濕地 Feuchtgebiete
海倫（卡拉·朱里 Carla Juri 飾）是一位十八歲的妙齡少女，她本性桀驁不馴，又十分叛逆，喜歡特立獨行的生活方式，向往自由的人生哲學。某日，她突發奇想決定刮肛毛，結果受了傷，導致痔瘡大出血，不得不住進了醫院。 規矩多多的住院生活對于海倫來說簡直就如同坐牢，好在這里有一位名叫羅賓（Christoph Letkowski 飾）的男護士，羅賓個性溫文爾雅又彬彬有禮，深得海倫的喜愛，然而，羅賓的內心早已經被一位漂亮的女護士所占據，當然，奔放的海倫可管不了這么多，她使出了渾身解數，想要勾引羅賓。在海倫的內心里一直隱藏著一個和她叛逆外表并不相稱的愿望，那就是希望離婚的父親和母親破鏡重圓。
即刻觀影
劇情賞析
編輯推薦
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
炫舞我人生
董維恩,陳樂添,杜梵,李純洱幾個年輕時懷揣街舞夢想的青年，多年后經歷了人去人走、世故變遷，懷著對朋友的懷念，懷著對未來的憧憬，又重拾了自己年輕時的夢想，用舞蹈詮釋了人生態度……
零食小屋
加布·拉貝爾,David Costabile,米卡·阿卜杜拉內布拉斯加州，1991年，兩個最好的朋友有機會經營游泳池小吃店，后來成為越軌、娛樂、個人發現和浪漫的完美場景。
包寶寶
丹尼爾·凱林,辛迪·勞畫面開始，一雙豐滿的手靈巧地揉面、按記兒、搟皮兒、包包子。沒過一會兒，一籠白白凈凈又饞人的包子就做得了。相貌平平的女主人推開廚房的窗戶，短暫的歇息。稍后，包子蒸熟，女主人端著它來到餐桌前。此時，她的老公已經起床，正目不轉睛地盯著電視的新聞。而他看了表后狼吞虎咽，便匆匆上班去了。失落的女主人拿起最后一個包子，可剛一張嘴包子便大哭了起來。不知為何包子有了生命，而倍感孤獨的女主人格外開心，于是將包寶寶當做自己的孩子撫養。小包子一天天長大，他起初和女主人分外親近，但是他漸漸有了自己的個性，渴望獨立，渴望遠行……本片是《超人總動員2》的貼片短片，榮獲奧斯卡電影金像獎最佳動畫短片獎。
最后的吸血鬼
工藤夕貴,中村佐恵美該片是押井守參與制作的一部動畫電影。獲2002年斯圖加特國際動畫電影節最佳長篇獎，獲2001年日本文化廳文化廳MEDIA藝術祭動畫大賞。1966年秋天，越南戰爭期間，在日本國內的美國空軍橫田基地內，不時可見F4幻影戰斗機頻繁起降，空氣中充斥著一股殺戮的氣氛；就在此時，基地附近的市區連續發生了離奇的命案。 地下鐵，銀座線，正駛著通往淺草的最后一班列車，一名少女出現在空蕩的車廂內，她擁有令大人感到刺眼的眼神，緊閉著雙存欲訴說她內心的真正意念，她的名字叫小夜(SAYA)；她是“組織”為了打倒潛伏于人類社會里的吸血鬼“翼手”，因而派遣至人類社會的救世主。 穿著水手服的小夜，手持日本武士刀作為武器，潛入了基地內的美國學校。一柄冷血無情的武士刀，是她消除邪魔、保護人類的武器。而她身體里這一半的人性，可能就是她打敗敵人的秘訣……
生人活祭
艾米·西米茨,凱特·林恩·希爾,喬·斯萬博格,AJ·鮑恩,Kentucker Audley媒體從業人員帕特里克·卡特（肯塔克爾·德利 Kentucker Audley 飾）意外聯系到了失蹤許久的姐姐卡羅琳（艾米·西米茨 Amy Seimetz 飾）。卡羅琳當初曾在戒毒所治療，如今住進了一個名為“圣伊甸園”的地方，并自稱過上了烏托邦般的生活。為了弄清姐姐的下落，帕特里克和同事兼好友山姆·特納（AJ·鮑恩 AJ Bowen 飾）、杰克·威廉姆斯（喬·斯萬博格 Joe Swanberg 飾）啟程前往圣伊甸園的所在地調查。這座樂園位于一個鮮為人知的隱秘所在，許許多多生活中經歷痛苦和坎坷的人們，在“父親”（吉恩·瓊斯 Gene Jones 飾）的感召和撫慰下重獲新生。 出于媒體人的敏感，山姆取得了和“父親”對談的機會，但他卻從對方幽默機智的談吐中嗅到了一絲殺氣……