365天：今時之欲

開端2025

安妮和托馬斯正處于離婚邊緣，這時安妮發生了中風，迫使他們不得不繼續住在一起，并推遲了告訴孩子們他們即將分開的消息。面對這一新的現實，兩人在最意想不到的地方找到了希望。

克羅克特先生

　　1993 年，發生了可怕的事件：一個神秘的兒童節目主持人克羅克特先生神奇地從電視機中出現，綁架了年幼的孩子殺害了其父母。而在克羅克特先生綁架了女主的兒子之后，女主開始了危險的追尋之旅，她要找到這個惡魔，救出她的兒子。

二十五世紀宇宙戰爭

極地大冒險3

　　尼科的夢想要實現了！他和他的父親可以成為圣誕老人馴鹿隊的一員。然后突然斯特拉出現了，想要占有他的位置。雖然他們都在爭奪這個位置，但他們也成了朋友。但是，圣誕節前一天，雪橇被偷了！圣誕節有被取消的危險，只有尼科能救它。

X誰嫁誰噶了誰

當真實犯罪迷伊娃-沃（露西·海爾 Lucy Hale 飾）在她 30 歲生日那天被她的好朋友們推到約會應用程序的世界里時，她突然發現自己處于一樁真實謀殺案的中心。 隨著她最喜歡的播客揭露了謀殺案的新細節，她意識到與她約會的三個男人中，有一個可能就是肆虐全城、臭名昭著的 "向右滑動殺手"！ 現在，伊娃和她的朋友們要做的，就是在這部精彩絕倫的喜劇驚悚片中，搞清楚哪一個約會對象是同性戀、潛在的丈夫或殺手。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.