再見(jiàn)美女
Ciao Bella是一部關(guān)于尋找愛(ài)情和為愛(ài)掙扎的故事。按照好萊塢電影的傳統(tǒng)模式，鏡頭跟隨2個(gè)16歲的年輕人腳步發(fā)展。有時(shí)在你16歲的時(shí)候，你就面臨著人生的重大抉擇。Mustafa Moradi非常想有個(gè)女友，但是他認(rèn)識(shí)的女孩卻只把他當(dāng)普通朋友。他突然想到了一個(gè)自認(rèn)為聰明的法子，就是假裝成浪漫的意大利人，一個(gè)充滿各種可能性的世界出現(xiàn)了。在城市的另一端，Linnea 也在尋在著她生命的另一半，作為生活在一個(gè)很落魄社區(qū)的瑞典女孩，這可不是一件容易的事情。可是事無(wú);絕對(duì) rdquo;，她就這么遇上了這位浪漫的意大利青年;
在線看
同款熱播
鬼鯊
Mackenzie Rosman,Dave Randolph-Mayhem Davis,Amy Brassette,Sloane Coe,金·柯林斯粗魯蠻橫的博貝克（金·科林斯 Kim Collins 飾）和女兒維多利亞（Amy Brassette 飾）參加釣魚大賽，誰(shuí)知到手的魚兒卻被一條白鯊吃掉。博貝克勃然大怒，竟然用炸藥對(duì)付鯊魚，結(jié)果父女引來(lái)了可怕的殺身之禍，連駕駛游艇的船長(zhǎng)也無(wú)法幸免。次日，愛(ài)娃（Mackenzie Rosman 飾）、卡梅隆（Jaren Mitchell 飾）、米克（Shawn C. Phillips 飾）、布雷西（Dave Randolph-Mayhem Davis 飾）等幾名年輕人來(lái)海邊玩耍，可在歡樂(lè)之時(shí)一條全身散發(fā)熒光的鯊魚向人們發(fā)起猛烈攻擊。原來(lái)鯊魚也有憎惡怨恨之心，昨晚的鯊魚雖被博貝克炸死，但它的怨念使它化身為復(fù)仇的鬼鯊魚，向所有人類展開(kāi)報(bào)復(fù)。 而這一切的背后，又藏著不可告人的秘密……
不倫之戀
帕特里克·迪瓦爾,阿里爾·貝西,莫里斯·羅內(nèi),杰納維夫·馬尼奇,莫里斯里什,瑪莎·梅赫勒,羅絲·蒂埃里,Michel Berto,亨利-雅克·于埃,雅克·里斯帕爾,納塔莉·貝伊,妮可·加西亞,Alan Adair,莫里斯·比羅,皮埃爾·科索,伊維斯·皮尼奧,Joseph Michael Roth,Max Vialle對(duì)于音樂(lè)家雷米（帕特里克·迪瓦爾 Patrick Dewaere 飾）來(lái)說(shuō)，日子變得越來(lái)越不好過(guò)，不僅僅是職業(yè)上的停滯不前，妻子一成不變的容顏和乏味的婚姻生活也讓他幾近抓狂。就在這個(gè)節(jié)骨眼上，妻子車禍身亡的消息讓雷米感到震驚卻又有一絲解脫，而妻子留下的14歲的繼女瑪麗安（阿里爾·貝西 Ariel Besse 飾）也成為了一個(gè)包袱。瑪麗安的生父想奪回瑪麗安的撫養(yǎng)權(quán)，沒(méi)想到，小小的瑪麗安卻更愿意和繼父生活在一起。同一屋檐下，這對(duì)沒(méi)有血緣關(guān)系的“父女”之間的情感變得朦朧而又曖昧。對(duì)于瑪麗安的火熱表白，雷米從最初的果斷拒絕到之后的欲拒還迎，他能否守住倫理道德的最后一條底線呢？
塔米·菲的眼睛
