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陌生人：第三章
瑪?shù)氯R娜·佩切,理查德·布雷克,賈妮斯·埃亨,Stephanie Aubertin,凱爾·布瑞特科夫,Jake Cogman,Krystal Ellsworth,漢娜·高威,喬爾·拉貝爾,布萊恩·勞,帕布洛·桑德斯特羅姆,蕾切爾·申頓,吳宇衛(wèi)在系列終章中，幸存者們將面對(duì)蒙面陌生人的新威脅。隨著秘密浮出水面，現(xiàn)實(shí)與危險(xiǎn)的界限逐漸模糊，他們的生存之戰(zhàn)也愈發(fā)兇險(xiǎn)。
瘋狂的麥克斯：狂暴女神
安雅·泰勒-喬伊,克里斯·海姆斯沃斯,湯姆·伯克,艾莉拉·布朗,喬治·謝夫佐夫,拉黑·休姆,約翰·霍華德,安格斯·桑普森, 查理·弗雷澤,埃爾莎·帕塔奇,內(nèi)森·瓊斯,喬什·赫爾曼,大衛(wèi)·菲爾德,拉赫爾·羅曼,戴維·科林斯,戈蘭·D·克魯特,CJ·布隆菲爾德,馬圖斯,伊恩·羅伯茨影片講述了復(fù)仇女神弗瑞奧薩（安雅·泰勒-喬伊 Anya Taylor-Joy 飾）驚心動(dòng)魄的成長(zhǎng)史。年輕的弗瑞奧薩從原本的家園被掠走，落入軍閥狄門(mén)特斯（克里斯·海姆斯沃斯 Chris Hemsworth 飾）領(lǐng)導(dǎo)的幫派手中，在穿過(guò)荒原時(shí)，他們來(lái)到不死老喬（拉黑·休姆 Lachy H ulme 飾）所掌管的堡壘。在兩位暴君爭(zhēng)奪統(tǒng)治地位的同時(shí)，弗瑞奧薩必須在重重考驗(yàn)中活下來(lái)，并想方設(shè)法尋找回家的路；她也逐漸成長(zhǎng)為利落酷颯的狂暴女神。
恐怖特快
??? GO I-gyoung,李泰利,吳荷妮,李起昶,????? ?? ??? ????? ?? ???? ???? ‘???’. ??? ??? ??, ??? ?? ‘???’? ??? ??? ?? ??? ???. ??? ??? ??? ????? ‘???’? ‘????’? ?? ??? ?? ?? ??? ??? ?? ?? ??? ?? ????. ? ?? ??? ? ? ?? ??? ??? ????, ??? ?? ‘??’? ?????… ?? ? ?? ?? ??? ??! ??? ?? ?? ??? ???!
精靈寶可夢(mèng)：冥王龍與冰空的花束雪米
松本梨香,大谷育江,豐口惠美,小櫻悅子,うえだゆうじ,林原惠美,三木真一郎,犬山犬子,小西克幸,山寺宏一,中川翔子,南明奈,中村獅童“反轉(zhuǎn)世界”是存在于這個(gè)世界內(nèi)部的鏡子般不可思議的世界。那個(gè)美麗而規(guī)則的世界，是騎拉帝納棲居的特殊空間。然而帝牙盧卡和帕路奇犽的戰(zhàn)斗造成了時(shí)空的扭曲，“反轉(zhuǎn)世界”也因此完全被陰霾籠罩。由于自己的世界被污染而被激怒的騎拉帝納找到了帝牙盧卡，并想將其拖入反轉(zhuǎn)世界中。 “現(xiàn)實(shí)世界”，在繼續(xù)旅行的小智和皮卡丘一行的面前出現(xiàn)了一個(gè)小小的，幾乎看不見(jiàn)的精靈。那是有“花媚”之稱(chēng)的感謝神奇寶貝潔咪。被卷入帝牙盧卡和騎拉帝納的戰(zhàn)斗的潔咪在千鈞一發(fā)之際從反轉(zhuǎn)世界逃出。小智一行帶著精疲力竭的潔咪前往神奇寶貝中心。 潔咪用心電感應(yīng)將小智一行帶到了它的“葛拉西蒂亞花(グラシデア)花田”，并告訴他們?cè)谶@“葛拉西蒂亞花”中隱藏著巨大的秘密。正準(zhǔn)備離開(kāi)神奇寶貝中心的小智等人遇到了前來(lái)捕捉潔咪的火箭隊(duì)。而與此同時(shí)，神奇寶貝中心外的裝飾品的鏡面上出現(xiàn)了“次元旋渦”，將火箭隊(duì)、潔咪連同小智一行人一起全部帶往了反轉(zhuǎn)世界。 從次元旋渦中脫出的小智一行人環(huán)顧四周，這里是倒立著一排排建筑物，空中處處漂浮著烏云的，廣大而不可思議的反轉(zhuǎn)世界。 就在這時(shí)，騎拉帝納突然出現(xiàn)，向潔咪發(fā)動(dòng)攻擊。小智等人正要與騎拉帝納對(duì)抗，卻傳來(lái)制止之聲。說(shuō)話者是名叫穆玄·葛雷斯藍(lán)多的學(xué)者，他告訴小智等人不可以讓騎拉帝納生氣。 正在小智一行在穆玄·葛雷斯藍(lán)多的幫助下向現(xiàn)實(shí)世界回返之時(shí)，企圖利用騎拉帝納的力量支配世界的，駕駛著高科技母艦“百萬(wàn)力霸”的謎之青年，杰洛出現(xiàn)了。和潔咪一起繼續(xù)著探索花園之旅的小智一行沒(méi)能逃過(guò)杰洛的追蹤。 前所未有的冒險(xiǎn)之旅的高潮，等待著你的是超越想像的“美麗奇跡”!
傲嬌公主的奇幻冒險(xiǎn)
馬雷克·蘭博拉,安娜·菲亞洛娃,Ales Procházka黑白童話《驕傲的公主》是捷克電影史上收視率最高的電影之一。《被懲罰的驕傲》是博澤娜·內(nèi)姆科娃最美麗的童話故事之一。難怪有史以來(lái)最成功的捷克真人童話電影就是基于它改編的。這是一部動(dòng)畫(huà)翻拍。克拉索米拉住在一個(gè)金籠子里。她幼稚地驕傲，她的刻薄顧問(wèn)也支持她。他們想把她嫁給一個(gè)軟弱的人，保住權(quán)力。然而，他們遇到了鄰國(guó)正義的國(guó)王米羅斯拉夫。他愛(ài)上了克拉索米拉公主，決定治愈她的驕傲。作為一名園丁，他設(shè)法做到了。然后，在王國(guó)顧問(wèn)的憤怒面前，他們一起逃跑了。他們的道路充滿了狂野的冒險(xiǎn)，這讓他們更加親密。克拉索米拉不知道她逃跑的園丁是國(guó)王。她在大結(jié)局中發(fā)現(xiàn)了。她原諒米羅斯拉夫否認(rèn)自己的真實(shí)出身，并嫁給了他。顧問(wèn)們被趕走了，愛(ài)情勝利了。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.