歡愉
尼基婭·泰伯格自編自導(dǎo),基于她2013年執(zhí)導(dǎo)的同名短片,講述女主貝拉從瑞典一個(gè)小鎮(zhèn)來到洛杉磯,追求她當(dāng)色情明星的夢(mèng)想,但實(shí)現(xiàn)目標(biāo)的道路卻遠(yuǎn)比她想象的要坎坷。索菲亞·卡佩爾主演,除她之外劇組其他成員基本都是成人電影業(yè)內(nèi)工作者。◎獲獎(jiǎng)情況第73屆戛納電影節(jié)(2020)新長(zhǎng)片導(dǎo)演作品(提名)第34屆歐洲電影獎(jiǎng)(2021)費(fèi)比西-發(fā)現(xiàn)獎(jiǎng)(提名)第37屆圣丹斯電影節(jié)(2021)評(píng)審團(tuán)大獎(jiǎng)世界電影單元?jiǎng)∏槠?提名)尼基婭·泰伯格
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劇情簡(jiǎn)介
尼基婭·泰伯格自編自導(dǎo),基于她2013年執(zhí)導(dǎo)的同名短片,講述女主貝拉從瑞典一個(gè)小鎮(zhèn)來到洛杉磯,追求她當(dāng)色情明星的夢(mèng)想,但實(shí)現(xiàn)目標(biāo)的道路卻遠(yuǎn)比她想象的要坎坷。索菲亞·卡佩爾主演,除她之外劇組其他成員基本都是成人電影業(yè)內(nèi)工作者。◎獲獎(jiǎng)情況第73屆戛納電影節(jié)(2020)新長(zhǎng)片導(dǎo)演作品(提名)第34屆歐洲電影獎(jiǎng)(2021)費(fèi)比西-發(fā)現(xiàn)獎(jiǎng)(提名)第37屆圣丹斯電影節(jié)(2021)評(píng)審團(tuán)大獎(jiǎng)世界電影單元?jiǎng)∏槠?提名)尼基婭·泰伯格
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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
熾愛
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商戰(zhàn)街
這是一部關(guān)于股票交易的影片,處處流露著金錢和欲望,一個(gè)草根鳳凰男逆襲的故事。男主出生并成長(zhǎng)在印度的一個(gè)小山村里。男主一心夢(mèng)想前往孟買,去為自己的偶像(一位金融大鱷)去打工。金融大鱷亦是貧寒出身但卻成功逆襲的典范。男一號(hào)發(fā)誓要成為像該金融大鱷一樣的成功男士。男一號(hào)憑借自己 的努力和對(duì)機(jī)遇的掌控,在一年時(shí)間內(nèi),成為該金融大鱷最得力的助手。一時(shí)間,賓利,私人飛機(jī),游艇都已是囊中之物;順便,男一號(hào)再抱得美人歸。然而,一切的成功都來的太突然。男一號(hào)殊不知自己只不過是金融大鱷的傀儡。而漂亮的女友也只不過是金融大鱷的情婦而已。擺在男一號(hào)面前有兩條路。是接受金融大鱷所給的上億支票繼續(xù)為奴,還是推倒金融大鱷,自己徹底翻身?