美女獻(xiàn)身

★ 7.8 播放：24萬(wàn) 更新：2026-04-27
主演：未知

淑惠丈夫經(jīng)營(yíng)的公司倒閉, 積欠大筆債務(wù), 多位債主催錢(qián)不成, 於是建議將其妻淑惠, 強(qiáng)硬擄押到某店出賣(mài)肉體接客抵債. 此時(shí)淑惠委託1位女子安排賣(mài)淫工作, 其間有位恩客阿亮, 正是嫖客之1.阿亮矮小貌丑, 根本交不到女友, 看到漂亮的淑惠, 被她迷的瘋狂, 但淑惠不愿與丑陋的阿亮為友, 前次是為了賺錢(qián)不能不上床茍和, 1次春風(fēng)后, 即極力謝絕并回避再見(jiàn)阿亮.阿亮是由其姊(乾姐)扶養(yǎng)長(zhǎng)大, 就是因?yàn)榘⒘劣袕?qiáng)健堅(jiān)挺的陽(yáng)具, 超強(qiáng)做愛(ài)技能, 夜夜能讓她享受性愛(ài)的爽快刺激, 淫蕩快感, 故阿亮以此優(yōu)越性力本能, 要其姊安排他和淑惠再次幽會(huì), 交換多次與其姊不倫性交的條件.后來(lái)淑惠完全迴避阿亮的尋求, 阿亮就以「要公布他倆的姦情, 讓她丈夫→聲名狼藉」為要挾, 寧死也要延續(xù)和淑惠交往作愛(ài).... 淑惠終於受不了這類痛苦騷擾, 向丈夫流露實(shí)情, 終得丈夫體諒, 夫妻共同設(shè)下圈套, 使阿亮姊弟得到悲慘結(jié)局.....

在線播放

劇情簡(jiǎn)介

淑惠丈夫經(jīng)營(yíng)的公司倒閉, 積欠大筆債務(wù), 多位債主催錢(qián)不成, 於是建議將其妻淑惠, 強(qiáng)硬擄押到某店出賣(mài)肉體接客抵債. 此時(shí)淑惠委託1位女子安排賣(mài)淫工作, 其間有位恩客阿亮, 正是嫖客之1.阿亮矮小貌丑, 根本交不到女友, 看到漂亮的淑惠, 被她迷的瘋狂, 但淑惠不愿與丑陋的阿亮為友, 前次是為了賺錢(qián)不能不上床茍和, 1次春風(fēng)后, 即極力謝絕并回避再見(jiàn)阿亮.阿亮是由其姊(乾姐)扶養(yǎng)長(zhǎng)大, 就是因?yàn)榘⒘劣袕?qiáng)健堅(jiān)挺的陽(yáng)具, 超強(qiáng)做愛(ài)技能, 夜夜能讓她享受性愛(ài)的爽快刺激, 淫蕩快感, 故阿亮以此優(yōu)越性力本能, 要其姊安排他和淑惠再次幽會(huì), 交換多次與其姊不倫性交的條件.后來(lái)淑惠完全迴避阿亮的尋求, 阿亮就以「要公布他倆的姦情, 讓她丈夫→聲名狼藉」為要挾, 寧死也要延續(xù)和淑惠交往作愛(ài).... 淑惠終於受不了這類痛苦騷擾, 向丈夫流露實(shí)情, 終得丈夫體諒, 夫妻共同設(shè)下圈套, 使阿亮姊弟得到悲慘結(jié)局.....

導(dǎo)演精選

一線希望

　　邁爾斯·特勒將出演生存題材新片[一線希望](Not Without Hope，暫譯)。本片由魯伯特·溫萊特執(zhí)導(dǎo)，根據(jù)同名小說(shuō)改編，E. Nicholas Mariani撰寫(xiě)劇本，講述2009年發(fā)生的一起劃船悲劇，4位朋友在墨西哥灣遭遇狂風(fēng)暴雨后，不得不在團(tuán)隊(duì)合作和耐力的終極考驗(yàn)中奮力求生。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

印度超人3

　　在擊敗了邪惡的博士，救回了父親洛赫特（赫里尼克·羅斯?jié)h Hrithik Roshan 飾）之后，克里希那（赫里尼克·羅斯?jié)h Hrithik Roshan 飾）和戀人普瑞雅（樸雅卡·喬普拉 Priyanka Chopra 飾）總算攜手步入了婚姻的殿堂，過(guò)上了平靜而又幸福的生活。而洛赫特利則用他的聰明才智制作了很多造福社會(huì)的發(fā)明。　　然而，大家都沒(méi)有想到的是，在一片平靜祥和的氣氛之下，邪惡亦在慢慢滋生。一個(gè)名叫卡爾（維克·奧貝歐 Vivek Oberoi 飾）的邪惡天才，正在利用他的智慧組建一直非常危險(xiǎn)的軍隊(duì)，企圖給人類帶來(lái)前所未有的危機(jī)。當(dāng)克里希那挺身而出和卡爾展開(kāi)對(duì)抗時(shí)，他并不知道，此次，為了保護(hù)世界的和平，他將付出比以往多得多的代價(jià)。