15歲開始

　　海軍軍官約翰·英格拉姆（薩姆·尼爾 Sam Neill 飾）和妻子蕾（妮可·基德曼 Nicole Kidman 飾）原本擁有一個幸福的家庭，但一場災難摧毀了一切。在前往車站接丈夫的途中，蕾駕駛的汽車與他車相撞，坐在后座的幼子丹尼（Joshua Tilden 飾）因而喪生，這令夫婦倆陷入巨大的悲痛之中。為了彌合心靈的傷痛，約翰帶著蕾乘游艇前往海上度假。某日，英格拉姆夫婦搭救了聲稱原本計劃橫渡太平洋卻遇難的男子休吉·瓦倫納（比利·贊恩 Billy Zane 飾）。本是善意之舉，卻無意中將夫婦帶入另一場災難之中……　　本片榮獲1989年澳大利亞電影學院最佳攝影、最佳剪輯、最佳音效和最佳配樂四項大獎。

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

　　警官哈金臥底潛入紅虎幫，并成功贏得該幫派的信任。他不僅成功揭露了他們的罪行，還必須直面這些殘暴的罪犯。然而，他遭遇背叛，陷入道德困境，在不為人知的情況下為維護正義而戰，他的忠誠度也受到了考驗。

　　警官哈金臥底潛入紅虎幫，并成功贏得該幫派的信任。他不僅成功揭露了他們的罪行，還必須直面這些殘暴的罪犯。然而，他遭遇背叛，陷入道德困境，在不為人知的情況下為維護正義而戰，他的忠誠度也受到了考驗。