記憶的靜物
「無伴奏」「三月のライオン」の矢崎仁司監督が「GONIN サーガ」「キッズ?リターン」の安藤政信を主演に迎え、女性の肉體の美しさや神々しさを撮り続けたフランスの寫真家アンリ?マッケローニとその被寫體となった愛人の実話に著想を得て描いたドラマ。山梨県立寫真美術館のキュレーターをつとめる憐は、偶然訪れた東京のフォトギャラリーで、新進気鋭の寫真家?春馬の寫真に心を奪われる。翌日、憐は春馬に連絡を取り、彼女自身を被寫體にした寫真を撮影して欲しいと依頼する。春馬は突然のことに戸惑いながらも憐の寫真を撮りはじめ、2人は撮影を通して次第に惹かれ合っていく。そんな中、妊娠中の春馬の戀人?夏生が憐の存在を知り……。
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劇情提要
「無伴奏」「三月のライオン」の矢崎仁司監督が「GONIN サーガ」「キッズ?リターン」の安藤政信を主演に迎え、女性の肉體の美しさや神々しさを撮り続けたフランスの寫真家アンリ?マッケローニとその被寫體となった愛人の実話に著想を得て描いたドラマ。山梨県立寫真美術館のキュレーターをつとめる憐は、偶然訪れた東京のフォトギャラリーで、新進気鋭の寫真家?春馬の寫真に心を奪われる。翌日、憐は春馬に連絡を取り、彼女自身を被寫體にした寫真を撮影して欲しいと依頼する。春馬は突然のことに戸惑いながらも憐の寫真を撮りはじめ、2人は撮影を通して次第に惹かれ合っていく。そんな中、妊娠中の春馬の戀人?夏生が憐の存在を知り……。
暗夜精選
真事信不信
大衛·伯恩,約翰·古德曼,斯波爾丁·格雷,迪圖·拉里瓦,斯薇茲·昆茨極樂
歐文·威爾遜,薩爾瑪·海耶克,瑪德琳·奇瑪,內斯塔·庫珀,喬舒華·萊納德,小豪爾赫·蘭登伯格,錢信伊,德龍·霍頓,史蒂夫·齊西斯,梅西·麥克利,凱蒂·麥克凱布,Debbie Fan,Erin Flannery,凱拉·亞當斯,Megan Le,達林·庫珀,克里斯托弗·艾伯,斯科特·道格拉斯麥·克拉克倫貝爾女巫縈繞
Marissa Lynne Johnson,Laura Alexandra Ramos,Cat Alter,Natalie Burtney,Drew Cash,Julia Cearley,M. Steven Felty,Drew Hellenthal,Desi Ivanova,Benjamin James,Ted Jonas,Jason Kakebeen,丹妮·洛朱,James Simenc搜查瑠公圳
朱軒洋,吳卓源,張世,梁修身,朱栢康,姚淳耀,張永正,李雪,潘儀君,詹懷云,馬力歐,羅芽里,廖嘉琛,王振復,錢薇真致命玩笑2001
保羅·沃克,斯蒂夫·扎恩,莉莉·索博斯基,布萊恩·雷科內爾,吉姆·比弗,特里·倫納德,格溫達·迪肯,休·達恩,杰伊·埃爾南德斯,沃爾頓·戈金斯,泰德·拉文,帕特里克·羅伯特·史密斯,Jessica Bowman,Stuart Stone,Basil Wallace,Mary Wickliffe,McKenzie Satterthwaite,Dell Yount,Kenneth White,Luis Cortés,Michael McCleery,Rachel Singer,John Maynard,蒂姆·犬之力
本尼迪克特·康伯巴奇,克爾斯滕·鄧斯特,柯蒂·斯密特-麥菲,杰西·普萊蒙,托馬辛·麥肯齊,基思·卡拉丹,弗蘭西絲·康羅伊,吉娜維夫·萊蒙,肖恩·基南,George Mason,David Denis,科恩·霍洛維,愛麗絲·恩格勒特,Yvette Reid,斯特芬·勞瓦特,瓦季姆·列多戈羅夫,朱莉·福塞斯,彼得·卡羅爾,艾莉森·布魯斯,大衛·T·林,亞當·比奇,Ramontay McConnell,Max Mata,Ken Radley一英里
瑞安·菲利普,艾米麗·霍菲爾,莎拉·坎寧,Sage Linder,貝薇莉·埃利奧特,菲爾·伯克,加布里埃爾·哈辛托,C·托馬斯·豪威爾,理查德·哈蒙,邁克爾·艾克朗德,Aodhan Guy,Jimmy Clarke,安德烈·特里科圖,杰森·博杜安,Harper Grace Maybin,Jayden Popik,James Michalopolous,Anthony Timpano,烏戈·雷蒙多,艾普爾·特萊克同系列推薦
神來電
尼古洛·格維尼阿什維利,尼卡·貢加澤新·胡鬧將軍
松平健,西畑大吾,生瀨勝久,高島禮子,藤間爽子,小澤征悅,勝村政信,小野武彥,木村了,駒木根葵汰,內藤秀一郎,神威樂斗夜逃屋本鋪2
中村雅俊,高木美保,益岡徹,中島陽典,風間杜夫,松居一代,中山忍,余貴美子毛骨悚然撞鬼經 15周年特別篇
稻垣吾郎,草彅剛,北乃綺,坂上忍,石原里美,小池徹平,桐谷美玲,菜菜緒,黑木瞳,町田啟太,剛力彩芽,島崎遙香,廣瀨愛麗絲,藤本泉母親2020
長澤雅美,奧平大兼,阿部隆史,郡司翔,夏帆,皆川猿時,仲野太賀,木野花,土村芳,荒卷全紀,大西信滿,淺田芭路圣誕寶寶
凱瑟琳·巴雷爾 Katherine Barrell,阿里·利伯特,安德魯·J·漢普頓幕后花絮
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
劇場靈
水樹沙羅(島崎遙香 飾)是一個在演藝圈打拼多年的青年女演員,雖然她努力磨練演技,勤奮專注,卻始終未得到世人的關注。在此期間她受到來自事務所的壓力,二者相權之際最終選擇參加劇作家錦野豪太(小市慢太郎 飾)的新作《鮮血的召喚》的試鏡?!鄂r血的召喚》根據史上真實人物嗜血如命的伊麗莎白的故事改編,為了美這個女人不惜殘害鮮活的生命。沙羅與同事務所小有名氣的女星筱原葵(高田里穗 飾)一同試鏡,兩人最終分別獲得了農家女孩安娜以及主角伊麗莎白的角色?! ≡谂叛葸^程中,放置在舞臺中央的人偶似乎有了自己的意識,讓本就為了榮光而近乎癲狂的女子們更走向了崩潰的邊緣……