普里出租

評分：4.8 播放：75萬 更新：2026-04-24

Aiko Garcia plays a desperate woman thrust into an unusual job. In desperate need of money after getting fired, Nancy finds herself accepting a job as a young and rich disabled man's sexual partner. But can she let go of her dignity when the sex leads to love?

影片推薦

同類精選

影視排行

逆轉上半場

梁詠琪,陳湛文,凌文龍,梁雍婷,朱栢康,陳輝虹

人生勝利組希文靠自己努力，打敗99.9%香港人，卻因誤信朋友面臨破產邊緣。由深水灣搬到深水埗，勢要在短時間內極速債務重組，一日未認輸一日都未輸！得知天真富二代正籌組足球聯賽，剛好同房表妹閑時會在街場與幾個小嘍啰踢波追夢，有乜比基層追夢更追夢。當然一波會有三折，到底希文與五個小孩又會如何踢出精彩的一局呢？典型格局非典型救贖，久違的溫情港產喜劇，笑聲笑聲滿載溫馨，注入我體內，大小演員個個賣力演出，演活擅打逆境波的港人故事。

怪物驚魂

碧帕莎·芭素,Imran Abbas,Bikramjeet Singh,Deepraj Rana,Mukul Dev

　　某年圣誕節期間，位于一個僻靜舒適角落的格蘭達爾森林旅館正式開業。美麗的女店主阿哈娜（碧帕莎·芭素 Bipasha Basu 飾）為了這一天可謂煞費苦心，她以一己之力安排旅館內的一切事務，與此同時第一批客人也接二連三入住。雖然狀況不斷，不過旅館的開業儀式總算順利進行了下來，而且她還因誤會結識了擁有迷人氣質的客人庫納爾·阿南德（Imran Abbas 飾）。然而在前一晚，給旅店送貨的司機遭到不明生物的襲擊，死狀可怖。次日，一對新婚燕爾的夫妻也在叢林中遇襲。　　恐怖的死亡氣氛迅速蔓延，阿哈娜好不容易建立起來的夢想旅館，面臨怪物的無情毀滅……

女孩2025

邱澤,湯毓綺,白小櫻,林品彤,賴雨霏,劉品言,陳竹升,曾珮瑜,梁正群,謝瓊煖,黃鐙輝,劉冠廷

1988年，基隆港煙塵蔽日，林小麗（白小櫻 飾）在迷惘中長大，渴望逃離黑暗。 直到遇見無懼眼光、自在生活的李莉莉（林品彤 飾），她才第一次看見世界的色彩。 然而，這份向往卻觸動了母親（湯毓綺 飾）的過往創傷。 當年，她也曾憧憬未來，卻被現實困住。 女孩與女人，在交錯的命運中互相映照，像一面鏡子照出彼此的傷卻無能為力。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.