丑聞：朝鮮臥室七出之條

★ 7.8 播放：43萬(wàn) 更新：2026-04-28
主演：Eun.Min Esther 

七個(gè)有效原因阻礙朝鮮妻子 ！他們的 unconfucian 和厚臉皮婚姻生活現(xiàn)在開(kāi)始 ！ 第一個(gè)故事：猥褻行為 樸宣華與 Dae eui 普通看幾個(gè)但他們是性較少。樸宣華是孤獨(dú)的在她的房間，但一天遇到小偷岔軍銜Dae eui 通過(guò)的科舉他老是忙而忽略樸宣華茶 dol 顯示她什么愛(ài)后是... 第二個(gè)故事： 嫉妒 智恩失去鄭某在事故和她的父母為她設(shè)置承諾的婚姻中。她獲取再結(jié)婚，但她的丈夫贏得了博克不感興趣智恩和僅有名妓和酒的眼睛。她并不掩飾她的嫉妒心理為思明 wol 是妾并要離婚...... 第三個(gè)故事：無(wú)子女 張成澤浩和 Mi-ok"s 父母是朋友，他們最終結(jié)婚的一天。他們有一個(gè)偉大婚姻生活雖然 Mi 確定不會(huì)有一個(gè)兒子，和她的婆婆開(kāi)始欺負(fù)她，然后帶來(lái)代yun母親名叫珠跑。張成澤浩夾在這兩個(gè)女人之間又來(lái)來(lái)回回試圖緩解他們...... 第四個(gè)故事：懷疑 思明 eui 是錢(qián)的肯定當(dāng)他開(kāi)始帶著大量和花出去晚上她的丈夫錢(qián)的對(duì)她不忠。她偷了他的錢(qián)和隱藏它，他找不到它。他顯示了她的感情，告訴她那里是沒(méi)有需要 suspiciuous 但她懷疑只獲取更大... 　　

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劇情簡(jiǎn)介

七個(gè)有效原因阻礙朝鮮妻子 ！他們的 unconfucian 和厚臉皮婚姻生活現(xiàn)在開(kāi)始 ！ 第一個(gè)故事：猥褻行為 樸宣華與 Dae eui 普通看幾個(gè)但他們是性較少。樸宣華是孤獨(dú)的在她的房間，但一天遇到小偷岔軍銜Dae eui 通過(guò)的科舉他老是忙而忽略樸宣華茶 dol 顯示她什么愛(ài)后是... 第二個(gè)故事： 嫉妒 智恩失去鄭某在事故和她的父母為她設(shè)置承諾的婚姻中。她獲取再結(jié)婚，但她的丈夫贏得了博克不感興趣智恩和僅有名妓和酒的眼睛。她并不掩飾她的嫉妒心理為思明 wol 是妾并要離婚...... 第三個(gè)故事：無(wú)子女 張成澤浩和 Mi-ok"s 父母是朋友，他們最終結(jié)婚的一天。他們有一個(gè)偉大婚姻生活雖然 Mi 確定不會(huì)有一個(gè)兒子，和她的婆婆開(kāi)始欺負(fù)她，然后帶來(lái)代yun母親名叫珠跑。張成澤浩夾在這兩個(gè)女人之間又來(lái)來(lái)回回試圖緩解他們...... 第四個(gè)故事：懷疑 思明 eui 是錢(qián)的肯定當(dāng)他開(kāi)始帶著大量和花出去晚上她的丈夫錢(qián)的對(duì)她不忠。她偷了他的錢(qián)和隱藏它，他找不到它。他顯示了她的感情，告訴她那里是沒(méi)有需要 suspiciuous 但她懷疑只獲取更大... 　　

導(dǎo)演精選

綠液驚魂

 兩個(gè)值守夜班的“倒霉蛋”甜點(diǎn)心（喬·基瑞 飾）和內(nèi)奧米（喬治娜·坎貝爾 飾），意外發(fā)現(xiàn)了瘋狂繁殖的外星寄生真菌，無(wú)福消受這頓重口加班餐的二人發(fā)出求救信號(hào)。“淡淡死感”的退休特工羅伯特（連姆·尼森 飾）被迫再就業(yè)，重新上崗拯救即將被真菌腐蝕的世界。他們一邊躲避著因寄生而綠液四濺的宿主們，一邊和翻涌的腸胃做斗爭(zhēng)，在一陣陣爆漿聲中大開(kāi)“驚喜盲盒”。這組畫(huà)風(fēng)迥異的“臨時(shí)戰(zhàn)友”能否阻擋這場(chǎng)末日浩劫？誰(shuí)又能活著走出這個(gè)驚魂之夜……

思緒膨脹

　　以提利昂·克萊頓（Steve Hanks 飾）為首的美國(guó)軍方人員進(jìn)行著一項(xiàng)秘密計(jì)劃，名為“思緒膨脹”計(jì)劃，這項(xiàng)計(jì)劃掌握著各種操控天氣的秘訣。一個(gè)小組希望利用這個(gè)計(jì)劃改變世界，例如為干旱地區(qū)帶來(lái)降雨。但意想不到的效果產(chǎn)生了，這個(gè)機(jī)器正悄然毀滅著美國(guó)的城市...

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.