在線播放
劇情簡介
濃情女人香
同類好片
反恐疑云
杰克·吉倫哈爾,瑞茜·威瑟斯彭,梅麗爾·斯特里普,艾倫·阿金,彼得·薩斯加德,奧瑪爾·梅特瓦利,艾格爾·納爾,哈達爾·拉特松·羅滕,J·K·西蒙斯,西蒙·阿布卡瑞安,莫阿·庫阿斯,奇內布·烏凱什,阿拉米斯·奈特,Rosie Malek-Yonan,穆尼爾·馬戈姆,鮑勃·岡頓,雷曼德·阿薩雷米,Wendy Phillips,Christian Martin,哈薩姆·甘西,納吉布·尼西里,芭妮·里維拉,安妮·貝坦克特,理查德·多頓,Floella Benjamin,Michael Dube,斯蒂夫·湯姆,羅伯友情的游戲
貝拉·索恩重度催眠
謝君豪,王杍逸,何杜娟,趙美鈞,韓儲鴿,楊帆我愛777
舒淇,天心,譚耀文,楊恭如呼嘯山莊2026
瑪格特·羅比,雅各布·艾洛蒂,周洪,艾莉森·奧利弗,沙扎德·拉蒂夫,馬丁·克魯勒斯,伊萬·米切爾,艾米·摩根,杰西卡·奈佩特,夏洛特·梅林頓,歐文·庫珀,薇·阮, 米莉·肯特,薇琪·佩珀代因,保羅·瑞斯,Robert Cawsey,加布里埃爾·比塞特 - 史密斯,Louie Benjamin Potts,Treyston Braine,Jaydon Eastman蓋爾:黃磚路
Chlo? Crump,Hassan Taj,Laura Kay Bailey導演精選
末世廚房
伊茲很快就可以逃脫倫敦僅存的住宅小區“廚房”。但小班吉走進他的生活后他需要做出一些艱難的決定。
歲歲平安
暴雨將至,轟隆隆的聲音夾雜著人群的呼喊聲砸向操場,正在參加小學田徑比賽的唐平安重重的摔倒在地面,當母親李枚趕到醫院時,醫生卻給了再生一個孩子做骨髓移植的建議,李枚怔怔的站在深不見底的樓道,像是對她過去十幾年最好的懲罰,故事從這里開始。十幾年前,李枚在計劃生育政策下為了生二胎,不得不將襁褓中的女兒歲歲遠送他鄉親戚,不料幾年后,漸漸成熟的歲歲卻成了猥瑣養父趁女兒洗澡時偷偷窺視的對象,看上去多余的歲歲在一次爭吵后離家出走,流浪的女孩卻遇到了新的“父親”劉建凱,一個住在船上打漁為生的男人,以父女相稱,看起來生活就這么好起來了。幾年后,突然一個陌生的女人闖入歲歲的生活,自稱姑媽。其實是李枚兒子平安突發白血病以后,他們想起了被自己拋棄的女兒,通過當年的一絲聯系,輾轉找到了女兒歲歲,這是這個家庭唯一的希望。只是女兒歲歲似乎早已經知道了真相,他們互為朋友,互相試探,互相利用,最終他們都要回家,可是歲歲的家到底在哪里?
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster