五克拉的愛情
珠寶商文生的美麗妻子,卻赫然發現丈夫自殺的背后,光鮮外表下其實早就傾家蕩產。 寂寞的瑪麗安嗜酒澆愁,在意識清醒的邊緣徘徊度日,直到她意外發現丈夫生前藏匿的鉆石,開始卷進一重懸疑的珠寶交易,瑪麗安決定重拾自己對鉆飾的專業和熱情,捍衛自身的安全并找出丈夫的死因。在一連串尋訪的過程中,她遇見了丈夫生前的情婦,而自己多年前的舊情人也意外出現新的紛爭即將上演。 凱瑟琳德納芙憑本片獲得威尼斯影展最佳女主角、并再次登上凱撒獎影后寶座,本片入圍威尼斯影展金獅獎、凱撒獎11項提名,也是2002臺北電影節參展作品。法國巴黎的凡登廣場Place Vendome聚集了世界著名的珠寶店。瑪麗安(凱瑟琳德納芙飾)是巴黎珠寶商文生的美麗妻子,卻赫然發現丈夫自殺的背后,光鮮外表下其實早就傾家蕩產。寂寞的瑪麗安嗜酒澆愁,在意識清醒的邊緣徘徊度日,直到她意外發現丈夫生前藏匿的鉆石,開始捲進一重懸疑的珠寶交易,瑪麗安決定重拾自己對鉆飾的專業和熱情,捍衛自身的安全并找出丈夫的死因。在一連串尋訪的過程中,她遇見了丈夫生前的情婦,而自己多年前的舊情人也意外出現新的紛爭即將上演。片是近年來凱瑟琳丹尼芙極度精采的作品之一,可算是女導演特別為她量身定作的角色,凱瑟琳丹尼芙在本片中精湛詮釋這個時而雍容華貴,時而憔悴爛醉的美麗女人,在丈夫死后遇見情敵的落寞,發現自己必須清醒才能找出真相的頓悟決心,還有為自己化險為夷的聰穎自信,都在她舉手投足、一個眼神之間,情感直入人心、令人動容,完美的演技也為她摘下威尼斯影后。
播放通道
詳細簡介
熱門影視 大家都在看
靚女差館
劉嘉玲,陳奕迅,林曉峰,王晶,張達明,李珊珊,何嘉莉,苑瓊丹,馬德鐘,李菲死亡陰影
邁克爾·比恩,亞歷山德拉·達達里奧,布雷特·里克比,諾蘭·杰拉德·馮克,斯賓塞·李斯特,約翰·薩維奇,佩頓·李斯特,凱瑟琳·邁瑟爾,瓦倫蒂娜·德·安吉麗斯逃出食人農場
Kate Marie Davies,Barrington De La Roche,David Lenik,Rowena Bentley,Toby Wynn-Davies,Peter Cosgrove,Joe Street,Dylan Curtis,Sam Lane,Jackson Wright,Kate Llewellyn,Adam J. Morgan,Tim J. Henley,Harrison Nash,Jack Miller宇殺員
Shannon Hutchinson,Vito Trigo,Jasmina Parent星河戰隊
卡斯帕·范·迪恩,迪娜·邁耶,丹妮絲·理查茲,杰克·布塞,尼爾·帕特里克·哈里斯,克蘭西·布朗,塞斯·吉列姆,帕特里克·茂頓,邁克爾·艾恩塞德,露·麥克拉納罕,馬紹爾·貝爾,埃里克·布魯斯科特爾,馬特·萊文,布蕾克·林斯利,安東尼·瑞維瓦,布蘭達·斯特朗,迪恩·諾里斯,克里斯托弗·柯里,萊諾爾·卡斯多夫,羅伯特·斯莫特,斯蒂芬·福特,羅伯特·大衛·豪爾,艾米·斯馬特,蒂莫西·奧門德森,代爾·戴怪形
庫爾特·拉塞爾,威爾福德·布利姆雷,TK·卡特,大衛·科列儂,凱斯·大衛,理查德·戴薩特,查爾斯·哈拉漢,Peter Maloney,理查德·馬蘇爾,唐納德·莫法特,喬爾·波利斯,托馬斯沃特斯,諾伯特·魏塞爾,拉瑞·弗蘭科,納特·歐文,阿德里安娜·巴比歐,約翰·卡朋特,杰德同類推薦
摸金祖師
秦楚明,鄧詩韻,李璐兵,張冬東漢末年,精通風水陰陽、堪輿演星之術的喬二被迫與夫人下入墓穴探取長生石,然而墓穴坍塌眾人被埋入地下。再次醒來的喬二發現自己到了民國年代,對當代社會一竅不通的他偶遇了與妻子長相一樣的小飛鶯。靠著眾人的協助,喬二將再次下墓尋找自己的愛人。
天才游戲
彭昱暢,丁禹兮,李蔓瑄,鄧恩熙,侯雯元窮途末路的天才少年劉全龍(彭昱暢 飾),被偏執富家公子陳倫(丁禹兮 飾)選中,被迫踏入一場為他量身打造的“換命游戲”。豪華別墅、名車名表、神秘女友全部備齊,在陳倫的精心打造下,劉全龍瞬間擁有頂配人生。這場表面上各取所需的交易,暗地里卻殺機漸起。當眾星捧月的快感喂大了野心,貪婪的目光開始盯上原主擁有的一切,那個曾經溫順的“獵物”,開始在暗處亮出獠牙,而掌控一切的“獵人”似乎也早有籌謀。無名的尸體、操控與反噬、扮演與沉淪,這場游戲里,究竟是誰在控制誰?
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
北京猿人
緒形直人,王祖賢,哀川翔,丹波哲郎,坂上忍,小野賢章侵華戰爭時期,日本人將掠得的北京猿人頭骨偷運回國,途中沉沒,成為一樁疑案。當年日本人將頭骨化石偷運回國,隱藏幾十年后,在和平環境下重新進行研究。他們將頭骨化石中的DNA殘片提取出來,進行培育,然后送入太空,據說這樣便可以憑借太空中的粒子幅射,使其蘊育成熟。不料,載著北京猿人胚胎的飛船失事,墜入海島,而北京猿人卻成功地誕生了。 而王祖賢扮演的中國美麗女間諜的使命就是將北京猿人偷運回國,從此便和日本科學家展開了明爭暗斗。最后,雙方不分輸贏,而是達成了共識:北京猿人不是任何一國的財富,他們屬于大自然。于是,猿人一家三口和一只同樣由基因技術復制出來的猛瑪象被放歸了自然。
狙擊精英∶孤魂野鬼
查德·科林斯,湯姆·貝倫杰,瑞安·羅賓斯,喬什·布雷納,Tuks Tad Lungu,多米尼克·馬厄,Manuel Rodriguez-Saenz,米歇爾·伊薩·盧比歐精英狙擊手布蘭登·貝克特與他的小隊在哥斯達黎加執行一項秘密任務時,遭遇陰謀陷害,任務失敗演變為國際丑聞。為了掩蓋真相,美國政府直接撇清關系,將這群最鋒利的戰士定性為“恐怖分子”。前一秒還為國效力的英雄,后一秒就成了被自己國家通緝的逃兵。沒有合法的身份,沒有空中支援,甚至沒有合法的射擊通道,布蘭登陷入了前所未有的孤立無援。