白種女奴隸

評分:4.1 播放:46萬 更新:2026-04-28
主演: Fawnia Esther Hanuka 

又名: White Slave Lovers,不久的將來世界大戰來臨,躲在地丅的,幾個修釹為了尋到傳奇鈡的圣shan,冒險踏上了危險之旅,在途鈡被抓去做了奴隸...   

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耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

刺客密碼

賈斯汀·查特文 Justin Chatwin      彼得·斯特曼 Peter Stormare Mark Thompson

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方法演技

姜澯熙,李東輝

《方法演技》是一部刻意追求搞笑的電影,其不動聲色的手法使其更加有趣和令人心酸。具有諷刺意味的是,這部非凡的喜劇電影中的明星是演員李東輝(由他自己扮演),他討厭喜劇表演。盡管他努力重塑自己,但機會似乎難以捉摸,他發現自己越來越沮喪。出乎意料的是,他收到了一個令人驚訝的邀請,在一部傳統古裝劇中扮演一位國王。為了完善他對這位威嚴的皇室人物的刻畫,東熙潛心于方法表演。然而,在這部歷史劇中,事情很快變得不同尋常。方法演技巧妙地平衡了混亂的拍攝環境和家庭敘事,在處理創造性元素的同時,以無縫的精確度描繪了人物的掙扎,從而產生了一部出色的喜劇。最重要的是,演員們的表演達到了恍惚的程度,確實非常出色。

布蘭登·費舍,薩迪·辛克,周洪,泰·辛普金斯,薩曼莎·莫頓,實諦·史達仁,杰西·辛克

 影片改編自Samuel D. Hunter創作的同名戲劇,講述在愛達荷州鄉村一個破舊的公寓里,重達272公斤的英語教師查理(布蘭登·費舍 飾)隱居避世,固執、堅決地要把自己吃死。查理在中年時期為了同性情人拋棄家人,但情人過世后因為悲傷和內疚暴飲暴食,并且嘗試與17歲的女兒艾莉(薩迪·辛克 飾)修復關系。隨著查理越來越接近不可避免的命運,他的朋友麗茲(周洪 飾),一個憤世嫉俗的無神論者護士,以及埃爾德·托馬斯(泰·辛普金斯 飾),一個年輕的傳教士都試圖在查理身上找到能被拯救的意志,無論是肉體上還是精神上。然而,只有與查理關系疏遠的女兒艾莉才能讓他看到目前絕望狀態之外的未來,艾莉雖然尖酸刻薄、充滿仇恨、渾身是刺,查理卻能在她身上找到最后一次贖罪的機會,甚至可能是一絲希望。