播放通道
詳細簡介
熱門影視 大家都在看
魔影襲人來
萊斯利·霍華德,勞倫斯·奧利弗,雷蒙德·馬西,安東·沃爾布魯克,埃里克·波特曼阿特羅皮亞
阿莉雅·肖卡特,克洛伊·伊斯特,查寧·塔圖姆,科洛·塞維尼,簡·利維,卡勒姆·特納,蒂姆·海德克,吉爾·佩雷斯-亞伯拉罕,索爾·洛佩斯,托比·尼克爾斯,托尼·肖卡特,普莉希拉加里塔,吉爾伯托·奧爾蒂斯,Dash Melrose,沙霍莉·艾爾斯,理查德·布萊克蒙,阿里烏斯·巴恩斯,扎赫拉·阿爾祖拜迪,菲爾·伯格斯,肖恩·崔瘋狂侏羅紀
梅蘭尼·格里菲斯,簡·林奇,威廉·鮑德溫第六日
阿諾·施瓦辛格,邁克爾·拉帕波特,托尼·戈德溫,邁克爾·魯克,莎拉·溫特,羅伯特·杜瓦爾尋磚
張亮,鄂靖文,劉俊孝,鄭強,趙毅,李寶安,紅花,傅花道,耿一正,周培巖小鎮突襲
雷·利奧塔,多米尼克·珀塞爾,邁克爾·帕爾同類推薦
雙龍吐珠
吳耀漢,岑建勛,葉德嫻,羅美薇,午馬英勇保護證人而展開一連串的警險搞笑…… 吳阿秋(吳耀漢)與貝多芬(岑建勛)奉命保護重要證人羅美美(羅美薇),但美美天性反斗,不喜被貼身保護,偷偷溜走,引來追殺危機。秋誤以為自己身患絕癥,變得非常搏命,與殺手拼個你死我活……
那個孩子是誰?
澀谷凪咲,早瀨憩,山時聰真,荒木飛羽,今森茉耶,蒼井旬,染谷將太,松尾諭,小原正子,槙田雄司擔任臨時教師的君島穗香(澀谷凪咲),目擊了一個女學生從屋頂跳下的瞬間。當她在暑假補習班上課時,又注意到有個不應該存在的學生。不久后,穗香與補習班的三浦瞳(早瀨憩)、前川武(山時聰真)等學生們,得知了與那個女學生有關的令人震驚的事實。
致命玩笑2001
保羅·沃克,斯蒂夫·扎恩,莉莉·索博斯基,布萊恩·雷科內爾,吉姆·比弗,特里·倫納德,格溫達·迪肯,休·達恩,杰伊·埃爾南德斯,沃爾頓·戈金斯,泰德·拉文,帕特里克·羅伯特·史密斯,Jessica Bowman,Stuart Stone,Basil Wallace,Mary Wickliffe,McKenzie Satterthwaite,Dell Yount,Kenneth White,Luis Cortés,Michael McCleery,Rachel Singer,John Maynard,蒂姆·暑假來臨,大學新生劉易斯·托馬斯(保羅·沃克爾 Paul Walker 飾)決定穿州過省,前往新澤西去看望他自高中時代便喜歡的女孩維娜·威爾柯斯(Leelee Sobieski 飾)。為了打發旅途上的無聊時光,他將正因酒后駕車蹲局子的老哥富勒(史蒂夫·贊恩 Steve Zahn 飾)保釋出來,兄弟倆一路通行。 旅途中,富勒買了一部車載對講機,與其他的司機扯皮聊天。期間他們搭上一個綽號“銹釘”的卡車司機,富勒突發奇想,慫恿弟弟假扮女人用對講機勾引銹釘。對他們來說,這似乎是旅途中一個無傷大雅、轉眼就忘的玩笑。沒想到他們卻惹上了這個難纏和恐怖的家伙。在接下來的時間里,銹釘成為劉易斯、富勒和維娜難以擺脫的噩夢……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
德國懸案事件簿:失蹤警探
羅蘭·維斯內克,梅克·德羅斯特,馬克·本杰明·普赫一天清晨,刑警驚覺自己的搭檔失去了音訊。事實上,搭檔在夜晚返家的途中,意外目睹一起犯罪行為。不料現場突然發生提款機爆炸,她身受重傷,隨即被犯人綁走。