劇情縱覽
20世紀90年代一座淳樸的西北小鎮,摸金校尉傳人陳永為救前女友齊依然,與好友韓胖子、富商蘇文偉、伏牛門師兄妹等人闖入古代鬼方國舊址禁地,不料卻意外跌入地下墓穴,陷入重重陷阱機關之中,一段塵封百年的玄幻秘事即將揭開神秘面紗 。
20世紀90年代一座淳樸的西北小鎮,摸金校尉傳人陳永為救前女友齊依然,與好友韓胖子、富商蘇文偉、伏牛門師兄妹等人闖入古代鬼方國舊址禁地,不料卻意外跌入地下墓穴,陷入重重陷阱機關之中,一段塵封百年的玄幻秘事即將揭開神秘面紗 。
太平洋某座生物研究所內,最新研究的魚類加速繁殖計劃得到了突破,并在繁殖力極低的鯊魚身上試驗成功。實驗室的科學家們大喜過望,稱這項研究將徹底解決全球食物問題。只有總負責人博士袁聰認為此舉會破壞現有的生態環境,力排眾議下令銷毀實驗鯊魚。然而實驗組的副手莫雷將這些鯊魚看成畢生心血,偷走幾條幼鯊準備轉移,誰知在路上被咬傷出了事故,幼鯊逃進下水道進入了大海。沒過多久,若干處海邊出現鯊魚群體襲擊事件,原來這些鯊魚的背后有一只超級巨大的母鯊......
King, a trafficked lion cub, escapes from the airport in mid-transit and finds shelter in the home of Inès and Alex, 12 and 15. The siblings come up with a crazy scheme: to bring King back to Africa. Unfortunately, the customs agents on their tail don't make their mission easier. But soon, Max, the kooky grandfather they've only met twice before, joins their adventure... and from then on, the sky's the limit.
說來平平無奇,奇在竟煞是好看。娓娓道來自己過去一天的是新銳攝影師彼得胡渣,請他到香閨暢談的是知名作家蓮達羅森克蘭茲。本打算將紐約藝術圈好友的生活日常結集成書,書出不成,抄本卻奇跡留下,讓埃拉薩克斯看得心神一動,在一室之內以靈巧多變的鏡頭擺位,重塑1974年那平凡卻奇妙的一天。請來《欲流雙行道》的賓韋沙念55頁獨白,三分型格三分憂郁再帶三分初成名的忐忑。漫溢于16米厘的光影質感之間,是安迪華荷、蘇珊桑塔格那一代人浸透于生活的藝術靈光。
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster