紅天使淫畫腸
在百貨公司上班的土屋名美被她的已婚上司包養著,曾經為了賺錢她給一家色情雜志社拍過裸照。最近一段時間以來,名美總覺得有變態佬跟蹤她,而且常常接到只有粗重喘氣聲的電話。后來名美認定變態佬是一個半路上突然開始跟著她的年輕男子村木,但其實對方只是因為看過她的裸照而非常仰慕她而已。不久后,名美的上司發現了她拍裸照的事情,他擔心萬一將來兩人私情曝光影響事業,所以把名美辭退。名美感到生活沒了希望,這時村木又出現了,但他能讓名美走出陰霾嗎? 本片以片斷式的劇情向前發展直到結束,很多畫面被處理成透明的血紅色,還有很多鏡頭則頗具幻想色彩,所以整部電影讓人感覺就象是一場凌亂的夢。本片情色尺度是這個系列里最為大膽的,導演池田敏春很會拍這方面的戲,有些地方甚至還拍得非常具有藝術感,比如村木和名美冒著暴雨在健身公園里的那場,有一個俯拍的鏡頭就很有《黑客帝國》的感覺。此外,影片中有非常多的自慰戲,都拍得很不錯,其中最令人印象深刻的當屬一名少婦用雞蛋進行自慰的過程,想象力真的是好豐富啊。;
即刻觀影
劇情賞析
編輯推薦
你行!你上!
姜文,馬麗,張乘郝,王碩瓏,陸一,于和偉,余皚磊,何賽飛,辛芷蕾,雷佳音,葛優,王傳君,胡歌,甄子丹,丁志誠,李屏賓,李子為,曹操,吉娜·愛麗絲這是一對父子的傳奇歷險,也是兩個野心家的一拍即合。從沈陽到美國,從3歲到17歲,彈琴勝似取經,八十八鍵多過八十一難,父子心無雜念,只管埋頭向前,兩人赤手空拳讓美國殿堂藝術精英們刮目相看。
金童2025
張繼聰,曾志偉,韋羅莎,林雪,朱栢康,劉皓嵐,火星,邱穟恒,李靖筠,鄭丹瑞,上山詩鈉,袁富華,林燕玲在十年前的拳擊界,張力(張繼聰 飾)是如日中天的「金童」,卻因一場意外失去了自由。十年后,他刑滿出獄,遇上他從未見面的親生兒子方圓。為了得到方圓母親的遺產,需要與方圓一起生活。張力面臨生活困境與情感糾葛,令他的生活再次翻轉。在父子間的矛盾與和解中,張力逐漸找到自己的使命,面對過去在擂臺上的陰影,決意再次重拾拳擊夢想,并努力成為兒子的榜樣...
王勝:紫色
王勝...
咸魚翻身
李健仁,梁家仁,鐘偉強,程東,黃一山,馬雪陽,Boz,董方卓此片主題為講述兩代人為勝利與人生尊嚴拼搏不息、最終實現足球夢的勵志故事。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
政壇新星
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