影片推薦
沒有面孔的眼睛
皮埃爾·布拉瑟,愛迪絲·斯考博,阿莉達·瓦利,朱麗葉特·麥涅勒,亞歷山大·里尼奧,貝亞特麗斯·阿爾塔里巴,夏爾·布拉韋特,克洛德·布拉瑟,米歇爾·埃切韋里,伊薇特·埃蒂耶旺,勒內·熱南,呂西安·于貝爾,馬塞爾·佩雷斯,弗朗索瓦·介朗蛛仙
孫藝寧,李硯,高廣澤,潘嚴,劉錫明忘我星途
Vino G. Bastian,迪婭·潘德拉,Agus Kuncoro刀馬旦
鐘楚紅,林青霞,葉倩文,鄭浩南,午馬,張國強,秦沛,谷峰,曾江,吳君如黑神駒
凱利·雷諾,米基·魯尼,特瑞·加爾,克拉倫斯·繆斯,霍伊特·阿克斯頓7A公寓
朱莉婭·加納,黛安·韋斯特,吉姆·斯特吉斯,凱文·麥克納利,安德魯·巴肯,寇布勒·霍爾德布魯克-史密斯,瑪里·休,羅西·麥克尤恩,妮基塔·查達哈,帕特里克·利斯特,詹姆斯·斯旺頓,愛米莉·利森,Brooke Walter,Mellanie Hubert,阿聶爾·德賽,迪倫·鮑德溫,Hannah Morley,斯科特·休姆,朱莉婭·威斯科特-哈頓,Andre Lillis同類精選
猩球崛起:新世界
歐文·泰格,弗蕾婭·艾倫,凱文·杜蘭,皮特·馬孔,威廉姆·H·梅西,艾卡·達維爾,迪辰·拉克曼,尼爾·桑迪蘭茲,薩拉·懷斯曼,莉迪亞·佩克漢,特拉維斯·杰弗里,拉斯-塞繆爾·瓦爾達布茲,尼娜·加拉斯巨人的告別
奧斯卡·馬丁內茲,馬蒂亞斯·邁耶,路易斯·盧克,亞歷克西婭·莫亞諾,Inés Estévez,Johanna Francella,Silvia Kutika摩斯拉1996
小林恵,山口紗彌加,羽野晶紀,二見一樹,藤沢麻彌,萩原流行,田中ひろ子,荒川強啓,寺尾聰,大寶智子,須藤真里子,高橋ひとみ,梨本謙次郎刀馬旦
鐘楚紅,林青霞,葉倩文,鄭浩南,午馬,張國強,秦沛,谷峰,曾江,吳君如阿特羅皮亞
阿莉雅·肖卡特,克洛伊·伊斯特,查寧·塔圖姆,科洛·塞維尼,簡·利維,卡勒姆·特納,蒂姆·海德克,吉爾·佩雷斯-亞伯拉罕,索爾·洛佩斯,托比·尼克爾斯,托尼·肖卡特,普莉希拉加里塔,吉爾伯托·奧爾蒂斯,Dash Melrose,沙霍莉·艾爾斯,理查德·布萊克蒙,阿里烏斯·巴恩斯,扎赫拉·阿爾祖拜迪,菲爾·伯格斯,肖恩·崔紅色之州
邁克爾·帕克斯,梅麗莎·里奧,約翰·古德曼,邁克爾·安格拉諾,凱爾·加爾納影視排行
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
刺客密碼
賈斯汀·查特文 Justin Chatwin 彼得·斯特曼 Peter Stormare Mark Thompson內詳暫無簡介
方法演技
姜澯熙,李東輝《方法演技》是一部刻意追求搞笑的電影,其不動聲色的手法使其更加有趣和令人心酸。具有諷刺意味的是,這部非凡的喜劇電影中的明星是演員李東輝(由他自己扮演),他討厭喜劇表演。盡管他努力重塑自己,但機會似乎難以捉摸,他發現自己越來越沮喪。出乎意料的是,他收到了一個令人驚訝的邀請,在一部傳統古裝劇中扮演一位國王。為了完善他對這位威嚴的皇室人物的刻畫,東熙潛心于方法表演。然而,在這部歷史劇中,事情很快變得不同尋常。方法演技巧妙地平衡了混亂的拍攝環境和家庭敘事,在處理創造性元素的同時,以無縫的精確度描繪了人物的掙扎,從而產生了一部出色的喜劇。最重要的是,演員們的表演達到了恍惚的程度,確實非常出色。
鯨
布蘭登·費舍,薩迪·辛克,周洪,泰·辛普金斯,薩曼莎·莫頓,實諦·史達仁,杰西·辛克影片改編自Samuel D. Hunter創作的同名戲劇,講述在愛達荷州鄉村一個破舊的公寓里,重達272公斤的英語教師查理(布蘭登·費舍 飾)隱居避世,固執、堅決地要把自己吃死。查理在中年時期為了同性情人拋棄家人,但情人過世后因為悲傷和內疚暴飲暴食,并且嘗試與17歲的女兒艾莉(薩迪·辛克 飾)修復關系。隨著查理越來越接近不可避免的命運,他的朋友麗茲(周洪 飾),一個憤世嫉俗的無神論者護士,以及埃爾德·托馬斯(泰·辛普金斯 飾),一個年輕的傳教士都試圖在查理身上找到能被拯救的意志,無論是肉體上還是精神上。然而,只有與查理關系疏遠的女兒艾莉才能讓他看到目前絕望狀態之外的未來,艾莉雖然尖酸刻薄、充滿仇恨、渾身是刺,查理卻能在她身上找到最后一次贖罪的機會,甚至可能是一絲希望。