她們 Elles
安(朱麗葉·比諾什 Juliette Binoche 飾)是一位頗有名氣的記者,在旁人眼里,工作能力出色同時又被丈夫和孩子簇?fù)碇陌矡o疑是成功女性的典范。但在安的內(nèi)心里,焦慮和煩躁無時不刻不困擾著她,家庭所帶來的束縛讓她越來越無法全心全意的將自己投入到工作中去。 安目前手頭上的工作是調(diào)查社會上盛行的援助交際的內(nèi)幕,在某個知名的援交網(wǎng)站上,安結(jié)識了阿莉恰(Joanna Kulig 飾)和夏洛特(阿奈絲·德穆斯捷 Anaïs Demoustier 飾)兩名女子。從她們的敘述中,安發(fā)現(xiàn)了一個自己至今聞所未聞的殘酷世界,在那里,性無關(guān)乎愛,僅僅是一筆交易。在采訪的過程中,安沒有忘記審視自己的內(nèi)心,此時此刻,那些深藏其中的欲望和激情開始發(fā)出光芒。
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劇情簡介
安(朱麗葉·比諾什 Juliette Binoche 飾)是一位頗有名氣的記者,在旁人眼里,工作能力出色同時又被丈夫和孩子簇?fù)碇陌矡o疑是成功女性的典范。但在安的內(nèi)心里,焦慮和煩躁無時不刻不困擾著她,家庭所帶來的束縛讓她越來越無法全心全意的將自己投入到工作中去。 安目前手頭上的工作是調(diào)查社會上盛行的援助交際的內(nèi)幕,在某個知名的援交網(wǎng)站上,安結(jié)識了阿莉恰(Joanna Kulig 飾)和夏洛特(阿奈絲·德穆斯捷 Anaïs Demoustier 飾)兩名女子。從她們的敘述中,安發(fā)現(xiàn)了一個自己至今聞所未聞的殘酷世界,在那里,性無關(guān)乎愛,僅僅是一筆交易。在采訪的過程中,安沒有忘記審視自己的內(nèi)心,此時此刻,那些深藏其中的欲望和激情開始發(fā)出光芒。
人氣佳作
狂龍伏妖
陳浩民,喬牧,肖明玉基卡2025
瑪儂·克拉維爾,Makita Samba,托馬斯·庫芒,Suzanne Elbaz,Ethelle Gonzalez Lardued,伯納德·布蘭卡恩,Kadija Leclere,安納爾·斯諾克,Thierry Hellin,埃洛迪·巴特爾斯浴火巾幗3
拉妮·瑪克赫吉,詹琪·博迪瓦拉,Mallika Prasad,Jimpa Sangpo Bhutia,Prajesh Kashyap,Eindraneel Bhattacharya搖滾萬萬歲
羅伯·萊納,邁克爾·麥基恩,克里斯托弗·格斯特,哈里·謝爾,布魯諾·柯比,小艾德·博格里,比利·克里斯托,安杰麗卡·休斯頓,佛萊德·威拉特導(dǎo)演精選
天堂孤影
環(huán)衛(wèi)公司垃圾車駕駛員尼卡德(Matti Pellonp?? 飾)的老同事計(jì)劃籌資組建自己的環(huán)衛(wèi)公司,邀請尼卡德技術(shù)入股,但老同事不久急病突發(fā)身亡,尼卡德的生活重回一潭死水狀態(tài)。尼卡德心有不甘借酒滋事,在被拘留的時候結(jié)識日后的同事米卡拉。米卡拉偶而會不識趣的妨礙尼卡德暗地追求超市售貨員伊羅娜(Kati Outinen 飾),但他仍是尼卡德最可依賴的朋友。伊羅娜為報(bào)復(fù)超市經(jīng)理偷走了錢盒,尼卡德幫助她找到服裝店的新工作,服裝店經(jīng)理夾到尼卡德與伊羅娜的關(guān)系中間,但尼卡德最終奪回了自己的愛人。 本片獲1987年芬蘭電影尤西獎最佳影片獎。是導(dǎo)演郭立斯馬基(Aki Kaurism?ki)無產(chǎn)階級三部曲的第一部。
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
綁架2016
A girl flees her orphanage in a paranoid belief that otherworldly forces are after her. She seeks refuge in the remote town of Fate, Texas, but is met with hostility. The residents are about to enter her Hell.