在線播放
劇情簡介
誘人的女仆 一個月住在一起! 有一天我回家 有一個名為“ Cocone”的管家,他被雇離開家一個月。 她美麗迷人,而且打掃和烹飪都很好。 但是她已經結婚了。 Tatsuya,作為管家,愛上了她一直真誠而負責的人, 這就是Tatsuya愛她的原因,令人欽佩。
同類好片
最佳拍檔2:大顯神通
許冠杰,麥嘉,張艾嘉,倉田保昭,徐克,葉夏利,曹達華,黃百鳴,汪庭歡,祖迪文,域陀布烈,李家鼎,施明,韓國材,關淑怡感染她嘴唇的欲望2025
鵜川もえか,渡邉結衣,原田英里佳,新嘉喜由芽女孩2025
邱澤,湯毓綺,白小櫻,林品彤,賴雨霏,劉品言,陳竹升,曾珮瑜,梁正群,謝瓊煖,黃鐙輝,劉冠廷自殺俱樂部
Klariza Clayton ,Kate Lister,Adam Newington毛骨悚然撞鬼經 2016夏季特別篇
稻垣吾郎,武井咲,豐島花,板谷由夏,中島健人,前野朋哉,半海一晃,生田繪梨花,生駒里奈,齋藤飛鳥,白石麻衣,西野七瀨,笨蛋節奏,岸井雪乃,吉本美憂,利重剛,柳葉敏郎,前田敦子,鹿賀丈史偽叛國者
威廉·霍爾登,莉莉·帕爾默,休·格里夫斯,卡爾·拉德茨,Ernst Schr?der,查爾斯·雷尼爾,英格麗·凡·貝爾根,沃爾夫岡·普萊斯,維爾納·彼得斯,埃麗卡·比爾,Stefan Schnabel,克勞斯·金斯基,埃里克·舒曼,波爾·賴希哈特,John Wittig,Louis Miehe-Renard,Kai Holm,Jens ?sterholm,J?rgen Krogh,伊娃·達爾貝克,烏爾夫·帕姆,約翰·班納,Martin Berliner,Jochen Blume,菲爾·布朗,馬克斯·布施鮑導演精選
拼桌
對美食有著獨特見解的“碼農”陸拾谷(王傳君 飾),與經常用美食治愈生活的圖書編輯張嘉怡(江疏影 飾),因午飯時的拼桌意外結識,在一起尋找更多美味的經歷下,兩人逐漸成為彼此味覺和心意相投的“飯搭子”。陸拾谷默默按照母親的心意生活、工作,可心中卻翻涌著無限波濤,張嘉怡的圖書編輯工作、感情生活紛紛遇到瓶頸,在都市的煙火氣,牛馬打工人的迷茫中,拾谷與嘉怡最終會在味蕾與真心的指引下如何完成自我的成長?二人間又會產生怎樣宿命般的羈絆?一道色香味俱全的真香菜肴只待觀眾“嘗鮮”!
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
二〇二五年的歐陸
奧爾索利亞是特蘭西瓦尼亞主要城市克盧日的一名法警。一天,她必須將一名無家可歸的男子從地下室驅逐出去,這一行動帶來了悲劇性的后果,使得奧爾索利亞必須盡力應對隨之而來的道德危機。