杰西卡·查斯坦,安德魯·加菲爾德,切莉·瓊斯,文森特·多諾費(fèi)奧,馬克·懷斯特拉克,山姆·賈格,路易斯·坎瑟米,加布里埃爾·奧爾德斯,弗瑞德里克·林恩,錢德勒·海德,杰伊·胡古雷,格蘭特·歐文斯,柯莉·坎帕尼,杰絲·威克斯勒,林賽·艾利夫,蘭德?tīng)枴·海文斯,Joe Ando-Hirsh,德魯·布羅德里克,布倫特·莫雷爾·加斯金斯,Tanya Jacobson,小唐納德·諾里斯,Dan Johnson,Michael MacCauley該作品改編自2000年同名紀(jì)錄片，講述塔米·菲（杰西卡·查斯坦 飾）和吉姆·貝克（安德魯·加菲爾德 飾）這對(duì)夫婦作為電視福音布道家的大起大落。在上世紀(jì)70-80年代，塔米·菲和吉姆·貝克從貧寒中奮起，創(chuàng)建了當(dāng)時(shí)世界上最龐大的宗教廣播電視網(wǎng)和一個(gè)主題公園，他們傳遞的愛(ài)、接納和繁榮的主題受到人們的尊敬。塔米 · 菲以她夸張的睫毛，獨(dú)特的歌聲、以及她熱情擁抱各行各業(yè)的人們而成為傳奇。不過(guò)好景不長(zhǎng)，經(jīng)濟(jì)上的不當(dāng)行為、詭計(jì)多端的競(jìng)爭(zhēng)對(duì)手以及性丑聞的爆發(fā)使得這對(duì)夫婦的婚姻破裂，導(dǎo)致他們精心構(gòu)建起來(lái)的帝國(guó)開(kāi)始崩塌。
索命哨
達(dá)芙妮·基恩,蘇菲·奈麗絲,珀西·海恩斯·懷特,尼克·弗羅斯特,艾麗·斯考比,楊子英,斯蒂芬·卡林,米卡·阿蒙森,邁克爾·科拉斯,賈納婭·斯蒂芬斯,蘭內(nèi)特·瓦雷,特洛伊·詹姆斯,賈利勒·斯瓦比,蔣如思,朱莉婭·迪揚(yáng),Cameron Gordon Norris,Toria Summerville,Louis Adams,梅努卡·薩瓦爾,克里斯蒂娜·薩赫利一群學(xué)生發(fā)現(xiàn)了一個(gè)阿茲特克“索命哨”，不信邪的他們招來(lái)了自己的死亡……
X誰(shuí)嫁誰(shuí)噶了誰(shuí)
露西·海爾,維吉尼亞·加德納,布魯克·尼文,薩默·薩利姆,Bethany Brown,杰瑞·蒂納科,杰迪代亞·古達(dá)克,Brendan Morgan,Haley Victoria Hunt,RJ·費(fèi)瑟斯頓豪,勞拉·延加,斯賓塞·博爾格森,Edem Nyamadi,Pete MacLeod,Brad Abramenko,Kyle Mosonyi,Cam Woodman,Sequoia Wiseman,肯德拉·赫斯凱特,韋恩·科貝伊當(dāng)真實(shí)犯罪迷伊娃-沃（露西·海爾 Lucy Hale 飾）在她 30 歲生日那天被她的好朋友們推到約會(huì)應(yīng)用程序的世界里時(shí)，她突然發(fā)現(xiàn)自己處于一樁真實(shí)謀殺案的中心。 隨著她最喜歡的播客揭露了謀殺案的新細(xì)節(jié)，她意識(shí)到與她約會(huì)的三個(gè)男人中，有一個(gè)可能就是肆虐全城、臭名昭著的 "向右滑動(dòng)殺手"！ 現(xiàn)在，伊娃和她的朋友們要做的，就是在這部精彩絕倫的喜劇驚悚片中，搞清楚哪一個(gè)約會(huì)對(duì)象是同性戀、潛在的丈夫或殺手。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.