做愛后動(dòng)物感傷
一出錯(cuò)得離譜、悲慘的愛情喜劇。 5個(gè)女人和4個(gè)男子都非常不滿意自己的生活，而試圖拋棄原本的生活，想捉住青春愛情的尾巴。導(dǎo)演更是用擅長的現(xiàn)實(shí)主義、超現(xiàn)實(shí)主義、魔幻現(xiàn)實(shí)主義和喜劇的表現(xiàn)手法來體現(xiàn)他們愚蠢的、鬧劇似的x愛生活。
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同款熱播
真事信不信
大衛(wèi)·伯恩,約翰·古德曼,斯波爾丁·格雷,迪圖·拉里瓦,斯薇茲·昆茨本片以主人公大衛(wèi)·布萊恩架車游歷美國得克薩斯州過程中所見所聞為主線，透過一個(gè)個(gè)具有鮮明個(gè)性的小人物及發(fā)生在他們身上的故事，展示了當(dāng)?shù)厝藢τ谏詈蛺矍榈莫?dú)特理解。該片值得稱道的是將歌舞與寫實(shí)完美結(jié)合，大量旋律優(yōu)美的鄉(xiāng)村民謠,歌曲成為片中最耀眼的亮點(diǎn)，也是導(dǎo)演大衛(wèi)·布萊恩對電影藝術(shù)的創(chuàng)新之舉，是一次成功的探索。
鬼姐姐
Amphaiphun Phommapunya,Vilouna Phetmany,Tambet Tuisk,Manivanh Boulom,Yannawoutthi Chanthalungsy,Maluly Chanthalangsy,Brandon Hashimoto,Naliphone Siviengxay,Douangmany Soliphanh,Maneevone Chanthalungsy,Danouphonh Chanthakoummane,Oudomphone Pholsena,Namsoke故事講述一個(gè)窮女孩去照顧她失明的富表姐，這個(gè)表姐盡管看不見，卻可以與鬼魂交流。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
無處釋放我
杰瑞米·艾倫·懷特,杰瑞米·斯特朗,保羅·沃爾特·豪澤,斯蒂芬·格拉漢姆,奧黛莎·楊,馬克·馬龍,蓋比·霍夫曼,大衛(wèi)·克朗姆霍茨,格蕾絲·古默,哈里森·吉爾伯特森,約翰尼·坎尼扎羅,琳恩·A·弗里德曼,斯蒂芬·辛格,伊萬·阿馬羅·布隆,莎拉·斯洛博達(dá),克里斯托弗·杰伊姆斯,格雷格·普朗科,克雷格·杰拉蒂,阿拉貝拉·奧利維婭·克拉克,洛蕾娜·奧斯塔影片聚焦布魯斯·斯普林斯汀打造1982年的著名專輯《Nebraska》時(shí)期，作為年輕音樂人的他努力應(yīng)對成功的壓力，和令人困擾的過往。
河?xùn)|獅吼
張柏芝,古天樂,范冰冰,黃偉文,許紹雄,張錦程,黃浩然,毛堅(jiān)月娥（張柏芝）是宋朝年間的烈女，武功了得，行俠仗義，追求專一的愛情和婚姻。一日在演詩會(huì)上偶遇一表人才的陳季常（古天樂），二人互生情愫。碰巧皇上為二人賜婚，成全了美好姻緣。但是考驗(yàn)二人感情的時(shí)候才剛剛開始——月娥為管住夫君，對季常管束甚嚴(yán)。但適得其反，季常在風(fēng)流好友蘇軾（許紹雄）的帶領(lǐng)下經(jīng)常去尋花問柳。月娥萬般無奈，幸好用計(jì)試探，終得知季常仍深愛自己。但是，當(dāng)月娥外出歸來，卻發(fā)現(xiàn)季常舊病復(fù)發(fā)，竟搭上了郡主（范冰冰）。月娥悲憤交加，喝下了忘情水。
寶島2025
妻夫木聰,廣瀨鈴,洼田正孝,永山瑛太,冢本晉也,中村蒼,瀧內(nèi)公美,榮莉彌,尚玄,瀧正則,木幡龍,奧野瑛太,村田秀亮,Derrick Dover在二戰(zhàn)后尚未歸還日本的沖繩島上，有一群人自可怕的「鐵暴風(fēng)」中幸存下來。他們像動(dòng)物般活在殘破的世界，眼前是垂死的島民和尸體。于是他們從美軍的倉庫和基地?fù)寠Z物資，延續(xù)這座島上未完的戰(zhàn)爭，他們被叫做「戰(zhàn)果撈客」。直到那一夜，阿恩（永山瑛太 飾）在嘉手納基地的逃亡過程中神秘失蹤，一場曾將故鄉(xiāng)燒毀殆盡的鐵暴風(fēng)再度席卷這座島嶼而來。 「活下去，生還才是最大的戰(zhàn)果。」多年之后，島上女孩接連慘遭殺害，一名菜鳥琉球警察（妻夫木聰 飾）奉令偵辦命案。追捕疑犯的過程中，在兇手車子里發(fā)現(xiàn)的人骨和一名神秘出現(xiàn)的男孩，讓他兒時(shí)身為戰(zhàn)果撈客的記憶與一道道未解謎團(tuán)又重回腦海。