卷毛直播妹

刺客密碼

賈斯汀·查特文 Justin Chatwin 　　　　　彼得·斯特曼 Peter Stormare Mark Thompson

內(nèi)詳暫無簡介

藍(lán)調(diào)之歌

休·杰克曼,凱特·哈德森,邁克爾·因佩里奧利,費(fèi)舍·史蒂芬斯,詹姆斯·貝魯什,艾拉·安德森,金·普安公主,穆斯塔法·沙基爾,Bob Roseman,杰森·華納·史密斯,羅伯特·約翰·加拉格爾,Eva Kaminsky,Beth Malone,馬特·戈?duì)査够?Sean Allan Krill,T. Oliver Reid,Tom O'Keefe,鮑里斯·倫敦,Johnny Olmez,Faye Tamasa

　　影片改編自真實(shí)故事，講述兩名時(shí)運(yùn)不佳的音樂人（休·杰克曼與凱特·哈德森 飾）組成一支充滿歡樂氣氛的尼爾·戴門致敬樂團(tuán)，證明了尋找愛情和追逐夢想永遠(yuǎn)不會(huì)太晚。

混凝土烏托邦

李炳憲,樸敘俊,樸寶英,金善映,樸持厚,羅哲,金度允,南鎮(zhèn)福,金學(xué)善,樸周勇

　　該片以大地震后荒廢的首爾為背景，講述聚集在此地唯一剩下的“皇宮公寓”里的生存者們的故事。

一英里

瑞安·菲利普,艾米麗·霍菲爾,莎拉·坎寧,Sage Linder,貝薇莉·埃利奧特,菲爾·伯克,加布里埃爾·哈辛托,C·托馬斯·豪威爾,理查德·哈蒙,邁克爾·艾克朗德,Aodhan Guy,Jimmy Clarke,安德烈·特里科圖,杰森·博杜安,Harper Grace Maybin,Jayden Popik,James Michalopolous,Anthony Timpano,烏戈·雷蒙多,艾普爾·特萊克

一位父親刑滿釋放后，試圖通過帶女兒參觀大學(xué)校園來修復(fù)父女關(guān)系。然而，當(dāng)一個(gè)兇殘的邪教開始追殺他們時(shí)，兩人所要拼命守護(hù)的，早已不只是那段早已破碎的親情。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

坐穩(wěn)車，泰欣娜

卡蒂·奧廷寧,Kirsi Tykkyl?inen,馬蒂·佩龍帕

　　這是一部寓言般，反浪漫的公路電影，男青年瓦爾特是個(gè)裁縫，每天幫著母親縫制衣服，可是他向往外面的世界，于是他乘著母親不備將母親鎖進(jìn)屋子并偷了母親的錢物找了一個(gè)哥們駕車兜風(fēng)，在路上遇見了來旅游的泰欣娜和其女友，他們四人結(jié)伴而行，沉默寡言的兩個(gè)男人和隨心所欲的兩個(gè)女人產(chǎn)生許多 戲劇沖突，他們一起住店，一起聽搖滾音樂會(huì)，折騰許久以后，瓦爾特決定回家，回家后他若無其事地坐回縫紉機(jī)邊繼續(xù)他的裁縫生涯，仿佛一切未曾發(fā)生過。

陰陽師2

野村萬齋,深田恭子,中井貴一,伊藤英明,市原隼人

　　平安時(shí)代，百鬼夜行，封鬼儀式正在右大臣藤原安麻呂府邸進(jìn)行。安麻呂之女日美子（深田恭子 飾）戎裝登場，一箭命中靶心，引來全場驚嘆。這位被喻為“連鬼都不敢接近”的公主，卻令源博雅（伊藤英明 飾）暗自傾心。天現(xiàn)異象，京都騷動(dòng)，魍魎橫行。平安京已有四人遇害，民間出現(xiàn)驅(qū)鬼術(shù)士幻角（中井貴一 飾），日美子亦在異象后開始?jí)粲巍２┭艦榇颂嬗掖蟪紒碚埌脖肚缑鳎ㄒ按迦f齋 飾）商談。與此同時(shí)，宮廷供奉的出云三神器之一草薙劍也出現(xiàn)了異動(dòng)。晴明受天皇所托，與博雅開始調(diào)查種種異況背后出云與大和的隱秘淵源。　　博雅和夜彈琵琶的神秘少年須佐（市原隼人 飾）相識(shí)為樂友，須佐負(fù)傷被日美子所救，三人在右大臣府邸相逢。同一時(shí)刻，右大臣主動(dòng)找到晴明，坦白了十八年前天現(xiàn)異象時(shí)，大和攻打出云的事實(shí)……　　本片為電影《陰陽師》續(xù)作。