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劇情提要
劇情有;羅密歐與朱麗葉式的凄美,大族女方蘭晶與窮家子邱俊民相愛,卻為女方爸爸媽媽嫌其貧窮對立他們交游,但蘭晶為了忠于個人的愛情不吝拒絕了大族子男同學(xué)郭華忠的尋求,最終俊民為救蘭晶可憐被打死,蘭亦因此而殉情
暗夜精選
跳動的心2
特里普蒂·迪姆里,維品·沙爾馬,希坦特·查杜爾韋迪航越地平線
妮可·基德曼,山姆·尼爾,比利·贊恩愛的證明2025
艾拉·朗夫,莫妮亞·喬柯里,諾埃米·洛夫斯基,埃米·朱爾茲科,朱利安·加斯帕-奧利維里,珍妮·亨利,奧德·佩潘,菲利普·佩特,安娜·勒尼,艾米莉·布里沙文,哈姆·格雷亞,湯姆·哈拉里,伊娃·霍爾特,保利娜·貝爾,費利克斯·基賽勒,哈姆扎·梅茲亞尼,愛德華·蘇皮斯,梅洛迪·波寧,羅安妮·塞古倫,瑪麗安妮·杜布特聯(lián)合艦隊司令長官:山本五十六
三船敏郎,加山雄三,司葉子,稻葉義男,土屋嘉男,平田昭彥比佛利拜金狗
派珀·佩拉博,馬諾洛·卡多納,杰米·李·柯蒂斯,何塞·馬利亞·亞茲皮克,莫瑞·史特林,杰蘇斯·歐喬阿,德魯·巴里摩爾,安迪·加西亞,喬治·洛佩茲征服者2025
阿克夏耶·坎納,馬達(dá)范,蘭維爾·辛格,桑杰·達(dá)特,阿俊·拉姆鮑,阿哈娜·卡姆拉,莎拉·阿爾瓊,拉詹德拉納斯·祖特施失落的世界1960
邁克爾·倫尼,大衛(wèi)·海迪生,Jill St. Hedison,克勞德·雷恩斯,費爾南多·拉馬斯,理查德·海頓,Ray Stricklyn幕后花絮
狙擊精英∶孤魂野鬼
精英狙擊手布蘭登·貝克特與他的小隊在哥斯達(dá)黎加執(zhí)行一項秘密任務(wù)時,遭遇陰謀陷害,任務(wù)失敗演變?yōu)閲H丑聞。為了掩蓋真相,美國政府直接撇清關(guān)系,將這群最鋒利的戰(zhàn)士定性為“恐怖分子”。前一秒還為國效力的英雄,后一秒就成了被自己國家通緝的逃兵。沒有合法的身份,沒有空中支援,甚至沒有合法的射擊通道,布蘭登陷入了前所未有的孤立無援。
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster