劇情簡介
本片根據葛寧寧同名小說改編。暫無內容一個受享樂主義感染的平民女排除世俗，追求自己愛情與幸福的過程中，遇到的各色各等男人。愛與被愛、欺騙與被欺騙、利用與被利用、厭倦與被厭倦。
為你推薦
最后決戰
皮埃爾·若利韋,讓·布伊茲,讓·雷諾此片是盧貝松再影壇還沒沒無聞時，憑著一腔熱血，旺盛活力與爆發力， 突破一切傳統，掙脫一切商業機制下的樊籠，冒著無色彩，無對話，無明星等大諱所完成的電影。當影片完成時，因宣傳無門，于是盧貝松帶著這部影片參加瑞士阿沃基影展，一舉拿下評審特別大獎及影評人獎，因而打開他的國際知名度。解剖核子戰后的文明廢墟，因為無色彩，所以這是一部黑白色調的電影。
世界大戰：輻射
威廉·鮑德溫,邁克爾·帕爾,凱特·霍吉,哈文·巴拉卡,Jessy Holtermann,布萊恩·萊蒙斯,Ryan JonesThe Destroyers of Alien Invasion Attacks Survival the Tripod the Killers.
假面復仇
Marco Giallini,Edoardo Leo,Catrinel Marlon騙子離開大衛破產,失業& -他的女朋友。所以他開始找到騙子但是復仇并不是在他的腦海中。
年少有你
張善南,李明源,范云飛,郭素潔,李炎峰,王天宇,顏世魁,區天瑞墨彩寧（張善南 飾）是一名普通的高中學生，因為班主任（王天宇 飾）就是自家小姨，所以自己的一舉一動都逃不過小姨的法眼，平日只好偽裝成乖乖學生，但本質上卻是一個不折不扣的追星達人。轉校生顧天琦（李明源 飾）的到來讓她本來平靜的生活發生了巨大轉變，她發現這位引人注目的同桌竟是偶像顧云凡（區天瑞 飾）的親弟弟，在顧天琦的囑咐下，墨彩寧答應保守住這個秘密。可特殊身份的消息還是不脛而走，也因此與閨蜜張公主（郭素潔 飾）產生了誤會，為了能讓張公主不再難過、顧天琦不再轉學，墨彩寧與同學袁遲（范云飛 飾）、同學童輝（李炎峰 飾）等人團結一心解決了困擾。在相處中，墨彩寧決心要成為像顧天琦一樣優秀的人。轉眼到了寒假，在盛大的煙花下大家樹立了各自的人生目標，帶著珍貴的友誼走向憧憬的未來……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
地心記
彼得·庫欣,道格·麥克洛,卡羅琳·莫羅,Cy Grant,Godfrey James,基思·巴倫,Robert Gillespie為了找尋失蹤的叔叔，年輕人自己設計了地心探險船,卻被人剽竊,結果只能接受事實,因為商人答應讓他帶隊去尋找失落的文明。 然而商人手里有一塊神秘碎片，如果他找到其余碎片就可以擁有強大的力量。另一部分傳說在地心，在那里也有一個世界，于是他贊助一些科學家去地心做科學研究，其實是為了實現他的野心，科學家們乘坐年輕人發明的有大鉆頭的飛船到了地心，在那里他們發現有原始人，通過他們的壁畫知道他們的祖先是從地上順著火山口進到地心的,他們還結交了白色的人形怪物并成為朋友。然而在這里還有一個身上插了很多導管，管子里流淌著綠色液體的邪惡統治者，整個地心世界由他控制....
最后決戰
皮埃爾·若利韋,讓·布伊茲,讓·雷諾此片是盧貝松再影壇還沒沒無聞時，憑著一腔熱血，旺盛活力與爆發力， 突破一切傳統，掙脫一切商業機制下的樊籠，冒著無色彩，無對話，無明星等大諱所完成的電影。當影片完成時，因宣傳無門，于是盧貝松帶著這部影片參加瑞士阿沃基影展，一舉拿下評審特別大獎及影評人獎，因而打開他的國際知名度。解剖核子戰后的文明廢墟，因為無色彩，所以這是一部黑白色調的電影。