墜入地球的男人

? 4.5 播放:80萬 2026-04-27

湯瑪斯(大衛 鮑伊 David Bowie 飾)和其他人看起來并沒有什么不一樣,但其實,他是來自另一個文明高度發達的星球的人類。湯瑪斯原本在他的星球里有著自己的家庭、親戚和朋友們,一次他發現了地球這顆充滿水的星球,出于對水的迷戀,他離開了自己那個缺水的星球,來到了地球。在這里,湯瑪斯利用他所掌握的先進技術創辦了公司,很快就成了百萬富翁。在地球上呆的時間長了,湯瑪斯開始想念自己原來的星球、原來的家,但地球對他的誘惑實在太大了,湯瑪斯最終將如何選擇?   

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? 播放 墜入地球的男人

劇情提要

湯瑪斯(大衛 鮑伊 David Bowie 飾)和其他人看起來并沒有什么不一樣,但其實,他是來自另一個文明高度發達的星球的人類。湯瑪斯原本在他的星球里有著自己的家庭、親戚和朋友們,一次他發現了地球這顆充滿水的星球,出于對水的迷戀,他離開了自己那個缺水的星球,來到了地球。在這里,湯瑪斯利用他所掌握的先進技術創辦了公司,很快就成了百萬富翁。在地球上呆的時間長了,湯瑪斯開始想念自己原來的星球、原來的家,但地球對他的誘惑實在太大了,湯瑪斯最終將如何選擇?   

幕后花絮

殺出銀河系

  星際聯盟收到探索飛船發出的求救信號后立刻派遣星際精英特種小組前去營救,由于機器故障飛船迫降到那個荒蕪且怪異的星球上。不久后,船員在星球上發現了那艘廢棄的飛船,但里面的飛行員都莫名其妙的死去,為了防止尸體異變,他們決定把尸體全部銷毀。隨后船員們發現了金字塔般的巨大建筑物,然而噩夢從此開始,他們釋放了金字塔中所有的嗜血星際怪獸,星球瞬間被恐怖包圍,喪尸怪獸一并向人們襲來,他們該如何挽救自己…… (此片精彩的沒話說,星球大戰般的場景加異型的特效以及著名的cult片演員們齊聚在一塊所產生的名詞是什么?那就是經典~! 這部B級片的經典程度已經影響到未來科幻恐怖電影的發展前途,像黑洞表面之類的電影就是對其進行無恥的抄襲。影片甚至影響了*本成人動漫的一個類型,那就是觸手系漫畫~片中有經典的蠕蟲強*金發奶霸的震撼鏡頭,這就是八十年代恐怖片的魅力……) 

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster