主顧
老大姐忽悠小弟弟的故事，別名：Cliente表面上看來(lái)，馬克（埃里克卡拉瓦卡 Eric Caravaca 飾）有一個(gè)美滿的家庭和一份體面的職業(yè)，可實(shí)際上，妻子芬妮（伊莎貝爾 ;卡雷 Isabelle Carre 飾）想要經(jīng)營(yíng)理發(fā)店的夢(mèng)想和執(zhí)著讓囊中羞澀的馬克深感內(nèi)疚，為了滿足妻子的要求，他甚至不惜在夜晚化名派特瑞克，干起了出賣身體的;副業(yè) 朱迪斯（納塔莉 ;貝伊 Nathalie Baye 飾）年近五十但風(fēng)韻猶存，富有的她唯一的樂(lè)趣就是和各種各樣的小男生共同探索身體的樂(lè)趣，偶然中，她和馬克相遇了。馬克的與眾不同讓朱迪斯動(dòng)了情，朱迪斯的成熟魅力也令馬克如沐春風(fēng)。就在兩人的關(guān)系迅速升溫的當(dāng)口，芬妮撞破了馬克的秘密。妻子的崩潰讓馬克痛心疾首，在不知不覺(jué)中做了第三者的朱迪斯隨即黯然離開，不幸的是，這四個(gè)人之間的故事并沒(méi)有因此而畫上句點(diǎn)。
劇情簡(jiǎn)介
老大姐忽悠小弟弟的故事，別名：Cliente表面上看來(lái)，馬克（埃里克卡拉瓦卡 Eric Caravaca 飾）有一個(gè)美滿的家庭和一份體面的職業(yè)，可實(shí)際上，妻子芬妮（伊莎貝爾 ;卡雷 Isabelle Carre 飾）想要經(jīng)營(yíng)理發(fā)店的夢(mèng)想和執(zhí)著讓囊中羞澀的馬克深感內(nèi)疚，為了滿足妻子的要求，他甚至不惜在夜晚化名派特瑞克，干起了出賣身體的;副業(yè) 朱迪斯（納塔莉 ;貝伊 Nathalie Baye 飾）年近五十但風(fēng)韻猶存，富有的她唯一的樂(lè)趣就是和各種各樣的小男生共同探索身體的樂(lè)趣，偶然中，她和馬克相遇了。馬克的與眾不同讓朱迪斯動(dòng)了情，朱迪斯的成熟魅力也令馬克如沐春風(fēng)。就在兩人的關(guān)系迅速升溫的當(dāng)口，芬妮撞破了馬克的秘密。妻子的崩潰讓馬克痛心疾首，在不知不覺(jué)中做了第三者的朱迪斯隨即黯然離開，不幸的是，這四個(gè)人之間的故事并沒(méi)有因此而畫上句點(diǎn)。
為你推薦
換皮
瑞貝卡·福斯蒂,露西·阿倫,芭芭拉·克蘭普頓,Sean Knopp,阿德南·馬拉爾年輕漂亮的凱拉得了一種奇怪的疾病，她的皮膚開始老化，干裂和瓦解。當(dāng)她發(fā)現(xiàn)她可以用別人的皮膚來(lái)替代自己的皮膚時(shí)，她必須做出選擇，看著自己的軀體枯萎死亡，還是屈服于誘惑，不管代價(jià)如何。
塵兔
大衛(wèi)·達(dá)斯馬齊連,麥斯·米科爾森,西格妮·韋弗,瑞貝卡·亨德森,希拉·阿蒂姆,索菲·斯隆,Wael Alroyly,Sute Zhao小女孩Aurora(Sloan)去尋求鄰居(米科爾森)的幫助：她相信家人被住在自己床底下的一個(gè)妖怪吃掉了，而這個(gè)鄰居恰巧是訓(xùn)練有素的殺手，并且確信Aurora的父母是被一群來(lái)殺自己的人給誤殺，于是，殺手的第一要?jiǎng)?wù)變成了保護(hù)小女孩的安全，兩人一起上路，并肩面對(duì)自身的惡魔。
莫·吉里根：活在當(dāng)下
莫·吉里根Follows British comedian Mo Gilligan as he dishes on fame, family and being British in America.
修女2
泰莎·法米加,喬納斯·布洛凱,斯托姆·瑞德,安娜·帕波維爾,邦妮·阿倫斯,凱特琳·羅斯·道尼,蘇珊娜·伯蒂什,萊昂廷·翁西厄,阿努克·達(dá)爾文·霍梅伍德,彼得·哈德森,塔瑪爾·巴魯克,娜塔莉·薩福蘭,馬克西姆·伊萊亞斯-梅內(nèi)特,帕斯卡·歐貝,亞歷山德拉·詹蒂爾,弗洛倫斯·梅斯泰,瑪歌·波萊爾,維維安娜·莫因,雷納塔·帕爾米涅洛,富爾維婭·帕特里齊亞·奧利維埃里故事發(fā)生在1956年的法國(guó)，一名牧師慘遭謀殺，某種邪惡正在散播，艾琳修女（泰莎·法米加 Taissa Farmiga 飾）將再次與鬼修女瓦拉克（邦妮·阿倫斯 Bonnie Aarons 飾）展開正面對(duì)決。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
魔力，魔力
艾米莉·布朗寧,邁克爾·塞拉,朱諾·坦普爾,卡塔琳娜·桑地諾·莫雷諾,阿古斯丁·席爾瓦第一次出國(guó)的艾莉西亞從加州到了南美，并和表姐的朋友們一起，踏上了一段遠(yuǎn)離城市的旅程。然而表姐半途有事而返，留下她與三個(gè)陌生人。這三個(gè)陌生人中，一個(gè)是時(shí)不時(shí)做出奇怪舉動(dòng)，說(shuō)話不顧后果，甚至有虐 待傾向的同性戀，一個(gè)是郁郁寡歡，總是板著面孔，似乎對(duì)艾莉西亞做的任何事都不滿意的大姐，還有一個(gè)是表姐那個(gè)看起來(lái)雖然友善，卻癡迷于催眠術(shù)的男朋友。面對(duì)陌生的國(guó)度，奇怪的人，空蕩的房間，狂野的世界，艾莉西亞脆弱的神經(jīng)不斷受到挑戰(zhàn)。失眠、夢(mèng)魘、幻覺(jué)帶來(lái)了焦慮、驚恐、不安，艾莉西亞要怎樣走完這一段旅程，又是否能脫離險(xiǎn)境?
上身
田牧童,劉述,郭星顯,黃伊伊,周炎同居男友許一恒遭遇事業(yè)難關(guān)，此時(shí)女友成心不但發(fā)現(xiàn)自己懷了孕，還獲知許一恒跟閨蜜馬可好上了，而馬可家境殷實(shí)，能夠幫助他渡過(guò)絕境。成心因?yàn)樯類?ài)，選擇成全，離開許一恒，并做了人流手術(shù)，不料這胎兒竟成了“嬰靈”點(diǎn)點(diǎn)。后來(lái)點(diǎn)點(diǎn)決定“帶走”成心，慧化大師用佛法感化點(diǎn)點(diǎn)，并將其“交給了佛”。不久成心再受邪祟之?dāng)_，點(diǎn)點(diǎn)冒險(xiǎn)回來(lái)搭救，也還原了真相……借此告誡切莫輕易墮胎，佛門有曰“五逆重罪”，墮胎必是冤孽。