劇情縱覽
一封沒署名的遺書、一群看似無(wú)恙的學(xué)生,讓中學(xué)老師鄭Sir(盧鎮(zhèn)業(yè) 飾)想起充滿暴力與遺憾的童年往事。他亦面對(duì)妻子離別、父親病危,同時(shí)必須找出企圖輕生的同學(xué),阻止悲劇重現(xiàn)。
一封沒署名的遺書、一群看似無(wú)恙的學(xué)生,讓中學(xué)老師鄭Sir(盧鎮(zhèn)業(yè) 飾)想起充滿暴力與遺憾的童年往事。他亦面對(duì)妻子離別、父親病危,同時(shí)必須找出企圖輕生的同學(xué),阻止悲劇重現(xiàn)。
我叫夏津生,做水產(chǎn)生意,45歲那年我兒子跳樓自殺了,他死后第37天我進(jìn)了他所有的群,我發(fā)現(xiàn)里面全都是有抑郁傾向企圖輕生的孩子,我不知道為什么,我在“約死群”留言1萬(wàn)9千次,問過127個(gè)男孩,49個(gè)女孩,到現(xiàn)在也沒有答案……
根據(jù)徐貴祥同名小說改編。 鐵匠的兒子石平陽(yáng)帶著父親的囑托參軍來到炮兵部隊(duì)。他的一股沖勁,受到營(yíng)長(zhǎng)莊必川的喜愛,老班長(zhǎng)李四虎更喜歡石平陽(yáng)不服輸?shù)膭蓬^。李四虎是技術(shù)尖子,他對(duì)新戰(zhàn)士訓(xùn)練十分嚴(yán)格,新戰(zhàn)士進(jìn)步很快。他把石平陽(yáng)視作接班人,要在自己退伍之前把經(jīng)驗(yàn)全部傳授給石平陽(yáng),甚至以故意裝病,讓石平陽(yáng)獨(dú)立完成訓(xùn)練課目。石平陽(yáng)進(jìn)步很快,年終還榮立了三等功。和他一起入伍的女兵張媚對(duì)他也另眼看待。教導(dǎo)隊(duì)招收骨干,進(jìn)教導(dǎo)隊(duì)就能報(bào)考軍校,成為軍官。營(yíng)長(zhǎng)擔(dān)心比武缺了石平陽(yáng)影響成績(jī),因此改派與石平陽(yáng)一同入伍的王北風(fēng)去了教導(dǎo)隊(duì)。機(jī)會(huì)得而復(fù)失,石平陽(yáng)有些想不通。父親去世了,指導(dǎo)員讓他回家料理,但他走到半路,想起父親的囑托,毅然返回連隊(duì)。李四虎復(fù)員了,石平陽(yáng)接任班長(zhǎng),他把老班長(zhǎng)的好傳統(tǒng)全部繼承下來,愛兵、愛炮、愛部隊(duì),技術(shù)精益求精。同時(shí)入伍的王北風(fēng)和張媚進(jìn)了軍校,石平陽(yáng)仍然當(dāng)班長(zhǎng)。排長(zhǎng)調(diào)走了,石平陽(yáng)任代理排長(zhǎng),這時(shí),他入伍已有八年。團(tuán)里為了留住他,讓他準(zhǔn)備報(bào)考軍校。就在這時(shí),新戰(zhàn)士劉發(fā)展一封雖事出有因但嚴(yán)重失實(shí)的告狀信,使他又失去了上軍校的機(jī)會(huì)。石平陽(yáng)要復(fù)員了,副團(tuán)長(zhǎng)莊必川舍不得他離開,從車站把他接回,團(tuán)黨委特別決定把他留下。石平陽(yáng)又回到排里,他對(duì)劉發(fā)展更嚴(yán)格、更耐心訓(xùn)練和要求,使劉發(fā)展深感內(nèi)疚。幾年后,參謀王北風(fēng)到部隊(duì)檢查工作,見到石平陽(yáng)仍是上士,不免生出許多感觸。在集團(tuán)軍的軍事演習(xí)中,石平陽(yáng)指揮火炮群的準(zhǔn)確射擊,令首長(zhǎng)和指揮員們贊嘆不已。石平陽(yáng)多年操縱的火炮由新式火炮取代了,他雖有些戀戀不舍,但他立即和戰(zhàn)友們開始學(xué)習(xí)掌握新的火炮,迎接新的挑戰(zhàn)。不久,石平陽(yáng)被破格提拔為中尉連長(zhǎng)。
她離開丈夫與兒子,也離開穩(wěn)定的律師工作,在泳池、露天咖啡廳與私人公寓自在游走。以寫作寄托生活,對(duì)兒子的愛未減半分,與丈夫也親如摯友,直到那日,她向丈夫吐露與女性的親密關(guān)系,完美生活旋即化為一場(chǎng)幻夢(mèng)。在失去監(jiān)護(hù)權(quán)后,她不得不在機(jī)構(gòu)間穿梭,為了見兒子一面奮力一搏,卻不知這樣的困境,何時(shí)能走到盡頭?
Can I Get a Witness? tells the story of a mother and daughter in a near-future world where huge sacrifices are made to maintain life on Earth. With its resources swallowed by e-waste and overpopulation, the world is experiencing an anthropogenic collapse. To manage, technological advances are shunned. Nobody has electricity and only people with exceptions are permitted cars. Most importantly, there is also a collective agreement that nobody is allowed to live beyond the age of 50. Oh’s Ellie lives with her teenage daughter Kiah (Keira Jang), who is starting her first day as a Documenter, an important role in this new world order. She uses her artistic gifts — beautifully conjured in animations — to draw the dying ceremonies, since printing and photography have been banned. Kiah is paired with Daniel (Joel Oulette), the young man who performs the contractual elements of each person’s end-of-life ceremony. He matter-of-factly provides the packages a person can choose, sets them up when the time comes, and performs the burials. But his new coworker is having a hard time handling the emotional impacts of the job.