三明治俱樂部
?？颂嘏c媽媽帕洛瑪悠閒地度假期間，偶然邂逅下榻同一飯店的少女潔思敏。潔思敏撩撥起海克特對愛欲的渴望，然而帕洛瑪卻難以接受母子關(guān)系隨著兒子的成長逐漸疏遠(yuǎn)。眼看潔思敏即將離開飯店，?？颂卦撛趺疵鎸ψ笥覟殡y的情感謎題？初次萌芽的情欲隨時都將一觸即發(fā)，卻因過于親密的母子關(guān)系而處處受阻?？諝庵袨吢Ｋ南涛丁⒂斡境氐穆葰馕叮€參雜著瀕臨危險的味道。無論是戀人般的母子關(guān)系，抑或是情欲暗涌的禁果嘗試，導(dǎo)演試圖闡述青春期之于家長與青少年間的困窘。對青春情欲的細(xì)膩描繪大受好評，更于圣賽巴斯提安影展一舉奪下最佳導(dǎo)演的殊榮。
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惡魔的藝術(shù)
阿麗莎·維爾斯,蘇帕克森·柴蒙蔻,特林·賽塔歐克,克朗通·拉查塔萬,頌猜·沙圖吞,埃薩拉·奧查庫,尼魯·素查,克里塔尤德·蒂姆納特,鮑勃·布克霍爾茲,雪莉·嘉森,桑迪·?？怂?艾爾維亞·蓋坦,格蘭特·喬治,尤里·洛文塔爾,戴夫·麥羅,蘇珊·馬奎,布萊斯·峇本布魯克,塔拉·普拉特,薩姆·里格爾,克莉絲汀·盧瑟福,菲利斯·桑普勒,斯蒂芬妮·社,史蒂夫·斯塔利,道格·斯通,丹·沃倫紐倫堡的審判
斯賓塞·屈塞,伯特·蘭卡斯特,理查德·威德馬克,瑪琳·黛德麗,馬克西米連·謝爾,朱迪·加蘭,蒙哥馬利·克利夫特,維爾納·克倫佩雷爾養(yǎng)鬼吃人10：審判
希瑟·蘭根坎普 , 蘭迪·韋恩 , 約翰·古拉格 , 凱特·瓊斯 , Rheagan Wallace , 亞歷山德拉·哈里斯 , Paul T. Taylor , Mike J. Regan , Molly Nikki Anderson , Damon Carney , Helena Grace Donald , Mary Kathryn Bryant , Jay Dee , Grace Montie , Trey Walpole異形帝國
詹姆斯·肯恩,曼迪·帕廷金,特倫斯·斯坦普,皮特·杰森,杰夫·科伯,托尼·佩雷斯,布萊恩·湯普森,弗朗西斯·X.麥卡蒂,基內(nèi)·揚(yáng),阿爾·伯恩,弗蘭克·考利森,湯姆·莫爾加,亞歷克·吉利斯,林凡 ,賈斯珀·科爾,Roger Aaron Brown,Don Hood,Edgar Small,Harri James,Brian Lando,Regis Parton,Jessica James,Clarence Landry,George Robotham,James De Closs無限：未知對象
托莉·巴特勒-哈特,伊恩·麥克萊恩,康勒斯·希爾,格雷厄姆·巴特勒,Ben Lee,Holly Dale Spencer,Chris Hart,Wendy Muir Hart安娜和世界末日
艾拉·亨特,馬爾科姆·卡明,莎拉·斯維爾,克里斯托弗·萊沃,瑪里·休,本·威金斯,馬克·本頓,保羅·凱耶,肖恩·康納,約翰·溫切斯特,艾拉·賈維斯,杰基·伯德同類推薦
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
我是桐島
每熊克哉,北香那,奧野瑛太,高橋惠子,原田喧太,影山祐子,山中聰,鄭龍進(jìn),嶺豪一,和田庵,伊藤佳範(fàn),宇乃徹,長村航希,?？?安藤瞳,咲耶,趙珉和,松本勝,秋庭賢二,佐藤壽保,ダーティ工藤,白川和子,下元史朗,甲本雅裕物語は1970年代、桐島の大學(xué)時代から始まる。反日武裝戦線の活動に共鳴して行動をともにしていた彼は、1974年の三菱重工爆破事件で多數(shù)の犠牲者を出したことにより、深い葛藤にさいなまれる。警察當(dāng)局の捜査が進(jìn)んで組織が壊滅狀態(tài)になる中、指名手配された桐島は偽名を使って逃亡。やがて工務(wù)店での住み込みの職と靜かな生活を手にした桐島は、ライブハウスで歌手キーナと知り合う。
亞美利加納
西德尼·斯維尼,保羅·沃爾特·豪澤,扎恩·邁克拉農(nóng),埃里克·迪恩,哈里特·桑塞姆·哈里斯,西蒙·雷克斯,托比·哈斯,Derek Hinkey,海爾希,喬·阿德勒,唐納德·賽羅尼,布南儂·克羅斯,加斯珀·基恩,托尼·托斯特,亞歷克斯·奈特,Christopher Kriesa,Nancy L. Gray,布雷迪·博克斯,Megan Hensley,Austin Boyce講述了一群性格迥異的角色圍繞一件罕見的美洲原住民文物展開激烈爭奪的故事，在這件文物流入黑市后，一位懷揣夢想的靦腆女服務(wù)員（西德尼·斯維尼 Sydney Sweeney 飾）與一位渴望愛情的退伍軍人（保羅·沃爾特·豪澤 Paul Walter Hauser 飾）聯(lián)手，試圖將其據(jù)為己有，卻因此成為冷酷罪犯（埃里克·迪恩 Eric Dane 飾）的目標(biāo)，而他正為一名西部古董商人（西蒙·雷克斯 Simon Rex 飾）效力。隨著更多人卷入這場爭斗，血雨腥風(fēng)接踵而至。
孽欲之殤
Karanvir Sharma,Mannara Chopra,Shraddha Das一個花花公子搬到海濱別墅撰寫犯罪報道，在那兒他遇上一個女孩并與她墜入愛河。女孩對這段感情非常認(rèn)真，但男人只把它當(dāng)做逢場作戲。女孩有一個姐姐，她時常與其分享她的感情。然而她并不知道，她的男友與姐姐也在交往。在一次撞見他們上床交歡后，女孩徹底瘋了，決定伺機(jī)報復(fù)。
黃金七令之羅剎風(fēng)云
任子豪,何雨宸,李子雄,李家辛,徐俊,謝昌定,朱翔,曹憶,錢婧睿,張宸彬,高迦瀾,曾慶生,范奇《七令詭事錄》是由徐俊、高悟翔執(zhí)導(dǎo)，任子豪、何雨宸、李家辛、袁祥仁，徐俊、 領(lǐng)銜主演，劉碩、張宸彬、朱翔、胡建偉、李平安、錢婧睿、曹憶等出演的驚悚、懸疑、恐怖片?！ ≡撈v述江湖豪俠薛氏兄妹，薛小風(fēng)和薛小花被人陷害被卷入掏心慘案中，隨著黃金七令浮出水面，薛氏兄妹聯(lián)手警察局總探長段廣龍，將黃金七令背后的秘密一層層揭開。