夜半思乳時

一對朋友，一個德國人和一個俄國人，穿越時空最終來到了1941年。兩位朋友被迫做出決定，并要應對他們無法想象的困難。他們的友誼能否度過難關，保羅和謝爾蓋又會站在哪一邊？

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

　　是由保羅·內戈埃斯庫編劇執導的一部羅馬尼亞喜劇片，主要講述了一個小城鎮的三名男子尋找遺失的彩票的過程中發生的有趣故事。迪奈勒是這個城鎮的一名修車工人，幸運之神似乎從未光顧過他，因為他的客戶總是對他的活計不滿意、他的工資少到連酒都喝不起、就連他的妻子都因此離開了他。然而，有一天迪奈勒買彩票，意外中了大獎，這讓他重新燃起了生活的希望。但他似乎高興過了頭，導致他丟失了那張彩票。于是迪奈勒和他的朋友思萊、帕皮里優一起踏上了尋找彩票的旅程。