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上天救命
曾志偉,鐘楚紅,吳耀漢,胡楓,何思嘉,秦沛,秦祥林,黃韻詩(shī)鐵甲無(wú)敵瑪利亞
梁朝偉,葉倩文,徐克,林正英,岑建勛,陳國(guó)新,林國(guó)斌,秦沛有罪,AI如此宣判
芳根京子,臼田麻美,橋本淳, 井內(nèi)悠陽(yáng),小川冬晴,濱田信也,藤井直樹(shù),荒井敦史,坂口涼太郎,兒島雄一,巖谷健司,岸本鲇佳,淺野和之,風(fēng)吹淳,國(guó)村隼半身死靈
大島優(yōu)子,山崎真實(shí),螢雪次朗,阿部進(jìn)之介暗金丑島君:完結(jié)篇
山田孝之,綾野剛,永山絢斗,真飛圣,間宮祥太朗,海,最上摩卡,真野惠里菜,仲野太賀,狩野見(jiàn)恭兵,湊莉久,天使萌,槙田雄司,玉城蒂娜,六角精兒,茂呂師岡,安藤政信,八島智人,高橋瑪莉潤(rùn),崎本大海,矢部享佑尤哈
薩卡里·庫(kù)斯曼嫩,卡蒂·奧廷寧,安德烈·維爾姆斯,馬庫(kù)·佩爾托拉人氣佳作
阿爸請(qǐng)你嘛嘛吼
邱凱偉,嚴(yán)正嵐,陳峻廷,張哲偉,潘慧如,賴(lài)銘偉黑色鉆石
因巴爾·拉維,杰克·麥克勞克林,肖恩·西珀斯,雷·潘莎基,Michael James Bell,Kelli Jordan,伊森·瑞奇,Sara Lyons,Tristan Cunningham,Adrian Bergere,Wyatt Denny,Eric Walworth世界的主人
徐粹彬,張慧珍,金鄭植,姜彩允,李宰錫,樸知玧,金藝昶,高旻示,白賢珠,卞重熙,文惠仁,鄭恩京,李尚熙,李代延,金錫勛,林在赫尤哈
薩卡里·庫(kù)斯曼嫩,卡蒂·奧廷寧,安德烈·維爾姆斯,馬庫(kù)·佩爾托拉導(dǎo)演精選
我能有個(gè)見(jiàn)證人嗎
Can I Get a Witness? tells the story of a mother and daughter in a near-future world where huge sacrifices are made to maintain life on Earth. With its resources swallowed by e-waste and overpopulation, the world is experiencing an anthropogenic collapse. To manage, technological advances are shunned. Nobody has electricity and only people with exceptions are permitted cars. Most importantly, there is also a collective agreement that nobody is allowed to live beyond the age of 50. Oh’s Ellie lives with her teenage daughter Kiah (Keira Jang), who is starting her first day as a Documenter, an important role in this new world order. She uses her artistic gifts — beautifully conjured in animations — to draw the dying ceremonies, since printing and photography have been banned. Kiah is paired with Daniel (Joel Oulette), the young man who performs the contractual elements of each person’s end-of-life ceremony. He matter-of-factly provides the packages a person can choose, sets them up when the time comes, and performs the burials. But his new coworker is having a hard time handling the emotional impacts of the job.
意外空間
兄弟二人生活過(guò)的緊巴巴,弟弟生性懦弱,哥哥強(qiáng)勢(shì)霸道,這天,哥哥搶劫別人得來(lái)了錢(qián),兄弟二人正高興之際,一名偵探找上門(mén)來(lái),雙方發(fā)生爭(zhēng)執(zhí),追逐之中,三個(gè)人發(fā)現(xiàn)自己被困于無(wú)窮無(wú)盡的樓梯上,無(wú)論如何都走不到盡頭 …… 另一邊,一家人被困于無(wú)邊無(wú)境的馬路上,相同的加油站,相同的便利店,四周一望無(wú)際的荒野,卻如何都逃不出這可怕的地獄…… 兩個(gè)沒(méi)有界限的空間,他們要如何應(yīng)對(duì)內(nèi)心逐漸升起的絕望?
來(lái)點(diǎn)茶泡飯如何
標(biāo)題中的「ぶぶ漬け(お茶漬け)どうどす」是一句眾所周知的京都表達(dá),京都人常用這句話(huà)以委婉的方式傳達(dá)「差不多該告辭了」的意思。電影《ぶぶ漬けどうどす》以此為主題,展現(xiàn)了因京都特有的縣民性而引發(fā)的各種鬧劇,并展開(kāi)了一段充滿(mǎn)喜劇色彩的故事。影片以從東京嫁到京都老字號(hào)扇子店的自由撰稿人澁澤まどか為主人公,描繪了〈京都人〉與從東京而來(lái)的〈外地人〉之間的攻防與沖突。