寂寞的少女
Randall Jerilee，一個簡單的女學生，住在 San Fernando 夢想成為一位著名作家。而聚會的時候，她遇到了一個著名的編劇的兒子。兒子邀請她過到他的家;她接受了。他們開走了，有些其他的人，和那天晚上，她遭到用橡膠軟管的兒子的朋友之一。"朋友"時被人打攪他攻擊由編劇 Walter 桑頓，抵達時間，讓她免于甚至更惡心的命運。Jerilee Walter 的救援開始兩人之間的友誼，你知道它之前，這兩個墜入愛河。他們結婚。他們的婚姻分崩離析當 Jerilee 的腳本重寫真正改善 Walter 的劇本之一了，他覺得 one-upped。Jerilee 然后經歷事件后骯臟事在她嘗試去寫自己的劇本并使其產生。
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防空洞
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Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
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