異鄉(xiāng)情愁
安多妮蒂世居牙買加,父親早逝,與母親和智障的弟弟相依為命,后因母親無力獨撐家計,改嫁來自英國的富紳,在一次家中黑奴的暴動中,弟弟不幸喪生,母親因打擊太大發(fā)瘋,繼父托人照顧她們就返回英國,再也沒回來。 安多妮蒂大人后,為了繼承繼父在牙買加的遺產(chǎn),答應(yīng)繼父生前為她選擇的婚事,但安多妮蒂因家庭變故的陰影,深怕被她的丈夫遺棄,對自己的家世諸多隱瞞;加上外人的閑言與嘲諷,夫妻倆人漸生心結(jié),為此安多妮蒂費盡心思想挽回丈夫的心,無奈她親聞?wù)煞蚺c黑人女仆奸情,打擊如巨般排山倒海而來
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動物僵尸2
Jonathon Buckley,Jarrid Masse瘋癲和尚之再續(xù)前緣
雪村,鐘夫翔,石洋子惡魔在上
丹尼爾·尤因,蒂姆·波考克,Sophie Don,杰西卡·格林,Ben Chisholm,Emily Joy,James Straiton,費利克斯·威廉森,約翰·雷諾茲蒙上你的眼:逃出巴塞羅那
喬治娜·坎貝爾,馬里奧·卡薩斯,迭戈·卡爾瓦,米歇爾·珍娜,萊昂納多·斯巴拉格利亞,洛拉·杜埃尼亞斯,帕特里克·克里亞多,Alejandra Howard,西莉亞·費杰羅,Naila Schuberth,岡扎洛·德·卡斯特,Manel Llunell,米洛·塔波阿達(dá),Brian Lehane,Gerard OmsAI 愛上你
平采娜·樂維瑟派布恩,馬里奧·毛瑞爾,薩哈賈克·波斯安吉特,大衛(wèi)·阿薩瓦納德,Watthanachai Treedecha,Thaweesak Thananan,Kenneth Won,Michael S. New,James Laver,Ladapa Ratchataamonchot,Chris Wegoda,Fuang R. Puttarangsi,Manita Chobchuen,Siri Tveter,Hassaya Isariyasereekul怪獸與女孩
艾倫·德魯,Robert Paige,保羅·盧卡斯同類推薦
宿命,吾愛:第二部
沙伊恩·布邁丁,奧菲莉·芭,Jessica Pennington,薩利姆·克希烏什,安德烈·雅各布斯,阿弗西婭·埃爾奇,亞歷克西婭·夏達(dá),Dany Martial,Marie Bernard,Delinda Kechiche,盧·盧蒂奧,Kamel Saadi,Athéna?s Sifaoui-Blanc阿明的暑假結(jié)束了。這位年輕的攝影師與他的casanova堂兄的前女友夏洛特度過了舒適的夜晚。她和他談?wù)撐膶W(xué),他給她拍照。在阿明與這些女性的相遇和他對電影的夢想之間,他有很多選擇。
大器晚成2023
凱倫·吉蘭,瑪爾戈扎塔·扎亞茨夫斯卡,杰梅因·福勒,塔利亞·巴爾薩姆,凱文·尼龍,麥克斯·詹金斯,拉提法·赫爾德凱倫·吉蘭、瑪格麗特·蘇菲·斯坦、杰梅因·福勒、凱文·尼倫、塔利亞·巴爾薩姆將主演喜劇新片《大器晚成》(Late Bloomers),麗莎·斯蒂恩首導(dǎo)劇情長片,已在紐約殺青。 斯蒂恩的多部短片搭檔安娜·格林菲爾德寫劇本,松散基于她20多歲時居住在布魯克林的經(jīng)歷,講述露易絲(吉蘭)是一個漫無目的的千禧一代,某天她醉醺醺地摔到了臀部,為此接受了物理治療,在那里結(jié)識了一位不會說英語的年長波蘭女士,兩人成為了閨蜜。而正是這種不太可能的友誼讓露易絲有勇氣面對她一直在逃避的事情:她母親的早發(fā)性老年癡呆癥。 福勒飾演露易絲的室友/房東布里克,尼倫和巴爾薩姆飾演露易絲的父母。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
曼谷保鏢2
Petchtai Wongkamlao,Tony Jaa⊙《曼谷保鏢2》的故事: 影片故事講述拔泰王錦魯飾演的東南亞某小國特工翁坤,為了調(diào)查一伙恐怖份子,秘密潛入泰國曼谷執(zhí)行任務(wù),并化裝成為流行歌星,混入唱片公司追查。他老婆并不知道他的真實身份,因為翁坤是個十足的“妻管嚴(yán)”,但要命的是,他在泰國無可救藥愛上了一個漂亮美眉……與此同時,恐怖份子也要發(fā)動大規(guī)模襲擊了,翁坤如何能制止這場破壞? ⊙《曼谷保鏢2》的看點: 繼2005年大賣座的第一集之后,《曼谷保鏢》于今年拍出了續(xù)集,有“泰國周星馳”之稱泰國喜劇明星拔泰王錦魯繼續(xù)自編自導(dǎo)自演,繼續(xù)請來《拳霸》東尼·嘉參與演出。影片向周星馳、成龍電影偷了師,并且自己惡搞了《拳霸》《冬蔭功》等片,拔泰王錦魯(《拳霸》另一主演)演出非常出彩過癮。Tony Jaa則之是客串身份,在片中有一場打斗,另外自己還拿《冬蔭功》開涮,十分的“搞”。
基努貓
科甘-邁克爾·凱,喬丹·皮爾,基努·里維斯,馬索·曼恩,威爾·福特,達(dá)里爾·布里特-吉布森,尼婭·朗,羅布·許貝爾,杰森·米切爾,路易斯·古茲曼,蒂凡尼·哈迪斯,麥迪遜·沃爾夫,山姆麥地那,斯塔萊特·米亞里奧尼故事講述鮑伯剛和戀情長跑的女友分手,心碎不已時巧遇一只可愛到不行的流浪貓,而鮑伯好友克拉倫斯更被小貓萌翻,兩人給小貓取名‘Keanu’,而‘百煉鋼化為繞指柔’大男人從此化身貓奴,每天陪貓、愛貓,與貓為伍。某天鮑伯的家被流氓集團(tuán)闖空門,更慘的是他們的愛貓‘Keanu’竟然被綁架!為了營救愛貓,兩人決定混入販賣毒品的圈子,為方便接近流氓集團(tuán)......