淚壺
20世紀80年代,青年學生雄介(染谷將太 飾)和好友從東京來到鄉下觀測天文,在這里邂逅了鄉村醫生周吾(菅田俊 飾)及其姐妹花女兒朋代和愁子,他們度過了一個愉快的夏天。 再次見面時,姐妹倆不約而同喜歡上了雄介(石田一成 飾),個性開朗的愁子(佐藤藍子 飾)大膽表白,兩人從此走到一起。朋代(小島可奈子 飾)為了妹妹和愛人的幸福,只得將這份愛意深深埋藏。數年后,愁子罹患乳腺疾病,生如殘燭。臨終前她囑托雄介將自己的骨灰做成瓷壺,雄介完成了她的遺愿。壺身上卻有一滴眼淚般的紅色痕跡,故得名淚壺。 妹妹的離去時朋代心中熄滅已久的愛火再次點燃,但她卻陷入了愛戀和內疚的矛盾之中 根據渡邊淳一同名小說改編。
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劇情提要
20世紀80年代,青年學生雄介(染谷將太 飾)和好友從東京來到鄉下觀測天文,在這里邂逅了鄉村醫生周吾(菅田俊 飾)及其姐妹花女兒朋代和愁子,他們度過了一個愉快的夏天。 再次見面時,姐妹倆不約而同喜歡上了雄介(石田一成 飾),個性開朗的愁子(佐藤藍子 飾)大膽表白,兩人從此走到一起。朋代(小島可奈子 飾)為了妹妹和愛人的幸福,只得將這份愛意深深埋藏。數年后,愁子罹患乳腺疾病,生如殘燭。臨終前她囑托雄介將自己的骨灰做成瓷壺,雄介完成了她的遺愿。壺身上卻有一滴眼淚般的紅色痕跡,故得名淚壺。 妹妹的離去時朋代心中熄滅已久的愛火再次點燃,但她卻陷入了愛戀和內疚的矛盾之中 根據渡邊淳一同名小說改編。
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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
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The film, which marks the directorial debut of singer-turned-actor Luke Goss, is currently in post-production. Also starring Goss, alongside Robert Davi and Patricia De Leon, it tells the story of a man who must go to extreme lengths to discover what happened to his kidnapped wife and daughter. Soda intends to launch the film to coincide with the reunion concert tour of Bros., the 1980s' pop band Luke performed in with his brother Matt. The reunion was original intended as a one-off concert at London's O2 Arena on August 19, marking the anniversary of the band's last concert in 1989. However, when that show sold out within a minute of going on sale the tour was expanded to include six further dates at the O2 and at other venues around the U.K. in August