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Jessica Uberuaga,Michael Marinaccio,魯克·高斯,喬恩·馬克,Steve Hanks北逃
索利曼·克魯茲,Niko Becker,巴特·金戈納,Alexandre Nguyen,Olivier Ho Hio Hen,Dimitar Vasilev,Noel Sto. Domingo,Olivier Chen,Baldo Gueye,Mahamat Amine Benrachid,Stefan Cojocaru藍眼睛米奇
休·格蘭特,詹姆斯·肯恩,珍妮·特里普里霍恩,喬·維特雷利大怪獸巴朗
野村浩三,園田あゆみ,千田是也,平田昭彥,村上冬樹,土屋嘉男家用攝像頭
尹世雅,權赫,阮芳青薇捍衛時空戰士
雷·利奧塔,蘭斯·亨利克森,斯圖亞特·維爾森,凱文·狄龍,凱文·J·奧康納,伊恩·麥克尼奇,杰克·謝菲爾德,邁克爾·勒納,埃涅·赫德森,Don Henderson同類推薦
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
圍困3
尤里·索洛明,葉甫蓋尼·列別杰夫,伊琳娜·阿庫洛娃,弗拉季斯拉夫·斯特爾熱利奇克,亞歷山大·拉辛,鮑里斯·戈爾巴托夫,謝爾蓋·哈欽科,Roman Gromadsky,Aleksei Presnetsov,米哈伊爾·烏里揚諾夫,丹尼爾·薩加爾,Stanislav Fesyunov,Vladimir Voronov,列夫·佐洛圖欣,Igor Komarov,Gerbert Dmitriev,German Khovanov,Oleg Khromenkov,Rudolf Chelishchev,Vladimir本片是蘇聯偉大衛國戰爭系列史詩巨片之一部。影片盡情歌頌了蘇聯人民，在德國法西斯圍困列寧格勒的900個艱難的日日夜夜，所表現出來的頑強精神。影片及表現了蘇軍大本營對列寧格勒的戰略布防，也表現出列寧格勒市民面對生死的堅忍不拔。同時也是為數不多的蘇聯戰爭影片，客觀地表現了戰爭初期紅軍失利，以及紅軍將領伏羅希洛夫元帥組織列寧格勒城防的失敗。影片還展現了列寧格勒基洛夫工廠，冒著的德軍轟炸，堅持為前線生產武器，以及軍隊和市民通過城市唯一與外界的通道——拉多加湖通道，運送糧食、武器和其他戰略物資的場面。該片還較為詳實地展示了希特勒攻占列寧格勒的計劃，以及紅軍與市民聯手防御，共同抗敵的畫面。這部影片，將戰爭的全景展示與戰壕細節完美地結合起來，直到今天仍不失為一部反法西戰爭的優秀影片，很值得觀賞和借鑒。
地球浩劫
肖恩·康納利,娜塔莉·伍德,卡爾·莫爾登After a collision with a comet, a nearly 8km wide piece of the asteroid "Orpheus" is heading towards Earth. If it will hit it will cause a incredible catastrophe which will probably extinguish mankind. To stop the meteor NASA wants to use the illegal nuclear weapon satellite "Hercules" but discovers soon that it doesn't have enough fire power. Their only chance to save the world is to join forces with the USSR who have also launched such an illegal satellite. But will both governments agree?
中國橋
馬躍國有大型企業--北方橋梁廠在市場經濟激烈的角逐中，固執地排斥游戲規則，最終被西南橋梁廠擊敗。北方廠項目負責人謝工，寫下遺書，服藥自盡。六個月沒發工資的工人們包圍了廠辦公大樓。鐵道部調現任西南廠廠長辛鐵安"回"北方廠擔任廠長。此時，與北方廠有著千絲萬縷的"血緣"關系的辛鐵 安恰恰正在北方廠探親。在柔情和事業的包圍中，在工人憤怒的圍攻中，共產黨員辛鐵安的斗志被激發了。他發誓要把這條大船，帶進市場經濟的航道。辛鐵安去探視從搶救中蘇醒過來的謝工，他以男人和男人之間的對話，喚醒了一個對舊體制絕望，而對前途十分茫然的知識分子的心。廠里的改革會議，擺出了許許多多難以解決的困難。他首先帶領人們走出困境思維，然后對機構進行徹底的改革，人們帶著半信半疑的態度，開始卷入一場求生存的風暴中。謝工來到會場，提出重新參加市場投標。辛鐵安以敏銳的嗅覺，聞到大戰來臨的味道。他知道這是一次機會，把全廠的力量凝聚在一起，奮力沖殺，把北方廠從計劃經濟的模式中徹底帶入市場經濟的軌道。他和謝工大膽地把目光放在最大的"蛋糕"--公路橋建設上。從而結束北方廠107年只造鐵路橋，不造公路橋的歷史。一場殘酷的競爭，在北方廠、西南廠之間展開。這兩個有著"父子"般關系的廠，有著扯不斷理還亂的親情關系人際網。競爭顯得愈發殘酷，愈發無情。幾經較量，北方廠在17家競爭單位里脫穎而出，奪得了號稱亞洲最大的單塔斜拉公路橋的建筑權。兩個廠在加入WTO后，強強聯手，共同到國際上去參加新的橋梁建設投標。這不是一個夢想，中國的大型國有企業正在這座通向世界的大橋上奮力拼搏。《中國橋》榮獲第三屆電視電影百合獎一等獎和最佳編劇獎。
養鬼吃人5：直闖地獄
洛杉磯警探喬瑟夫（克萊格·謝菲爾 飾）是個標準敗類，嗑藥嗑得比誰都勤快，調查命案不忘順手牽羊，更枉顧家中妻小，專搞迷人可愛的阻街女郎。一宗幼童謀殺案現場，喬瑟夫撿回一只受過詛咒的奇異盒子，打開后怪事不斷一樁接一樁：昨夜搞上的妓女意外身亡，他瞬間成為頭號嫌疑犯；一連串似幻似真的恐怖體驗更不斷尾隨，無臉怪人四處追殺人群，《養鬼吃人》系列當家猛鬼－針頭鬼（Pinhead）也重出江湖，一個頭兩個大的喬瑟夫該如何解決這謎一般的虛實夢魘？本片改編自克里夫巴克（Clive Barker）恐怖小說「受地獄羈絆之心」The Hellbound Heart，這顆壞心腸的主人正是故事男主角喬瑟夫，身為警察的他自身行為不檢點也罷，涉嫌謀殺難以脫罪的他竟然嫁禍好同事，善惡終有報，惡徒喬瑟夫果然陷入萬劫不復的魔鬼夢魘，活著比死更痛苦。