞,顧曉東,卞根琴,孔祥東,賈梓樂,錢小昆,陳瀚波,黃英上海的退休工程師老汪與兒子有一個約定，每周六小汪會回父母家一次，順便吃碗老汪拿手的菜肉餛飩。為了讓兒子早點(diǎn)結(jié)婚生子，老汪在愛人素娟的啟發(fā)下，決定自己去公園相親角為兒子物色一名婚戀對象。在相親角，老汪結(jié)識了老金、美琴、阿芳等人，自己也無意中卷入了一場始料未及的情感漩渦之中。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
人偶之家
長澤雅美,瀨戶康史,田中哲司,池村碧彩,本田都同花,今野浩喜,西田尚美,品川徹,安田顯,風(fēng)吹淳故事主角是失去五歲女兒芽衣的鈴木佳惠（長澤雅美）和丈夫忠彥（瀨戶康史）。沉浸在悲傷中的佳惠，在古董市場找到一個與芽衣非常相似的可愛洋娃娃，并開始呵護(hù)它，逐漸恢復(fù)了活力。但是，佳惠和忠彥有了新的女兒真衣之后，兩人就不再關(guān)注這個洋娃娃了。漸漸地，五歲大的真衣開始和洋娃娃玩耍，這個家庭接二連三地發(fā)生奇怪的事情。佳惠他們試圖擺脫這個洋娃娃，但無論扔掉還是供奉，這個洋娃娃卻莫名其妙地回來了！洋娃娃隱藏的秘密是什么？以及即將揭開的震撼真相是什么——！