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狂龍伏妖
陳浩民,喬牧,肖明玉赤屠龍師兄三人得知祖師爺被將要化成蛟龍的蛟妖所傷，于是自告奮勇去降妖。師兄來到升平鎮，遇到何府搶嬰，得知從骷髏精追回嬰兒的妖人可兒，是年輕時與“梅花鹿精”素素之女。可兒告知母親被蛟妖控制在陰風洞。升平鎮內也是怪事連連，許家兒女行為異常，無憂和常樂布下天羅地網捉拿蝙蝠精；另一邊荒郊大宅赤屠龍救下少爺榮華。蛟妖獲悉得知強敵當前，雙方展開激斗，因蛟妖法力強大，赤屠龍身受重傷；他取出祖師爺所贈的錦囊，悟出真諦，入蛟妖體內將其殲滅。素素吐出修練的仙珠救下奄奄一息的赤屠龍，重返深山望有朝一日能得道成仙。
哈留恩佩與邪惡祭司
Peter Franzén,伊麗娜·別爾克倫德,Jenni Banerjee在芬蘭警局供職多年的Timo，每天都周旋于形形色色的兇案罪犯之間，長年疲于工作，使得他疏于對家人的照顧。女兒在一次意外的派對中遭人強奸，成為他心中揮之不去的陰影。此時，一名神秘案犯走進了他的生活，提莫如何在重重陰霾下抓出真兇……
青出于藍2025
索菲婭·莉莉絲,戴夫·巴蒂斯塔,鮑比·坎納瓦爾,凱特·德爾·卡斯蒂洛,杰克·尚皮永,托尼·達爾頓,布魯·德爾·巴里奧,印達·納瓦雷特,惠特尼·皮克,澤爾·亞當斯DEA agent and partner pursue thieves: their own rebellious teens, who began robbing cartel using parent tactics and classified intel.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
圍困2
尤里·索洛明,葉甫蓋尼·列別杰夫,伊琳娜·阿庫洛娃,弗拉季斯拉夫·斯特爾熱利奇克,亞歷山大·拉辛,鮑里斯·戈爾巴托夫,謝爾蓋·哈欽科,Roman Gromadsky,Aleksei Presnetsov,米哈伊爾·烏里揚諾夫,丹尼爾·薩加爾,Stanislav Fesyunov,Vladimir Voronov,列夫·佐洛圖欣,Igor Komarov,Gerbert Dmitriev,German Khovanov,Oleg Khromenkov,Rudolf Chelishchev,Vladimir本片是蘇聯偉大衛國戰爭系列史詩巨片之一部。影片盡情歌頌了蘇聯人民，在德國法西斯圍困列寧格勒的900個艱難的日日夜夜，所表現出來的頑強精神。影片及表現了蘇軍大本營對列寧格勒的戰略布防，也表現出列寧格勒市民面對生死的堅忍不拔。同時也是為數不多的蘇聯戰爭影片，客觀地表現了戰爭初期紅軍失利，以及紅軍將領伏羅希洛夫元帥組織列寧格勒城防的失敗。影片還展現了列寧格勒基洛夫工廠，冒著的德軍轟炸，堅持為前線生產武器，以及軍隊和市民通過城市唯一與外界的通道——拉多加湖通道，運送糧食、武器和其他戰略物資的場面。該片還較為詳實地展示了希特勒攻占列寧格勒的計劃，以及紅軍與市民聯手防御，共同抗敵的畫面。這部影片，將戰爭的全景展示與戰壕細節完美地結合起來，直到今天仍不失為一部反法西戰爭的優秀影片，很值得觀賞和借鑒。
惡魔的藝術
阿麗莎·維爾斯,蘇帕克森·柴蒙蔻,特林·賽塔歐克,克朗通·拉查塔萬,頌猜·沙圖吞,埃薩拉·奧查庫,尼魯·素查,克里塔尤德·蒂姆納特,鮑勃·布克霍爾茲,雪莉·嘉森,桑迪·福克斯,艾爾維亞·蓋坦,格蘭特·喬治,尤里·洛文塔爾,戴夫·麥羅,蘇珊·馬奎,布萊斯·峇本布魯克,塔拉·普拉特,薩姆·里格爾,克莉絲汀·盧瑟福,菲利斯·桑普勒,斯蒂芬妮·社,史蒂夫·斯塔利,道格·斯通,丹·沃倫影片圍繞著一個家庭遭到情婦利用"黑色巫術"復仇的故事展開.講述了一個百萬富翁全家人被神秘而詭異的地殺害。沒有絲毫線索; 無法找到可以指證的兇手。神秘而恐怖的死亡令所有人為之困惑。一位罪案報道記者參與進此案的調查, 發現一個美貌的女人有可疑。他該如何向所有人證明她就是那個一直隱藏著的、并且擅長"魔鬼的藝術"的情婦? ...