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劇情提要
雷朋之父曾和雅芳之父陳有福為生意合作伙伴,但因生意失敗,雷父含恨而逝。雷朋誓言報仇,有意追求雅芳。并向陳氏三父釹放蠱放毒,雖得雅虹侽朋友文龍及師兄全力搶救,雅虹及雅芳兩姐妹能保xing命,惋惜有福鈡毒身亡。文龍、法正及師兄三人齊尋雷朋決一死戰,一場激戰隨即展開
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好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
不允許帶狗
十五歲的加博,表面過著平凡簡單的青少年生活,背后卻隱藏著不可告人的秘密—-他戀上好友的弟弟,而弟弟只有八歲!他在網上論壇尋求建議,試圖抑制戀童欲望,因而結識了戀少年經驗豐富的戴夫。直至戴夫因涉嫌侵犯未成年少年受到警方調查,加博終于不得不面對一場自我審問:他到底是受害人,還是施害者?改編自真實事件,來自德國的史蒂夫.巴赫大膽直面禁忌話題,以敏銳成熟的筆觸,探問生活與社會規范怎樣塑造了今時今日的我們。