即刻觀影
劇情賞析
編輯推薦
妖狐傳
馬倩倩,張競達,王昭,朱利安周興商滅時期，神都戰(zhàn)神拓跋羽帶回一個九霄靈狐，關押在府內。此后神都屢屢出現(xiàn)懸案，懸案中的死者均是神都極美的女子，神都城內人心惶惶。 為了平息此事，戰(zhàn)神懸賞千兩查找與案子相關的線索，降魔師主動請纓。降魔師的出現(xiàn)讓真相逐漸浮出水面，大家在降魔師的引導下將目光放在了戰(zhàn)神帶回的女子小九身上，并大膽質疑小九是妖，全神都為之震動。戰(zhàn)神帶回的女子雖是九霄靈狐，但因其所吸人靈不足只算得上半妖。神都女子之死表面都出自她手而實際上都與她無關。 真兇其實是戰(zhàn)神拓跋羽，九霄靈狐則是他最后一個獵殺對象，他殺四十九名美艷女子是為了集齊四十九個美艷女子的陰靈，然后與九霄靈狐的妖靈一同煉化使自己早日修成大成，不料最后被降魔師識破，戰(zhàn)神無法繼續(xù)隱藏，只能兔死狗烹與降魔師進行對抗，降魔師不敵敗下陣來，眼看戰(zhàn)神即將修成大成，降魔師攜手九霄靈狐將拓跋羽治服。降魔師為使一方安寧，收走九霄靈狐一縷靈魄讓別有用心之人無法借由九霄靈狐修害人之法術。
馬拉加街夕陽紅
卡門·毛拉,瑪爾塔·埃圖拉,艾哈邁德·布拉內,瑪利亞·阿爾方薩·羅索,米格爾·加爾塞斯,拉·伊門79歲的西班牙女子瑪麗亞·安赫萊斯獨自生活在摩洛哥的丹吉爾，享受著自己的日常生活。然而，當她女兒從馬德里趕來，想要賣掉她一直居住的公寓時，她的生活徹底被打亂了。決心留下來的她，竭盡所能想要奪回自己的家與財物，卻意外重拾了愛情與感官的愉悅。
玉米地的孩子：起源
琳達·漢密爾頓,考特尼·蓋恩斯,彼得·霍頓年輕情侶波頓（Peter Horton 飾）和維姬（Linda Hamilton 飾）旅行路過內布拉斯加州蓋特林鎮(zhèn)，他們在公路上發(fā)現(xiàn)一具兒童尸體。為了報警，兩人驅車駛入蓋特林鎮(zhèn)，卻發(fā)現(xiàn)鎮(zhèn)上的情況更為詭異蹊蹺：這里似乎是兒童的王國，所有成人均不見蹤影。孩子們全都聽命于一個名叫艾塞克（John Franklin 約翰?法蘭克林 飾）、自稱上帝使者的小男孩。 鎮(zhèn)上的大人究竟哪里去了？孩子們充滿惡意的眼神背后究竟隱藏著什么秘密？波頓和維姬最終能否活著走出小鎮(zhèn)？ 本片榮獲1984年布魯塞爾國際奇幻電影節(jié)最佳奇幻電影獎。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
義務警員
奧利維亞·王爾德,摩根·斯佩克特,凱爾·凱特萊特,托妮·帕塔諾,貝特西·艾頓,切麗絲·迪倫,朱迪·馬爾特,C·J·威爾遜,查克·庫珀,馬塞林·休格特,佩奇·瑞亞,埃斯特凡妮婭·特杰達,貝弗利·阿特金森,希瑟·哈金斯,麗貝卡·斯皮羅,大衛(wèi)·尚布里斯,吉姆·福特,J·D·威廉姆斯,馬格特·賓漢,瑪麗·特斯塔王爾德飾演一名復仇天使，幫助受害者們向施虐者復仇。
杰莎貝爾
莎拉·斯努克,喬麗·卡特,馬克·韋伯,安娜·德拉·雷古拉,艾波·斯蒂文斯,布萊恩·哈利塞,拉麗莎·奧蕾尼克,大衛(wèi)·安德魯,克里斯·埃里斯,Vaughn Wilson,弗蘭·本內特,Paul Garrett,芭芭拉·威特曼,Jason Davis,Lucius Baston平凡女人杰莎貝爾（莎拉·斯努克 Sarah Snook 飾）與男友普瑞斯頓（馬克·韋伯 Mark Webber 飾）即將迎來新的生命，當他們準備搬入新家之際，卻遭遇一場突如其來的車禍。這場災難讓當下兩個最重要的生命從杰莎貝爾的人生中消失，痛不欲生的她撥通了久未謀面的父親的電話，坐著輪椅回到了位于路易斯安那的老家。某天，杰莎偶然在床下找到一卷母親當年生她之前錄下的影像，畫面中媽媽期望女兒能在18歲那年看到錄影帶，而且用塔羅牌預測了杰莎未來的運勢。預言中有一個看不見的靈魂逡巡在杰莎的身旁，而對方卻滿懷惡意企圖將杰莎趕出房子。 在此之后，詭異的夢境和神秘事件接連向杰莎襲來，而她將遭遇最為恐怖的一段噩夢體驗……